You heard that story about Barbara Streisand getting her dog cloned, twice? I’ve been thinking about getting the same thing done to myself, just so I maybe can go to all the awesome shows happening this month. Unfortunately I went to school for journalism and not biomedical engineering so instead of having a mad scientist lair full of half-baked clones walking into walls while screaming, “I can’t wait for Superchunk and Swearin’ next month!” … I’m writing this column saying the same.
Welcome to the March edition of the Skeleton Key, your friendly neighborhood gossip column. As I sit here working on this, the weather report is calling for nonstop rain and possibly even snow for the next 24 hours. But just because it’s gross out doesn’t mean you should stay inside! It doesn’t keep bands home and so it shouldn’t keep you home. So bundle up and get to the gig. Continue reading →
While the post-Superbowl riot might be the DIY event of the season, there’s a lot more going on this month than just a bunch of greased poles on Broad Street
Hi! Welcome to the second edition of The Skeleton Key, your friendly neighborhood gossip column just fighting the good fight against mediocrity and boredom. While we might (still) be in the middle of winter, warm weather – and with it, touring season – is on the horizon. I promise!
There was no better reminder of that than the recent announcement by R5 that Lighting Bolt and Moor Mother would be playing the First Unitarian Church at the end of March. While Lighting Bolt could sell out the Church all on their own, the fact that the good people at R5 are having Moor Mother open makes for a truly amazing and electric night. Which is to say: I really hope you got tickets because it sold out almost immediately. Continue reading →
Philadelphia is a really huge city. Like, absolutely massive. Next time you have the chance to fly into or out of PHL, take a good long look out the window: it really is the sixth largest city in the country, and that’s not even counting what’s referred to as the Greater Philadelphia Area AKA the ‘burbs and South Jersey. For most people, the city is limited geographically to where you live, where you work or go to school, and maybe some other landmarks around town. There are plenty of people who rarely find themselves in Center City and others who have never stepped foot in the suburbs.
As the place for Philadelphia music news, The Key strives to reach all citizens of our great city, no matter where they live. To that end, we present our newest column, The Skeleton Key. Our aim with this is not just to supply all of you with the latest news and rumors about everything going on in the city but also to better promote some of the bands that might be a bit more under the radar.
Before I move on to this month’s edition, a quick bit of housekeeping: I want to make sure that it’s quite clear that the idea for this is very much in homage to – that’s the nice way of saying ripping off, right? – the great work my fellow Key contributor A.D. Amorosi did for more than two decades at The City Paper, specifically the regular column he wrote called The Icepack. Also, a quick bit about me! I am a music journalist and photographer, a college radio DJ at WKDU 91.7FM, and someone who has been going to shows for way too long. I’ve also started booking bands over the past few years, which is both wonderfully rewarding and the biggest pain in the ass known to man.
Here are some of the topics this column will cover: upcoming shows, news about bands going into the studio or putting out albums, promotion of other bits of music journalism you might have missed, talk about old bands, rumors about new ones, and everything in between. If you want to send in some HOT TIPS or COOL RUMORS – I know you do! – you can reach me via e-mail or find me on Twitter at @talkofthetizzy. Continue reading →
This July, Hamilton is releasing her new EP, The Moths Of What I Want Will Eat Me In My Sleep, and ahead of its release has shared a sparking, evocative new song from it, “Plastic Skeletons.” Continue reading →
Part rock show, part theatrical performance, Metric frontwoman Emily Haines and her band The Soft Skeleton brought their Choir of the Mind tour to Union Transfer in Philadelphia last Wednesday, November 29th. Check out scenes from the show below, along with Haines’ remaining tour dates for 2017. The final three shows in San Francisco and L.A. are sold out, but tickets remain for their other three west coast gigs. Continue reading →
Matt Pond PA caught my ear back in my college days with Measure, an elegant collection of songs released on a tiny Philly label called File 13. On that album, followed in quick succession by two excellent Polyvinyl releases — The Nature of Maps and The Green Fury, both from 2002 — the eponymous songwriter showed that he was a man on a creative streak, an artist who had no reservations about bringing cello and violin into the indierock community, a musician who surrounded himself with a rotating cast of players who could make acoustic guitars and brush drumsticks more invigorating than pedalboards and cranked vintage amps.
