If you mix theatrical rock with futuristic funk and self-described “soul glam,” you end up with Archpalatine, one of the most interesting newer bands in town. Led by singer and keyboardist Derek Anthony Wilson, the project just shared a video for the song “Turbulence,” from their debut album Amalgam. Continue reading →
Philly five-piece Joy Again have been around the scene in one way or another for quite a bit. Adapting in different forms and names, they’ve worked with the likes of Mom + Pop records and Lucky Number, while playing a whole lotta basement shows along the way. Now,they’re back with a new bout of tunes via Never Grow Up — in which they’ve recently released the two singles, “Kim” and “On a Farm.”
Both songs share a video, as well as the short and sweet length of just about two minutes. But the similarities pretty much smack to a halt there, as the tracks exist as a sort of A and B-side advertisement to their expansive style-sliding-scale from: a.) exuberant indie pop to b.) the oh so wonderfully strange. Continue reading →
18-year-olds Sachi DiSerafino and Arthur Shea first began making music together under the name Forever Lesbians, but as their band changed, so too did its name. Now they’re known as Joy Again, a five-piece group that has been a staple of the Philly basement scene for a while now. Continue reading →
The Philly basement show scene has become a beacon that attracts teens and young adults from all around Philly to make amazing art and music for their peers. Last night a huge mass of youth descended on Hot Dog House, a small house venue to see 3 touring bands, as well as the penultimate show of young Philly favorites Joy Again (formerly known as Forever Lesbians, and can be called so interchangeably).
Made up of teens from mostly northern Philly suburbs, this band has started to pull larger and larger crowds of Philly kids who can’t get enough. They’re known for the relatable songwriting of guitar players Arthur Shea and Sachi Diserafino, and an amazing distorted sound sounds like the best of Ariel Pink. Everybody was abuzz to see Joy again play, but noticeably saddened to see one of the best up and coming Philly bands break up. The place was packed wall to wall for every act, and all the groups played long sets to the noticeably excited young crowd of mostly teens. Continue reading →
California punks Joyce Manor have the art of the two-minute-or-less song down to a science. Always packing in a friendly dose of angst, a heaping of heart and a dash of wonderment, the band squeezes into a short song what some band’s can’t with double the time. With their well-oiled machine ready to roll out again, Joyce Manor has just announced a long-awaited follow-up to 2014’s Never Hungover Again. The album Cody is due out on October 7th via Epitaph, and Joyce Manor just released the first single, “Fake I.D.” Continue reading →
SoCal punk band Joyce Manor return with their third album Never Hungover Again. The album follows 2012’s Of All The Things I Will Soon Grow Tired Again. It’s the group’s first on Epitaph Records and is out July 22nd. Earlier this year, the group released the video for the first single, a DIY jiu-jitsu lesson, “Catalina Fight Song” was released in May.
Never Hungover Again certainly has a Smiths-like aspect, a sort of tragic Morrissey-esque feeling. The moody atmosphere is paired with nasal punk vocals and good, catchy guitar hooks. The first track, “Christmas Card” is a prime example. The album has its ebbs and swells. “Victoria” are full of energy but is preceded the final, definitely Smiths’ inspired tone of “End of The Summer”. The lyrics have the raw, emotional appeal of bands like the Front Bottoms and the instrumentation is strong.
Catch Joyce Manor at Union Transfer September 17th. Get more info here. Listen to Never Hungover Again via NPR Music’s First Listen series here.
It was one of those nights at the Mann Center for Performing Arts where every moment made you fall in love with Philadelphia all over again. And each song made you feel more at home with the ever-engaged audience.
The skyline aglow, M. Ward took the stage with an acoustic guitar, alone, and fervently played to the crowd. The band shuffled in, playing favorites like “Chinese Translation” and “Post-War.” Mid-set, Ward announced a surprise album release of What a Wonderful Industry, that dropped today and followed it up with a new single, “Miracle Man.” Continue reading →
Just a few days after premiering the politically-charged “Letter to the Free”, Common has share not one, but two new collaborations with Philly soul singer Bilal. All three songs come off of Common’s hotly anticipated new album Black America Again and see the dynamic duo continue their winning streak. Continue reading →
There’s nothing quite like a mid-fall gig at First Unitarian Church, except, of course, the fact that it felt increasingly more like a show in the middle of the dog days of summer with each step taken down to the basement on Friday night. After all, isn’t that the charm of it? Forfeiting sanity, personal space and healthy body temperature regulation just comes with the territory — and there was no better place than here to hold Joyce Manor’s back-to-back sold out Philly dates. Supported by New York up-and-comers Crying and alt heavy-hitters The Hotelier, the night was a showcase of powerful emotions, manifested in intricately diverse forms. Continue reading →
Philly punks Thin Lips are getting ready to head out on a long spring and summer tour – which includes dates with The Front Bottoms, Modern Baseball, and The Max Levine Ensemble. Along the way, they’ll release their debut full length – Riff Hard – on May 20th via Lame-O Records.
Today, we got a taste of the forthcoming LP in a super fun music video for “Never Again,” filmed at Kung Fu Necktie by Adam Peditto and featuring members of Cayetana and Year of Glad in the crowd. Thin Lips itself also stars as, well, the band – as well as various members of the audience (Kyle Pulley as a erudite, Catcher In The Rye-reading fan at the bar is ace) and, cosmically, another band that crashes the party at the end. Continue reading →