Can’t wait until Made in America to catch Lizzo live? The Minneapolis alternative hip hop act returns to Philadelphia for a performance at The Foundry. Following 2015’s LP Big Grrrl Small World, Lizzo released an EPCoconut Oil last year which features the singles “Good As Hell” and “Phone.” Check out the XPN Concert Calendar for more info. Continue reading →
Christmas comes only once a year? False. See: Made in America announcement day. Philadelphia’s Labor Day party is back for another round, and with the announcement of this year’s lineup, we imagine the entire city is excited.
Minneapolis artist Lizzo is bringing her spunky style of alternative hip-hop to the Foundry at the Fillmore tonight. She is currently touring in support of her first release with Atlantic Records, Coconut Oil. Tickets and more information can be found on the WXPN Concert Calendar; watch the video for “Phone” below. Continue reading →
The seventh annual Firefly Music Festival in Dover, Delaware will feature acclaimed stars of rap and rock, with Eminem, Kendrick Lamar, Arctic Monkeys and The Killers in the headlining slots.
The Detroit rapper, otherwise known as Marshall Mathers, released his ninth studio album Revival in 2017, and is making his Firefly debut. Compton’s Lamar is on his second Firefly slot on the strength of last year’s universally praised DAMN. LP – he first appeared in 2013, following good kid, m.A.A.d city. Arctic Monkeys and Killers are returning on players too, having played in 2014 and 2015, respectively. For the former, it’s their first concert in three years (per Pitchfork) and they have an album on the way in 2018 as well. Continue reading →
Okay, yes — it was wet. It was muddy at parts. But though yesterday’s climate conditions during Made In America were less than ideal for a celebratory end-of-summer music festival, as Minneapolis rapper Lizzo pointed out during her early afternoon set, there was no room for us to grumble.
“We have a bit of a rain thing going on,” Lizzo said. “But this doesn’t compare to what’s going on in Houston. I’m from Houston originally, I have friends and family who lost everything.”
She encouraged the crowd to donate to relief efforts, and to do so at at the local level as directly as possible. Then she launched into a knockout performance of “Water Me,” a song she said she felt uncertain about playing in the wake of Harvey — “I’m done with water” — but one her Houston loved ones encouraged her to embrace, saying it uplifts them.
So, let’s not dramatize yesterday’s weather. It was soggy, it was a slog to get from point A to point B (but it usually is during MIA, honestly). But the show went on. Continue reading →
The Benjamin Franklin Parkway will be teeming with music and meyhem this weekend when the annual Made In America festival kicks into gear Saturday at noon. There are some incredible big names on the bill – the brilliant Solange and the charismatic J. Cole; the emotive Sampha, whose record Process is one of 2017’s best; Philly-rooted pop sensations Marian Hill, who play the main stage on Saturday; and of course Jay-Z himself, returning to the festival stage to celebrate his latest outing 4:44.
But there’s been a modest amount of grumbling about the lineup this year, in no small part because the polarizing dance-pop outfit The Chainsmokers are a co-headliner on Sunday night. People are either “I passionately hate this band and all that they stand for” or “yay music, I listen to whatever’s on the radio!” — and for those in the former camp, once they saw The Chainsmokers’ name on the lineup, they stopped reading further. But as always, the Made in America undercard is reliably awesome, and the early-afternoon slots as well as the out-of-the-way spots (helloooooo Skate Stage) are packed with goodness.
Here are ten artists that you maybe didn’t realize are playing Made in America, but who you definitely should not miss. – John Vettese Continue reading →
On Friday, March 17th, WXPN and four other public radio stations across the country — WFUV in New York, The Current in Minneapolis, KUTX in Austin and KXT in Dallas — will present the VuHaus Radio Day Stage at SXSW. The stage will host performances by Spoon, Hippo Campus, Black Joe Lewis & the Honeybears, and more. If you’re like me and don’t have the opportunity to attend the festival this year, you’re in luck, because you can still stream it via VuHaus webcast. Find a full lineup and set times below. Continue reading →
There are two things I can tell you with relative certainty: when it comes to Philly live music, we’ve got an embarassment of riches. And when it comes to the weather, it’s going to become exponentially colder as the next few months progress. (Like I said — we’re talking relative certainty here.)
Point being if you, like us, are hooked on experiencing live music and discovering new artists, you should get out of your house do it now, while it’s practical, before winter finally sets in and you’re hunkered down at home wrapped in comforters and binge-watching Atlanta and Silicon Valleyfor days on end — which, honestly, is an enticing proposition in itself.
But we’re not there yet! October felt like a massive concert feast, and November is poised to be even moreso, with heavy-hitters Jim James of rock and roll army My Morning Jacket and Stevie Nicks of iconic pop ensemble Fleetwood Mac headlining major shows in Philly, as well as exciting gigs from up-and-coming artists like Toronto punk rockers PUP, Nashville singer-songwriter Margo Price, Minneapolis rapper Lizzo and more. It’s so jam packed, matter fact, that you could easily see a concert a day with options to spare. That sounds like a pretty fun experiment, actually. If we were going to do it, this is what it would look like. Continue reading →
Joe Steinhardt doesn’t mince words. The way he sees it, music festivals are destroying music.
“What I’ll dub the festival industrial complex is the antithesis of what music culture – of what culture – really is,” says the co-founder of the New Brunswick, NJ based punk label Don Giovanni Records.
“It’s basically a bunch of corporate sponsors and corporate bands being shuffled around through a couple booking agencies,” he says. “And that’s why you’ll see, every city, every festival has the same lineup. It’s sort of feels like what happened with radio. Clear Channel bought up all the stations and radio feels the same everywhere. ‘Look at all these local festivals!’ But it’s the same goddam bands playing every one, right?”
Steinhardt thinks there can and should be another way. This weekend, the New Alternative Music Festival kicks off at Convention Hall in Asbury Park, New Jersey. A stacked lineup of DIY favorites will play the venue over the course of two days, with after-parties at Asbury Park Yacht Club and Angosta Lounge.
Appearing are indie scene heavy-hitters: Friday night’s bill is led by Screaming Females, Ought and a reunion of P.S. Eliot (the original project of sisters Katie and Allison Crutchfield of Waxahatchee and Swearin’); on Saturday, Downtown Boys, Girlpool and Laura Stevenson cap off the event. Numerous Philly-regional acts are in the mix as well: Pinkwash, Trophy Wife, Moor Mother, Radiator Hospital.
Most notably: there are no corporate sponsorships. No stages “powered by” such-and-such energy drink. No car company logos on Snapchat filters and merch booths. Steinhardt’s goal was to create a true alternative to the corporate megafestival that has, over the past decade, come to dominate how fans experience live music — and how musicians make their living. Continue reading →
“The days of going to shows that feature no women and no trans artists, that feature all male lineups, is over,” says Camae Ayewa. The experimental Philly musician at the head of Moor Mother Goddess has seen the scene evolve since she co-founded the all-inclusive ROCKERS! concert series in 2005. But, she says, “We have a long way to go.”
Tomorrow night, Ayewa is one of the panelists at UPenn’s Kelly Writers House for Shifting the Gaze: Women in Music, a roundtable examination of an industry that has historically been an exclusionary boys’ club. In a sense, women are more prominent in the music sphere than ever before, from top bill artists St. Vincent and Grimes to a plethora of emerging acts like All Dogs and Cayetana. Last year, Portland power trio Sleater-Kinney went on a reunion tour and released the album No Cities to Love – both were rallied around at a near-universal degree.