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Listen to the first single from Thom Yorke’s Suspiria soundtrack

Radiohead | photo by Natalie Piserchio | nataliepiserchio.com

Radiohead’s Thom Yorke released the single “Suspirium”, his first release from the two-disc soundtrack for the upcoming film Suspiria. The song is a haunting piano waltz with some atmospheric flourishes and a typically ghostly vocal performance from Yorke. It’s also accompanied by a minimalistic video that captures the song’s plaintive mood. You can view it below. Continue reading →

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XPN MusicNotes: Patti Smith and Thom Yorke to perform at climate concert, Watch Roger Water’s epic trailer for “The Wall” live, and Ennio Morricone to score new Quentin Tarantino film.

Danny Martindale/WireImage/Getty; Steven Jennings/Getty
Danny Martindale/WireImage/Getty; Steven Jennings/Getty

Thom Yorke, Patti Smith, Flea, Dhani Harrison and more will perform at Paris’ Le Trianon theater on December 4th as part of Pathway to Paris, a concert designed to raise awareness about the urgency of climate action. Continue reading →

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The Key’s Year-End Mania: The Django Pages 2018 – A.D. Amorosi’s greyhound rates the hits, disses the misses of the year gone

Django Amorosi at Kimpton Hotel Monaco | photo by Reese Amorosi | courtesy of the artist

Year-End Mania is the Key’s annual survey of the things below the surface that made 2018 incredible. Today, Key contributing writer A.D. Amorosi turns to his greyhound Django for another pass at the year’s hits and misses.

After the rush of respect, acclaim and fame from 2017’s The Django Pages at The Key – his critical debut – my fleet greyhound certainly felt a serious sense of responsibility when it came to documenting his continued love affair (and occasional disgust) with the music around him, and the multi-culturalism surrounding that. Plus, he got a gig writing for Pitchfork, something that has, so far, alluded me during my career as an arts journalist.

As it was a weird year (politically, socially), so much of what Django took in, and appreciated/dissected had to be filtered through the noise of rhetoric and correctness. With that came an addition to his usual outward signs of approval and disapproval (relaxed ears or laying with legs akimbo for the former, grimace and growls for the latter): a side-eyed glare as if to say, “c’maan, really?” Many of these looks got shot at me at the sound of anything having to do with Kanye West (from his innumerable rants to his Kids See Ghosts), Asia Argento, Jeff Sessions, 6ix9ine (even though his performance at Made in America was stellar), Larry Krasner and Justin Timberlake (really, just JT’s whole Man in the Woods burly guy routine. Everything else is cool). Continue reading →