James Blake has come a long way since he first introduced himself to the world through a series of gorgeously glitchy EPs back the start of the decade. From there, we’ve seen him undergo subtle but significant evolution. That early glitchiness gave way to dubstep-infused piano balladry, Mercury Prize-winning R&B, and elegant experimental soul, all anchored by Blake’s smooth, syrupy vocals.
This year’s Assume Form saw him adopting a different kind of shift, abandoning his trademark interiority in favor of collaboration and songs about romantic contentment. I’d dare say it’s the happiest collection of songs he’s put his name to yet. That happiness was both obvious and contagious at last Friday’s show at The Fillmore. Attendees were treated a generous, joyous selection of songs from his career, one that both properly showcased his new album and infused his past highlights with its positive vibes. Continue reading →