“High Key” is a series of profiles conceived with the intent to tell the story of Philly’s diverse musical legacy by spotlighting individual artists in portrait photography, as well as with an interview focusing on the artist’s experience living, creating, and performing in this city. “High Key” will be featured in biweekly installments, as the series seeks to spotlight artists both individually and within the context of his or her respective group or artistic collective.
In June of last year, Philly-turned-Brooklyn rocker Steve Gunn released a dazzling collection of anthems for the modern American road-warrior. Eyes On The Lines is the sort of record that has the potential to become a local classic, the kind of music conducive to a little reflection and meditation on a sprawling state highway, a soundtrack to stumbling on interesting places even in what you may have used to think of as flyover country.
Originally from the suburbs west of Philly, Gunn graduated from Temple U and moved to Northern Liberties, as sort of a happy accident for him, back in the days just before it became the focus of developers, or a trendy place to move and invest in property. It was where Gunn got serious, as he describes it, about his focus on writing and recording music, where the prolific artist got started on what’s now a back catalog of over a dozen albums; among other topics, he talks in this interview about the era of Philly indie rock in the time of the late Jack Rose.