It wasn’t supposed to happen this way.
Two kids from New Hope shouldn’t have been able to get as famous as they did by performing original tunes about regional breakfast meat sandwiches and “The Refrigerator That Wouldn’t Close” (an actual early song title). It doesn’t make sense that anyone would have paid attention to two high school kids playing guitar and singing over a pre-recorded drum and bass track from a DAT tape. It’s nothing short of miraculous that at age 22, they would release a major label debut with song titles like “Flies On My Dick” and “Poop Ship Destroyer”, let alone that it would produce a charting single.
They shouldn’t have risen to festival-headlining status. They shouldn’t have been able to cultivate a ravenous, age-spanning fan base with a culture and mythology all their own. It defies logic that 28 years after these two best friends started their band, that they would suddenly split up, leaving their fans confused, outraged, and devastated.
Ween’s very existence is mysterious. Their rise and fall is as unlikely as their genre-bending catalogue of music is vast. Quite possibly the only thing that makes sense about Ween is their triumphant reunion, currently 13 shows deep. Their music, however, is still just as impossible to pin down as it ever was. They play festivals with jam-band-heavy lineups, but who would call Ween a jam band? They don’t exactly “jam”, although in their prime, versions of their funk odyssey “Let Me Lick Your Pussy” were known to cross the half-hour mark. They’re musical character actors, not just channeling the vibe of an 80’s hair-metal anthem or a drunken sea shanty, but fully committing and embodying the spirits of these songs. They can be 12 different bands across the span of a record, which is precisely why I jumped at the opportunity to see them play three times in a single week.
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