In the years following the death of iconic singer-songwriter Jason Molina, many artists have come together to pay tribute — namely, the Songs: Molina project, which was started by Molina’s bandmates from Songs: Ohia and the Magnolia Electric Co. Songs: Molina, a Memorial Electric Co. will tour Europe this fall, with the addition of a familiar local face — Strand of Oaks‘ Timothy Showalter.
Showalter is a longtime Molina fan — the Strand of Oaks song “JM” is named for the musician, and he’s been known to share the story of the only time the two met. Molina himself spent some time in Philadelphia recording his 2002 album Didn’t It Rain, and Philly’s Mike “Slo-Mo” Brenner played slide guitar on the album. Also on the tour is Molina biographer Erin Osmon, author of Jason Molina: Riding With The Ghost.Continue reading →
A group of musicians will honor the songs of Jason Molina at Underground Arts on Thursday, June 22nd with Songs: Molina – A Memorial Electric Co. The tribute project was originally convened by the late singer-songwriter’s Songs: Ohia and Electric Magnolia Co. bandmates and friends in 2013 following his sudden death; this summer, they’ll gather together again for a run of dates in conjunction with the release of a new Molina biography.
Welcome to the first chapter of Folkadelphia’s new project that we’ve gotten in the habit of calling Unsung.
In the history of music, there are many unsung artists and albums that we firmly clutch close to our hearts. These artists create the kind of music that we wish other people knew more about or cared more deeply for. We wish that we could share with others our exact feelings about how we’ve been touched and affected by some musicians. We want to show them the light. We want to sing these musicians’ unsung song for everyone to hear.
With this series, we hope we can provide a way for people to connect with music that has been influential beyond its commercial impact and, perhaps, appeal. It’s never too late to find a new favorite band and honor their legacy and discography.
For this first part, we focused on what has become one of my favorite albums: Songs: Ohia’s Didn’t It Rain, which was recorded in Philadelphia in 2002. Continue reading →
Strand of Oaks frontman Tim Showalter spent just half a day recording as Goshen Electric Co., but he spent the better part of two decades as a fan of the late Jason Molina, who wrote music as Magnolia Electric Co. and Songs: Ohia. Since Molina’s passing in 2013, many artists have paid tribute to the songwriter by covering his deeply moving songs, but Showalter has taken his tribute a step further by teaming up with the remaining members of the Magnolia Electric Co. band to form Goshen Electric Co. and record a 7″ of two Molina deep cuts, out today. Continue reading →
In what’s become something of a Philly tradition, Strand of Oaks will return to South Broad Street’s Boot and Saddle this December for three nights in a row: the storied Oaks Winter Classic, edition IV. This year, the shows take place Thursday, December 6th; Friday, December 7th; and Saturday, December 8th.
Unlike last year’s gigs, where Showalter hand-picked different openers each night, these shows will all feature Greenbelt, Maryland singer-songwriter Joe Pug — a full-circle moment, since one of Showalter’s first tours in the wake of Pope Killdragon‘s success was opening for Pug — as well as Carl Broemel of My Morning Jacket, who Strand of Oaks opened for at the Tower Theater in 2015. Continue reading →
This year, Tim Showalter of Strand of Oaks gets to step into the role of one of his heroes — singer-songwriter Jason Molina, who wrote profoundly moving music in aughties outfits Songs: Ohia and Magnolia Electric Company. After Molina passed away in 2013, Showalter wrote the epic “J.M.” in tribute to him, a central track on Oaks’ 2014 album HEAL, and this fall he teamed up with the surviving members of Molina’s band to tour Europe as Memorial Electric Co.
“There was such an intimate relationship with his music – it felt a lot deeper than just liking a song,” says Showalter of the experience of getting ready for these shows, and his fandom in general. “You live in these songs.”
In cased you somehow missed it, “Get Loose” is Timothy Showalter’s mantra of 2017.
