“High Key” is a series of profiles conceived with the intent to tell the story of Philly’s diverse musical legacy by spotlighting individual artists in portrait photography, as well as with an interview focusing on the artist’s experience living, creating, and performing in this city. “High Key” will be featured in recurring installments, as the series seeks to spotlight artists both individually and within the context of his or her respective group or artistic collective.
A year after graduating from Central High School, King Britt was working at a new Tower Records location on South Street, having been hired for his judicious taste in music imports. At just 19 years old in 1987, having been brought up on all kinds of music and connected to the arts community in Philly, King was uniquely positioned to make moves, and to update dance music and electronica just at a time when the music industry stood ready to be transformed by the impending advent of digital technology.
At this interview at XPN studios, King reflected on his early hustle, and on those days in the late ‘80s and the first years of the ‘90s — a time of mixtapes and cassingles, hip-house and trip-hop. Few would be able to tell the story more capably or warmly than the Philly-born music producer, as he entreats us to fond memories of his days recording Sylk 130 records at Larry Gold’s studio, of the record label he co-founded with then-fellow-Temple-U student Josh Wink, of his collaborations with Bahamadia, and Ursula Rucker, and to musings about what, in his opinion, we all lost when Napster was unleashed (hint: it may not be what you think!). Continue reading →