Lame-O Records‘ annual Rock Residency benefit series at Boot & Saddle returns for its third year next month, and WOW would you look at that lineup. A Lame-O event never disappoints, but this year they’ve put together an exceptionally stacked roster of labelmates and friends to take over Boot & Saddle every Thursday in January. And it’s all for a good cause — the proceeds from each show will benefit several local charity organizations. Continue reading →
I love when crunchy bands play Free at Noon. Especially local crunchy bands — that’s just the Cherry on top. Haaaa. You know, those bands that are more thought of in context of packing sweaty basements or DIY venues than playing WCL at an hour when coffee is still vital. And that’s exactly the musical forecast today’s early afternoon set called for, which saw Philly’s Slaughter Beach, Dog closing out the day’s rare local-favorite double-header .
Not only did this change of pace showcase well-deserving, insanely talented artists, it also brought about a refreshingly interesting collection of folks — where a crowd of longtime Free at Noon regulars became speckled with beanie-clad college students.
Just to be clear though, as previous co-frontman of a little mega band called Modern Baseball, Jake Ewald is no stranger to playing big venues. But his new project Slaughter Beach, Dog is an entirely different monster; particularly SB,D’s recently released record Birdie, where acoustic stillness and subtle twang serve as the go-to vehicles of Ewald’s casually intricate narratives. Continue reading →
A show like this Friday’s Free at Noon doesn’t come along every week — not only is this week’s concert a rare doubleheader, it’s also a chance to see performances by two of Philly’s best local acts together in one place — and at lunchtime, nonetheless. Slaughter Beach, Dog and Cherrywill both perform, and while they’re each fixtures of the Philly scene on their own, lately their careers have been running parallel: both artists released debut LPs in October, and both played Lame-O Records‘ 5th birthday showcase a few weeks back. Continue reading →
In recent years, Upper Darby art punk favorites mewithoutYou have toured in celebration of every milestone they’ve hit — this time it’s the 15th anniversary of [A–>B] Life, and they’ve hit the road to play the album in its entirety. Tonight’s stop at the TLA also includes a performance from Pianos Become The Teeth. Last time mewithoutYou played a show in town was for the 15th anniversary of Brother, Sister — read The Key’s review here. Find tickets and more information on tonight’s show on the XPN Concert Calendar. Continue reading →
Slaughter Beach, Dog’s album Birdie is available everywhere today via Lame-O Records. But before then, in an incredibly bold move of transparency, Jake Ewald and pals decided it was time to expose the horribly dark, forbidden, entirely and completely shocking secret behind the album through a mini documentary.
The video begins with Ewald’s loved ones describing their relationship with him, and detailing his exemplary character — well, at least, once exemplary character. Things quickly go south (err west?) when Ewald’s true colors are revealed. Continue reading →
You’re sitting on the porch with a cup of coffee. The sun’s setting, there’s a slight cool breeze, trees are rustling, and you’re tucked under a crazily cozy blanket. Not a care, just good and safe. If this setting of comfort had a musical equivalent, it would be Slaughter Beach, Dog’s new song “Acolyte.” Continue reading →
As Modern Baseball gears up to play its last shows for the forseeable future at Union Transfer — as of this writing, only tickets for the Sunday gig remain — singer-guitarist Jake Ewald is readying the release of Birdie, the latest and best release from his solo project Slaughter Beach, Dog. Following up on “Gold and Green,” a single released earlier in the summer and performed live during the band’s terrific Key Studio Session, today we get a melancholic pop tune called “Fish Fry.” Continue reading →
Just in time for your Labor Day weekend rotation, we present you with 16 standout artists from all corners of the Philadelphia music community, performing live at WXPN Studios and recorded for The Key Studio Sessions.
In this, the 20th edition of our regular scene-surveying compilations, we hear veterans — the breezy psychedelic pop of Circadian Rhythms, the pensive and Pink Floydian neuroses of Queen Jesus — and we meet relative newcomers — like atmospheric emo four-piece Small Circle and driving riff rockers Honeytiger. As always, there’s stylistic variety: rapper Ivy Sole lowkey rocks the mic and experimental instrumentalists Palm get weird with interlocking licks and askew rhythms; Katie Frank brings some heartland-y country torch and twang and Ellen Siberian Tiger dials up the studied musical theatrics.
We teamed up with the folks at Folkadelphia to co-present sessions with SΔMMUS and Harmony Woods, captured a beautiful solo electric performance by Sorority Noise‘s Cameron Boucher, mellowed out to windswept Bossa Nova-flavored jazz by Ensemble Novo, and cheered Jake Ewald on as Slaughter Beach, Dog jammed on “104 Degrees” for a roaring six minutes. And, as always, there’s more still, in great performances from basement show staples coping skills and ominous electronic soundscaper Harrowgrove. Continue reading →
Jake Ewald’s side project Slaughter Beach, Dog has been churning out a ton of material lately. From the Motorcycle.jpg EP to a new single off his upcoming record, to his recent rocking off of socks at this week’s The Key Studio Sessions — there’s a ton of music gold to delve into. Seriously, please feast your ears upon the drawn-out, jam-fest of a performance of “104 Degrees.” It’s just too gosh dang good. And if you’re as taken with these tunes as I am, go see them live tonight at Johnny Brenda’s as well as sets from Shannen Moser and No Thank You. Continue reading →
Seriously, how is it possible that Jake Ewald is this sick of a songwriter? The Philadelphia singer / guitarist and producer, known by many as half of Modern Baseball’s core songwriting duo, also leads a rotating-cast indie rock troupe called Slaughter Beach, Dog, and has done so for the past several years. Though the band is a considerably more lowkey experience than when he plays theater-size spaces to pop punk devotees, it’s no side joint either; Ewald’s attention to craft, both lyrical and compositional, is in top form here, and only continues to heighten as the project releases more music. Continue reading →