On her winter tour, country popstar Kacey Musgraves got a lot of attention for a rendition of Gloria Gaynor’s “I Will Survive,” performed with opener Natalie Prass. Her love of the disco favorite was evident in the way she wholly embodied its spirit, and that musical empathy extends to two more recent covers she’s done on the road, beginning this past Monday at RodeoHouston in her native Texas. Continue reading →
If you didn’t snag tickets to the super sold-out Kacey Musgraves show that graced The Fillmore Philly last month, fear not: the acclaimed country-pop singer songwriter is returning to Philadelphia in late summer as the second leg of her run in support of last year’s Golden Hour — the Oh What a World: Tour II, she’s calling it — comes to The Met Philadelphia on September 11th. Continue reading →
Having witnessed the magic of East Texan singer-songwriter Kacey Musgraves on an earlier turn through Philly country (the Trocadero, 2015), there were certain elements of her live showcase that I was prepared for when she hit the stage at the Fillmore for a waaaay sold out gig on Friday night. That she would be sassy and foul mouthed. That her well-dressed band would hit any joint passed up to the stage from the audience. That she would chattily interact with the audience. That there would be hats, and not all of them cowboy. That she and her ensemble would spend lots of time backlit and in the dark so to create an air of mystery that has little to do with her forthright songwriting skills and salted caramel vocals.
Touring then after the release of the sugar honky tonk modern classic, Pageant Material, required all toes and several fingers tucked into the tones of traditional country, skiffle rhythm and rockabilly to go with her sophisti-cosmopolitan take on C&W pop.
What a difference, however, several years, emotional and aesthetic growth and maturation, marriage, a shimmering new Golden Hour, and Grammy noms for Album of the Year make. The Musgraves & Co. that took that Fillmore stage on Friday night were a smoother, shinier lot with far fewer detours like the raw “Family Is Family,” the acoustic fairy tale “Merry Go ‘Round,” and the tender lyrical pragmatism of “We get bored, so we get married / Just like dust, we settle in this town.”
What was the order of the night — played to a super hyped-crowd, several ‘rainbow yeehah’ fans up front, and even a marriage proposal in VIP (congrats Navy serviceman Daniel Caton and Avery Davis) — was a set of love and like songs that was gentler, smoother, sleeker and even in tone. Continue reading →
Kacey Musgraves released her album Golden Hour earlier this year, and just wrapped up a tour with Harry Styles. Just a month after gracing the stage at World Cafe Live for Free at Noon, she has just announced the dates for her own headlining Oh, What A World tour. The North American leg includes a visit to Philadelphia on January 18th at The Fillmore. Natalie Prass is opening for her in Philly; supporting acts elsewhere on the tour include Soccer Mommy, and Liza Anne. The charming country star just released a video for her single, “High Horse,” a warm-palette period piece that nods to 70’s disco; watch it below and get tickets and more information at the XPN Concert Calendar. Continue reading →
Later this very night, Kacey Musgraves will play on a much larger stage to a much larger crowd. But this afternoon, the rising country star was more than content to bring things down a notch and play a soft, intimate set to a crowd brimming with enthusiasm.
Before today’s performance even began, as a line of eager audience members filled the World Cafe Live stairs and spilled out the door, it became clear that this would not be your average Free at Noon. And if you were lucky enough to score a spot at today’s sold-out show, you had the rare chance to see Kacey Musgraves on what may just be the smallest stage you’ll ever see her. But even though the Texas native is accustomed to playing bigger shows these days — especially on her current arena tour with Harry Styles, which makes a stop at the Wells Fargo Center tonight — she seemed downright thrilled by venue’s homey feel and awestruck crowd.
I spent a probably unreasonable amount of time in the last couple weeks compiling a list of my personal top 25 albums of the past 25 years – a time period which happens to correspond, more or less, with my lifespan as an active, conscious listener to contemporary music – and then discussing/dissecting said list in detail via Facebook comments, which turned out to be a surprisingly emotional process. (The whole undertaking was inspired by a prompt commemorating the 25th anniversary of Philly-based staple Magnet Magazine, wherein the list will eventually be published.)
One thing that struck me along the way was how astonishingly many acts from this time-frame – even the earliest years of it – remain (or have again become) relatively musically active. Now, maybe it’s just a factor of my age, but I don’t really remember the musical landscape of the ‘90s, for instance, being quite so well populated by artists who’d been around since the ’70s. Of the twenty-five artists who made my list, all but four are either still at it or at it again: two have died (Elliott Smith and Aaliyah; three if you count Stereolab’s Mary Hansen), but only two – Rachel Stevens and Aberfeldy – have, to my knowledge, simply stopped making music. Continue reading →
After spending much of 2018 on the road in support of The Future and the Past, Richmond singer-songwriter Natalie Prass is landing a lot of those coveted “musical guest” spots. We recently saw her on the Late Late Show with James Corden, where she delivered a discofied rendition of “Short Court Style” (a song that, no matter how often she performs it, we will not tire of), and today we are stoked to dive in to her Tiny Desk Concert, recorded in January at NPR HQ in Washington, D.C. while Prass was on tour opening for Kacey Musgraves. Continue reading →
Sister singer-songwriter duo Lily & Madeleine celebrated the release of their new album, Canterbury Girls, at today’s Free at Noon concert. The duo have released music together since 2013 and each of their albums since then sparkles with deeply personal lyrics, lush harmonies, and meditations on who they are in an ever-changing world. The album title refers to Canterbury Park in the sisters’ hometown of Bloomington, Indiana. However, the young songwriters — ages 21 and 23– have burst out of their hometown bubble this past year. They moved to Brooklyn and recorded their new album in Nashville in collaboration with Tashian and Fitchuk, the co-producers behind Kacey Musgraves’ Grammy-award winning album, Golden Hour. Their new album explores this experience of leaving home, loving and losing, and searching for who you are along the way. Continue reading →