Streaks like this often end. Pond’s didn’t. I’ve kept up with his career over the subsequent decade and three-quarters, and his work has maintained a consistently high caliber. Whether you’re talking about the outstanding Several Arrows Later (with its one-two opening punch of “Halloween” into “So Much Trouble”) or the very introspective Dark Leaves LP (which was briefly toyed with as a new band name), all the way up to last year’s Winter Lives and its effervescent single “The Glow,” his records are consistently impressive works. Even the many EPs and one-off singles across the MPPA catalog — 2001’s solemn I Thought You Were Sleeping, the seasonal 2005 outing Winter Songs (dude’s overarching vibe is autumn leaves, the outdoors and snow) 2008’s The Freeep (quite literally, a free EP) and its followup The Threeep — I mean, this is stuff that a lesser artist might use merely as stopgap fillers, as half-assed placeholders, but Pond doesn’t half-ass anything.
Which brings us to the man / the band’s latest, Skeletons and Friends, Pond’s god-dang twelfth full length and a remastered / expanded revisit of a project originally began in 2014. When we were approached about premiering it, it was described as “an in-between album.” And, as I’d expect from Pond, it’s as finished a product as you’ll ever hear. Continue reading →
Year-End Mania is the Key’s annual survey of the things below the surface that made 2016 incredible. Today, the hosts of WXPN’s Sleepy Hollow – Julian Booker, Keith Kelleher and Chuck Elliot – share their favorite quiet songs of 2016
We all know that 2016 was a difficult year for music fans. It will forever be remembered as the year we lost David Bowie, Prince and Leonard Cohen, among many others. But we can be thankful that it also yielded a surplus of excellent recordings (two of which were released by Bowie and Cohen themselves). From Allen Toussaint’s somber swan song American Tunes and undeniably consistent releases from David Crosby and Brian Eno to unexpected collaborations between Neko Case, k.d. Lang and Laura Veirs, Sam Beam and Jesca Hoop, and Billy Bragg and Joe Henry to potentially career-defining albums from young artists like Angel Olsen and Michael Kiwanuka, this year had a lot for which to be thankful. Take a listen to this Spotify playlist featuring all three of our hosts’ favorite songs of the year, and check out our take on a few of the releases that we thought deserved particular attention below. Enjoy! -JB. Continue reading →
Year-End Mania is the Key’s annual survey of the things below the surface that made 2016 incredible. Today, we get the best songs and best albums Kurt Vile heard in 2016 — along with an interview from XPN’s Mike Vasilikos.
Philly’s constant hitmaker Kurt Vile appeared on the air on WXPN this week for a wide-reaching conversation with host Mike Vasilikos recapping his 2016. In the mix, he shared some of his favorite music of the year.
As far as albums, Vile cited Steve Gunn’s Eyes on the Lines – “he’s from my hometown of Lansdowne, a fingerpicking guitar player, a likeminded fellow,” says Vile. He also cited Nathan Bowles’ Whole & Cloven – “he’s hypnotic on the banjo as well as the drums,” says Vile.” “And he also turned me on to a really good banjo company called Buckeye Banjo, and that’s what I play on ‘I’m An Outlaw.'” Lastly, he expressed admiration for Nick Cave and the Bad Seeds’ Skeleton Tree, which he called “a devastating record, very sad.” Check out all those albums below, via a Spotify playlist.
For the members of Lancaster indie rock crew Spill, this is their second go as a band, but very much informed by their first. The four-piece is made up of members of howling punk rock outfits Placeholder and We Were Skeletons, both of which went hard on the DIY touring circuit, landing on house shows and festivals, in some ways becoming better known in other corners of the country than they were back home. But life as a musician is easy for nobody, and when Placeholder’s set at FEST 13 – one of their final shows – pretty much consisted of frontman Brandon Gepfer playing acoustic in a courtyard, it seemed that a turning of the tide was in motion.
If you’re still bummin’ about the end Lancaster bands Placeholder and We Were Skeletons, fear not: members of both have come together to form Spill. The new project has been signed to Broken World Media and released their first EP via Soundcloud. Those who enjoy the indie goodness of the ’90s will find a lot to love on Spill’s self-titled debut, a five-song record that shines from the first chord. Listen below and and head to Spill’s EP release show at Chameleon Club on August 15th. Continue reading →