Singer-songwriter Ingrid Michaelson lit up the stage with a wonderful set playing to a packed crowd at The Fillmore on Monday night as part of her Hell No tour. Touring in support of her recently released LP, It Doesn’t Have to Make Sense, Michaelson and her five-piece band performed a well-rounded set featuring some of her newest music along with a mix of favorites pulled from her previous five albums. The show started with a dramatically dark stage that lit up as Michaelson came on stage and started singing one of her new songs, “Light Me Up.” After a few songs, the band left the stage and Ingrid performed a couple songs solo acoustic with her ukulele. She played an interesting medley combining “Corner of Your Heart” and “How We Love,” followed by a beautiful cover of Radiohead’s “Creep.” Continue reading →
Philly’s Sheer Mag will kick off an international tour with a packed hometown show at PhilaMOCA tonight. They’ll hit New York several days later; then, they’ll chart a course overseas with a string of Australian and New Zealand dates. Just a few days ago, the band announced their Compilation LP, which brings together newly remastered versions of their first three 7″s in one convenient package. For tickets and more information on the show, head over to XPN’s Concert Calendar. If you’re tired of your wet blanket of a coworker complaining about Monday, take him to see Sheer Mag and blow his mind. Continue reading →
Ingrid Michaelson has announced a Fall tour with a stop in Philly at the Fillmore on Monday, November 14th. The singer-songwriter’s last show in Philly was last July at the Mann, and she’s been working on new material for a forthcoming album. Continue reading →
To say that Ingrid Michaelson gets better every time I see her is in no way an understatement. Over the past year, this is the fifth time I’ve caught her live; you think I would have seen everything, but you would have thought wrong. She throws in new (though equally beloved) songs, always makes sure to love her band in the most creative ways possible, and with this week’s Mann Center appearance being the last show of her Summer Night Out tour, antics were sure to occur. Occur they did. Continue reading →
UPDATE: Due to inclement weather, tonight’s Ingrid Michaelson show will be moved from The Mann’s skyline stage to the amphitheater. Seating for the show will be general admission.
Pop / rock fave Ingrid Michaelson released her sixth album, Lights Out, just about a year ago, and tonight she brings the latest leg of tour in support of it to The Mann Center for her biggest Philly headlining show to date. The album is full of catchy jams, from “Girls Chase Boys” and “Afterlife” to “Time Machine.” Joining her on the bill tonight is perennial piano-led power trio, Jukebox The Ghost. Tickets and information can be found at the XPN Concert Calendar. Continue reading →
The Mann Center of Performing Arts will play host to both Ingrid Michaelson and Jukebox the Ghost for a show at the Skyline Stage on June 30th. XPN favorite Michaelson, known for her hits “Boys Chase Girls” and “Afterlife,” is an indie pop vocalist from New York who has been amassing a following since the release of her debut album in 2005 album Slow The Rain. Last year, she released Lights Out and performed at the XPoNential Music Festival. Continue reading →
Two truths about singer-songwriter and XPN favorite Ingrid Michaelson: she writes ridiculously catchy, heartfelt songs. And she knows how to work an crowd. During her set before a packed, captive audience at the River Stage of the XPoNential Festival on Saturday, Michaelson exhibited both of these strengths, delivering sharp performances of songs from across her catalog – the rousing new “Home” and “Time Machine,” older numbers like “Breakable” and “Way I Am” – and having lively banter with the audience between songs.
Still hot off the release of her newest album Lights Out, Ingrid Michaelson stunned a sold-out Electric Factory crowd on Friday night. I had just gone to Ingrid’s Free @ Noon concert at World Café Live that afternoon, and upon entering the Electric Factory, I expected more of the same: great songwriting and vocal talent, impassioned lyrics from her entire songwriting career, and one of the tightest backing bands in the business. Within the first hour of the show, before Ingrid herself had even taken the stage, my expectations were shattered, and by the end, I was cheering as loud as the people in the very front.
Opening up the night was self-proclaimed vintage duo Sugar & The Hi-Lows, comprised of songwriters Trent Dabbs and Amy Stroup. In an effort to bring back the feel-good sounds of the early 20th century, Dabbs and Stroup serenaded the audience with bluesy, stomp box driven harmonies, and relied on audience participation throughout the entire set. Every song echoed the sounds of the 50’s and 60’s, from the overdriven guitar to Dabbs’ own hair and outfit.
Coming up to the stage second was powerhouse Irish duo Storyman, made up of Kevin May and Mick Lynch. Echoing the songwriting style of Kodaline, Passenger and bands of the same vein, the duo transfixed the audience with vast guitar, synth and stomp box instrumentations, even calling upon the crowd to turn their cell phones and iPod’s into “digital fireflies” during a song, in an effort to recreate Kevin May’s first experience of seeing fireflies upon coming to America. By the end of the set, the audience was begging for more, but the quality of the music that night would only improve from there.
Just before 10 o’clock Ingrid finally took the stage, but it was by no means the same Ingrid that played the Free @ Noon earlier that day; this Ingrid was revitalized, charismatic, and energetic through the final chorus. This Ingrid had undeniable electricity that carried her through belters like “Time Machine” and “You Got Me” (written by and featuring Storyman), and crooners like smash-hit “The Way I Am,” “Breakable,” and “Ready To Lose” (with Trent Dabbs).
Michaelson built her relationship with the crowd from the ground up, relying on them consistently for clapping and (startlingly) excellent backing harmonies. She showcased her relationship with every member of her ever-impressive band, introducing them by making them do character walks as they were introduced, with characters including Ellen Degeneres, Marilyn Manson, Marilyn Monroe, The Incredible Hulk, and Darth Vader and Luke Skywalker battling to the death (done by one person!). Other highlights from Ingrid’s set included hit single “Girls Chase Boys,” “Chain” (featuring Amy Stroup), and “You And I” (redone as a polka, complete with accordion!).
By the encore, the crowd grew to absurd volumes, and Ingrid and her band astounded the audience with anthemic renditions of “Maybe/Everybody,” and “Afterlife,” a feel-good song for the ages focused on finally becoming involved in the present moment, and every member of the crowd, myself included, was fully immersed and singing along. Post-show, Ingrid tweeted “Philly let’s get married.” to 184,000 followers. If the ever increasing volume of the crowd was any indication, the response is a resounding “Yes.”