In the wake of the recent violence in Charlottesville, local punk label Get Better Records solicited contributions from artists local and national to raise funds to help those injured in the wake of the protest.
There was an outpouring from the scene, and today the label released a compilation of music from 100+ bands including Cayetana, Potty Mouth, Screaming Females, Sadie Dupuis, S-21, Worriers, Cameron Boucher, Palehound, Radiator Hospital, Mannequin Pussy, Roger Harvey, Solarized, Joe Jack Talcum, Dominic, King Azaz and more. Continue reading →
Along with all the other albums we’ve been waiting years for, Palehound‘s sophomore LP A Place I’ll Always Go was recently released on June 16th on Polyvinyl and it is as much fantastic as it is pure emotion. The trio from Boston brings their indie rock lo-fi sound to Boot and Saddle tonight as the second stop in their US tour in support of the new release. Joining them are Philly’s Queen of Jeans and Ursula at the 21+ show. For more information, see the XPN Concert Calendar. Continue reading →
Singers and songwriters Sam Beam and Jesca Hoop bring their collaborative LP Love Letter for Hire to Philly tonight for a headlining show at Union Transfer. Last week, they dazzled the crowd at XPN’s NonCOMM-vention. Listen to their set here, and get tickets and more information on the show at the XPN Concert Calendar. Continue reading →
Friday night’s bill at Union Transfer offered attendees a variety of punk acts, each with a distinct flavor.
The show began with Boston’s Palehound, who were celebrating their record release of debut full-length Dry Food. Singer Ellen Kempner brought a quiet energy with her band’s captivating brand of bedroom rock, playing tracks from Dry Food and 2013 EP Bent Nail. It was also encouraging to hear Kempner end her set by assuring audience members to come find her during the show if they felt at all uncomfortable with anyone’s behavior. Nice to see an artist making conscious efforts to keep the show as safe a space as possible. Continue reading →
Twenty-one-year-old Ellen Kempner is the brains behind Palehound. Known for writing songs that are both brutally honest and a pinch playful, Kempner – along with backing bandmates Jesse Weiss (drums) and Nick Koechel (bass) – has recorded a new LP, cleverly titled Dry Food. The album is streaming in its entirety via NPR Music’s First Listen series.
Beginning with “Molly”, a punchy track about a girl who “only knows how to love all alone,” Dry Food takes listeners on a journey through the head space of a young adult trying to assert herself and navigate life’s emotional landscapes. Continue reading →
New York based Palehound released the six song Bent Nail EP back in October, and I have to say I’m disappointed I did not hear about them until now. A lot of potential is wrapped up in this band, from the songwriting and lo-fi tunes, to singer Ellen Kempner’s striking voice.
Similarities can definitely be drawn to Philly’s own Hop Along – both feature passionate and aggressive front women backed by calculated hooks that result in something that is heartfelt and catchy.
“Drooler” contains a softly trudging verse that leads into a blown-up chorus where Kempner exclaims “Vandalize my body / If it helps you sleep soundly.” This song definitely grows on you. “Psycho Speak” is a trip through stories of rich lovers, bad neighbors, and laziness that flows with a non-stop upbeat guitar riff.
The band’s most notable song comes with “Pet Carrot,” with a great amount of humor and honesty intertwined throughout. Kempner takes us through this song as her voice dips and dives across her vocal range, but the guitar and bass also also pop. The EP finishes strong with “I Get Clean,” which focuses on the inability to clear your mind and “Flytrap,” which is a powerful humming ballad.
Courtney Barnett played a lively, jam-packed 90-minute set on Wednesday night to a sold out Union Transfer, showcasing her entire new album Tell Me How You Really Feel, as well as older hits like “Avant Gardener” and “Pedestrian at Best,” and a surprise guest performance with Philadelphia native Kurt Vile.
Barnett is on the last leg of their mini US tour with Bones Sloane on bass, Katie Harkin leading on guitar and keys, and drummer Dave Mudie, debuting her new album, out Friday on Barnett’s Milk! Records, Mom + Pop and Marathon Artists.
Barnett started their Philly set with Hopefulessness, and quickly after said, “We’re gonna play our new album. It comes out tomorrow, I think? What day of the week is it?”, with her classic bed-head charm. The band played an energetic “City Looks Pretty,” “Charity,” and “Nameless, Faceless,” along with more subdued songs from the album like “Need A Little Time,” and “Sunday Roast.” Continue reading →
if you weren’t able to snag tickets to Courtney Barnett‘s instantaneously sold out Union Transfer show, fear not — a run of autumn tour dates just announced this morning includes a headlining stop at The Fillmore Philadelphia on Tuesday, October 23rd. Continue reading →
There’s a new album coming out. It’s called Tell Me How You Really Feel. It’s got a wicked lead single called “Nameless, Faceless,” a total F the patriarchy jam about power, inequality, internet trolls and objectification set to hard-hitting riffs; the chorus incorporates the Margaret Atwood quote, “Men are scared that women will laugh at them, women are scared that men will kill them.” There’s a video for the song by Lucy Dyson, and you can watch it below. The album comes out May 18th through Mom + Pop, and you can pre-order it here. Continue reading →