Those two words have been used effusively by his band Strand of Oaks: it’s a lyrical refrain in “On The Hill,” it’s a command shouted from the stage and a catchphrase on social media to get fans hype for their tour; it appears on huge block letters on t-shirts at the merch stand. Hell, it’s all over the artwork to Harder Love, the companion LP to this year’s Hard Love that Philly fans picked up an early copy of at the third annual Winter Classic, Oaks’ three sold-out nights at Boot & Saddle earlier this month.
The spirit of the phrase is all about loosening oneself from external expectation, finding joy in the moment, living your life for yourself and those who you love most dearly. With those shows, however, “get loose” took on a different meaning for Showalter: he was loose of the band he’d been touring with all year and loose of their locked-in style of improv that, while dazzling, could eclipse the incredible songwriting at the core of it all; he was loose of the sets focused largely on 2017’s Hard Love — recently named one of our don’t-miss record of the year — sets that rarely included anything earlier than 2014’s HEAL.
The Winter Classic shows were Showalter, on stage by himself for the better part of three straight nights, performing different and deep-diving song selections each show — constructed with fan input, his setlists touched on cuts from all five Oaks studio LPs, including songs he hasn’t played in five-plus years (maybe ever?), with a recurring jam from the slated January release of Harder Love and a new song dedicated to his wife Sue.
He was loose and, admittedly nervous about the ordeal — there was nothing to hide behind, just Tim and his gregarious personality. And at the end of it all, that looseness made room for discovery and re-discovery, for audience and artist alike. Here’s what we heard and saw that weekend. Continue reading →
Philly punk trio Telepathic is lean and mean, direct and driven. Its performance for The Key Studio Sessions this week rocks out six jams econo in a little over eleven minutes — and here I thought last week’s session with Radiator Hospital was efficient! — and its forthcoming LP, Self Check Out, packs in a walloping 19 ragers with little in the way of excess. Basically, these are three humans who know exactly what they want to say, know how they want it to sound, and they waste no time getting to the point.
The band is comprised of three players — Rob Garcia on guitar and vocals, Sarah Everton on bass and vocals, Mark Rice on drums — who have moved in indie circles for a while now. Garcia and Everton co-fronted the asskicking Bleeding Rainbow, while Rice played in Jason Molina’s Magnolia Electric Co. But unlike other bands of scene vets that, oftentimes, can come across as cynically calculated in attempting to optimize industry forces in their favor moreso than making art, Telepathic is the opposite. They are art first, all the way, and to this observer, their EPs and the forthcoming LP seem to say “we’ve been down that road already. We hated it. This time, our music is for us.”
Here at The Key, we spend a lot of time each week digging through every new release from Philadelphia that shows up on Bandcamp. At the end of each week, we present you with the most interesting, most unusual and overall best of the bunch: this is Items Tagged Philadelphia.
I will never not tell you to go see live music in some way or another. It’s part of my role here at The Key — shining a light on the artists that dwell in Philadelphia, as well as the spaces where their art comes to life. It’s just that, often, there’s so much of both of those things.
Friday night, I had a ridiculous amount of gigs to choose between. Two record release parties were on the calendar — one for Radiator Hospital, who headlined the church in support of the awesome and uplifting Play The Songs You Like, and one for Hound, who played Space 1026 to celebrate the asskicking Born Under 76. Technically, there were three, if you consider that The Lame-Os’ opening slot on the Preen / Pears gig at Everybody Hits was in celebration of their new self-titled jawn; and on the non-yay-new-album front, Vita and the Woolf headlined Johnny Brenda’s and The Overcoats played Arden. (To say nothing of huger shows like Ben Folds at The Fillmore, Brand New at the Tower, etc.)
And it’s been wonderful. I’ve gotten a lot of reading done, I’ve watched a couple movies, and I’ve listened to a lot of music — stuff that’s been accumulating in my New Music playlist on iTunes as well as new finds on the Philadelphia Bandcamp tag. We are now solidly, seriously in the autumn weather zone, and I’m all-around loving it: the temperature stability after all the seasonal elongation and upheaval we experienced earlier this year, the emergence of playfully macabre decor ahead of Halloween, and the way the turning of the leaves and the cooling of the air guides artists inward to a more reflective headspace.
If that’s the place you’re in as well, you’ll probably find a thing or two to love in the fifteen releases below.