Cloud Nothings with The Courtneys and Rosali played Union Transfer on December 4th, 2018. Leading off was Philadelphia’s Rosali, solo project of Rosali Middleman. Continue reading →
If you’ve seen Eric Slick play a show recently, he was probably behind a drum kit — the ever-busy musician has spent the better part of 2018 touring with his band Dr. Dog and playing in Natalie Prass’s backing band. But Slick is ready to jump back into the spotlight as a solo artist. He’ll release a four-track EP called Bullfighter in January, and the first track, “Nothing Real,” is out now.
The haunting, orchestral song is paired with a video that interprets the EP’s title with a video game-esque bullfight that slowly unfolds with heightened creepiness and suspense as the animated bull and matador face off. Continue reading →
Nothing‘s latest music video veers away from the dark, nightmarish streak that we’ve seen before, instead giving us a glimpse at the band’s softer, more whimsical side. “You Wind Me Up” is a lush and dreamlike track off the Philly shoegazers’ new album Dance On The Blacktop, and the video matches that vibe with its outer space setting; a retro Dodge van with Pennsylvania plates serves as an unlikely spaceship, floating through the stars as Earth grows smaller and smaller in the rearview mirror. Continue reading →
Can we collectively agree to retire the aughties hipster cliche “Rocktober”? Not because the tenth month of the year is no longer jam-packed with live music — it absolutely is, moreso than ever, as any casual glance at the calendar will tell you — but because there are many more offerings at your disposal this month than mere rock.
This week alone, there is Nigerian-tinged R&B, homegrown hip-hop, jazzy folk, folky punk, and so much more. Here are 27 concerts you can see in Philadelphia in the next seven days, with a whopping eight options on Saturday night. Heck, even Monday has four shows you can choose from — Monday! GTTG, Philly.
Jay Som (aka Melina Duterte) has teamed up with LA singer Justus Proffit for a collaborative EP called Nothing’s Changed, a project that stemmed out of a casual jam session, evolving into something more when the pair realized their natural chemistry. Continue reading →
Nothing is fueled by nightmares. Their latest effort, “I Hate Flowers,” directed by Matt Newman, is another entry in the series of visually captivating music videos for Dance On The Blacktop. The video follows an agoraphobic man leaving his NYC apartment, thrashing as he’s dragged by some invisible entity in a sort of Fight Club scene. Flickering collages flash between clips of the man shearing his head and lathering his face in gold paint. In this surreal, apocalyptic world, the narrative becomes frayed and disconnected, reflecting the paranoid thoughts and disintegration of the character’s mind. Continue reading →
Domenic Palermo has been thinking a lot about his old neighborhood lately.
He thinks about the people he spent his childhood with; he thinks about how much things have changed and how much they have not. It makes sense, since the places we grow up shape us in innumerable ways. They’re our first impression of the world; they’re the center of our young universe. Our neighborhoods help us decide where we want to travel with our lives, whether we want to get as far away as possible or if we’d rather just stay in place. And the ramifications of those choices somehow touch the lives of people we knew; our family, our community. Even though he’s up in Brooklyn these days, the frontman of Nothing is constantly thinking about his childhood in the Frankford and Kensington sections of Philadelphia…and the things he can do to make it a better place in 2018.
This Friday, Nothing releases its third LP, Dance on the Blacktop, via Relapse Records; it’s an explosive and highly personal record, touching on themes of mortality, addiction and family, and after a long build-up of writing and working in the studio with producer John Agnello, the band will spend Saturday unwinding with family and friends in the Port Richmond section of Philly — just a short jump down the river wards from his old home.
The Nothing Record Release Block Party is just what its name suggests: a gimmick-free gathering with a DJ, games, food and fun; no Nothing live set, just a day-long hang. “We didn’t want it to be like a Diplo block party, we wanted it to be very neighborhood-friendly,” Palermo says when I caught up with him via phone last week. “We really just wanted to have a few hours where we can just see people enjoying themselves. I imagine that most of the people that show up to this block party aren’t even going to know why it’s really there, which is kind of the point. It’s purely just a Philadelphia celebratory kind of thing.”
For Palermo and his bandmates, its a way to kick back before getting into the grueling stress of another album cycle. But even in choosing the spot, he had a lot to think about. Continue reading →
California songwriter Jay Som‘s recent move down the coast resulted in not just a new home, but a new collaborative project. When Melina Duterte, the musician behind Jay Som, relocated from the Bay Area to Los Angeles following the release of her acclaimed 2017 debut LP Everybody Works, she met singer-songwriter Justus Proffit, and a just-for-fun jam session soon turned into a new musical project entirely. The duo will release an EP, called Nothing’s Changed, on September 28 via Polyvinyl. Continue reading →
Each song Philly shoegazers Nothing drops off highly anticipated Dance On The Blacktop, out August 24th on Relapse, is another tile in the mosaic masterpiece this album promises to be. Frontman and songwriter Domenic Palermo holds back nothing on latest track “The Carpenter’s Son,” pouring his entire self into this 7-minute ballad. Continue reading →