There are a hundred reasons to write about Shamir Bailey – known professionally as simply Shamir – beyond a recent relocation to Philadelphia. With a piercing contralto/tenor falsetto, Shamir demonstrates a musical curiosity ranging from 90s house, soul, country (all on 2015’s Rachet album), and now, lo-fi rock and fizzy pop (2017’s Hope and its follow-up, Revelations).
The-Vegas-to-NYC-to-Philly transplant has a singular voice, making any song identifiably theirs – be it silly (“90’s Kid”) or heartbreaking (“Like a Bird”) or angrily disgusted (“I Fucking Hate You”) in its lyricism. With Revelations out this Friday, November 3rd on Father / Daughter Records, and a First Unitarian Church gig on the horizon, I got Shamir on the phone to talk about their process, influences and aspirations. Continue reading →