80s New Wave icon Gary Numan headlines Union Transfer tonight in support of his new album Savage: Songs From A Broken World, released in September. It’s been over three years since the electro and industrial music pioneer’s last album and stop in Philly. Garage pop duo Me Not You opens the show. Find tickets and more information on tonight’s show on the XPN Concert Calendar. Continue reading →
Penn’s Landing is the place to be on Thursday nights – Spruce Street Harbor Park presents local artists for a free summer concert series in its awesome waterfront space, and tonight is one not to miss. Hip hop sensation Chill Moody will perform with The Bul Bey, and it is sure to be an evening of chill and breezy summer vibes. For more information, click here. Continue reading →
Brooklyn-based singer, Kelsey Byrne, makes dark, indie electro-pop under the moniker, VERITE. She’s been releasing a slew of infectious singles and EP’s since 2014, with her debut album, Somewhere In Between, due out on June 23rd. Before then, you can experience VERITE’s expansive sound fill Union Transfer tonight when she opens for Betty Who. Find more info on tickets here and watch the tour video of VERITE’s awesome cover of The 1975’s, “Somebody Else,” below. Continue reading →
Here at The Key, we spend a lot of time each week digging through every new release from Philadelphia that shows up on Bandcamp. At the end of each week, we present you with the most interesting, most unusual and overall best of the bunch: this is Items Tagged Philadelphia.
Pet peeve: the word “beachy” as a description of music. I’m sure we’ve used it a fair share of times in these pages, and I apologize. It’s typically a catch-all for carefree breezy pop, particularly of the mindless electro-tinged indie dudebro variety. And I don’t know about you, but I — like Philly’s Dead Milkmen — am not the biggest fan of the beach, or “the shore” in the parlance of our region. It’s a tremendously sad place on any number of levels: desolation and decay, ennui and loneliness, the desperation of clinging to some societal myth about youth and conventional beauty while the tide of time literally washes it further and further away.
Not that there isn’t worthwhile art to be made in those surroundings, of course. Last night I watched The Promise, a doc on the making of Bruce Springsteen’s Darkness on the Edge of Town, the brooding and quote-unquote difficult followup to his blockbuster 1975 LP Born to Run. Bruce wrote the album’s songs (along with, like, a gazillion others) while living on a farm in Homdel, just north of his Asbury Park stomping grounds. These new digs came in the wake of Born to Run‘s massive success, but rather than following the 70s rock cliche of songs bemoaning success — and before diving into the nostalgia-laden body of work that became The River — Springsteen used Darkness to focus even harder on the lives of those who he grew up around, the hard-working regular people looking for a break.
The doc included a short live set filmed inside the empty carousel house on Asbury’s Casino Pier, and the chipped and cracked grandeur of the building at sundown provided a perfect setting for these songs about the endurance of faded glory. It’s worth Netflixing — possibly a double feature with The Wrestler — whether you’re a fan of The Boss, or you’re just interested in seeing a different take on that place where the ocean meets the sky. Continue reading →
Almost a year after its initial release, Philadelphia indie rock duo Honeytiger has shared a visual for “As It Will Happen”, Half Clean‘s rousing opener. The clip follows a heartbroken man wandering some graffitied ruins, smashing plates, bottles, and a guitar in the process. Breaking things is cathartic, and so is Honeytiger’s music, so if you didn’t kiss anyone on New Year’s, find solace in the video below. Continue reading →