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Kurt Vile covers The Rolling Stones for Spotify Singles session

Kurt Vile | photo by Samantha Bloom | courtesy of the artist

Hometown hero Kurt Vile recently stopped by Spotify HQ recently to record a pair of singles, including a cover of The Rolling Stones’ “No Expectations.” The track, from the Stones’ 1968 album Beggars Banquet, is reimagined in Vile’s signature style and stripped down for the session, with drawn out vocals and harmonica. The B side is an acoustic version of “Loading Zones,” off Vile’s recent album Bottle It In. Listen to the singles below via Spotify. Continue reading →

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Kurt Vile performs “Yeah Bones” on Late Night With Seth Meyers

Kurt Vile on Seth Meyers | photo by Lloyd Bishop | via Matador Records

Philly’s Kurt Vile returned to late-night television this week for a performance on Late Night with Seth Meyers. The band rocked a speedy and skittish version of “Yeah Bones,” a song from last year’s Bottle It In that is instrumentally complex (the closest Vile has gotten to math rock, perhaps) but is melodically incredibly poppy. Which is trademark KV: mixing the weird with the widely accessible.  Continue reading →

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Kurt Vile is characteristically laid back in his first solo Tiny Desk Concert

Kurt Vile | photo by Cameron Pollack for NPR

Kurt Vile‘s familiar chilled-out tunes sound great in any setting, but his laid back vibe makes him an outlier at NPR’s Tiny Desk, where most artists experience some degree of nervousness. Vile recently visited NPR headquarters to record his first solo Tiny Desk Concert; he previously appeared behind the desk with Courtney Barnett while promoting their 2017 Lotta Sea Lice collaboration. Continue reading →

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Kurt Vile brings mesmeric oddities and memorable hits to the majestic Met Philly

Kurt Vile | photo by John Vettese for WXPN

There was something decidedly cosmic about seeing Kurt Vile headline the immense space of The Met Philly last night. Cosmic not only in the interweaving, meditative instrumental passages of his songs like “Bassackwards” from this year’s Bottle It In, but in that a set comprised largely of this far-out fare was able to mostly pack the 3500 capacity room, with only a couple sections of open seats in the upper-upper tiers.

To be fair, Kurt is more complex than just a rock and roll mumblecore meanderer; he’s a loud and proud devotee of Petty and Prine with legit pop songs, like the set-opening “Loading Zones” and the encore “Pretty Pimpin’”, hooky and fun nuggets boasting widespread appeal. When he branded himself “Philly’s constant hitmaker” a decade or so ago, the handle might have been steeped in aughties irony, but the dude has legit hits: the jaunty “Jesus Fever” and the beautiful ballad “Baby’s Arms” from 2011’s Smoke Ring for My Halo are two others that made appearances last night. Continue reading →

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Watch Kurt Vile cover Tom Petty’s “Learning To Fly” in a Sirius XMU session

Kurt Vile | photo by Jo McCaughey | courtesy of the artist

Whether you can hear it or not (and it definitely took me a minute), Kurt Vile has always been a huge Tom Petty fan, and takes any opportunity he gets to sing his praises. And sometimes, actually sing his songs. In a new acoustic session recorded for SiriusXMU, Vile puts his spacey drum machine stamp on “Learning to Fly” from Petty’s 1991 album Into the Great Wide Open. Give it a watch below, and catch Kurt Vile at The Met Philly on December 29th; tickets and more information on the show can be found here. Continue reading →

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Kurt Vile gets sentimental on his new song “One Trick Ponies”

Kurt Vile | photo by Jo McCaughey | courtesy of the artist

Philly’s Kurt Vile releases his latest record, Bottle It In, next Friday via Matador, and it’s shaping up to be an expansive and eclectic set in the vein of his 2013 double LP Wakin On A Pretty Daze. While the previously released central tune “Bassackwards” wandered in weird alleyways for nine-plus minutes, his new “One Trick Ponies” is a pop gem with left-of-center quirks. Continue reading →

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Snail Mail will open for Kurt Vile at the Met; Kurt workshops Bottle It In via Pitchfork Live

Snail Mail | photo by Cameron Pollack for WXPN

Lindsey Jordan of Snail Mail has gone from casually releasing lo fi tracks on Bandcamp to playing sold out shows, releasing her acclaimed album Lush and touring internationally. To wrap the year, Jordan will trek to Philly to open for  Kurt Vile and The Feelies on their December 29 appearance at The Met Philly. Tickets for the gig are on sale now, more information can be found at the XPN Concert Calendar. Continue reading →

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Bob Dylan, Kurt Vile and Amos Lee are on the initial lineup for The Met Philly

Bob Dylan | photo by John Vettese for WXPN // Kurt Vile | photo by Noah Silvestry for WXPN // Amos Lee | photo by Wendy McCardle for WXPN

Singer-songwriter icon Bob Dylan will be the first artist to take the stage at the newly renovated venue The Met Philly, which opens on December 3rd. The initial lineup was announced this afternoon in a press conference from promoters Live Nation, and it also features Philly son Kurt Vile playing his hometown album release for his new Bottle It In LP on December 29th, and fellow hometown hero Amos Lee headlining on April 6, 2019.

The initial run of shows also includes Toto tribute band Weezer headlining on December 12th, cerebral Bucks County alt-popsters Ween on December 13th, violinist Lindsey Stirling on December 18th, and Germantown rapper PnB Rock on December 28th. Continue reading →

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Kurt Vile returns with the expansive “Bassackwards” from his new album Bottle It In

Kurt Vile | photo by Jo McCaughey | courtesy of the artist

When Philadelphia’s newest concert venue, The Met, opens this December, hometown hero Kurt Vile will be there to celebrate. Vile has just announced that his new album, Bottle It In, will be released October 12 on Matador Records. Following the release, Vile will embark on a lengthy tour throughout the fall, winter and spring that will take him through many of the world’s iconic venues, but playing one of The Met’s first shows will certainly be a highlight. Along with today’s announcement Vile has also shared a new song off the forthcoming album, the nearly 10-minute “Bassackwards,” which Matador calls “the album’s beating heart.” Listen below.

The Met, once known as The Metropolitan Opera House, was built in 1908 but sat dormant for years before its recent rehabilitation, which intends to restore it to its former glory as a key piece of Philadelphia’s cultural scene. The North Broad Street venue will be Philadelphia’s largest non-arena venue and will host a variety of performers; its initial lineup of shows has just been announced and will include performances by Bob Dylan, Weezer, Amos Lee, and several more music and comedy acts. Continue reading →

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Kurt Vile just wants to park in the “Loading Zones” video

Kurt Vile
Kurt Vile | photo courtesy of the artist

One might expect a song called “Loading Zones” from such a musician like Kurt Vile would reflect on his extensive touring with The War On Drugs, Courtney Barnett, or with the Violators, loading in and out for shows almost constantly since 2005. Instead, the track is a nostalgic and familiar contemplation of the everyday loading zone, Vile singing of avoiding paying parking by using the loading zones in his hometown streets. “Get my shopping done, laundry too, drop some dead weight, clean my hands of what I need to clean my hands of.” The structure of the song follows suit, never faltering in its churning groove. Continue reading →