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Listen to the first single from Thom Yorke’s Suspiria soundtrack

Radiohead | photo by Natalie Piserchio | nataliepiserchio.com

Radiohead’s Thom Yorke released the single “Suspirium”, his first release from the two-disc soundtrack for the upcoming film Suspiria. The song is a haunting piano waltz with some atmospheric flourishes and a typically ghostly vocal performance from Yorke. It’s also accompanied by a minimalistic video that captures the song’s plaintive mood. You can view it below. Continue reading →

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XPN MusicNotes: Patti Smith and Thom Yorke to perform at climate concert, Watch Roger Water’s epic trailer for “The Wall” live, and Ennio Morricone to score new Quentin Tarantino film.

Danny Martindale/WireImage/Getty; Steven Jennings/Getty
Danny Martindale/WireImage/Getty; Steven Jennings/Getty

Thom Yorke, Patti Smith, Flea, Dhani Harrison and more will perform at Paris’ Le Trianon theater on December 4th as part of Pathway to Paris, a concert designed to raise awareness about the urgency of climate action. Continue reading →

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Now Hear This: New songs from Cat Power, Elvis Costello, Matthew Dear, Half Waif, Richard Swift, Spiritualized and more

Half Waif | photo by Tonje Thilesen | courtesy of the artist
Half Waif | photo by Tonje Thilesen | courtesy of the artist

Every month, noted song expert K. Ross Hoffman presents Now Hear This, a sampling of fresh specimens for your consideration.

This past Saturday was my 36th birthday, and, as it happens, this is my 36th Now Hear This column.  (I’ve been secretly keeping track: the first fifteen installments ran weekly over at Philly Voice during the fall of 2016; the monthly columns for The Key started in February 2017).  Thirty-six feels like a significant year – more so than 35 in many ways (especially considering what’s been happening to the institution of the presidency).  It’s divisible by more numbers, even if five isn’t one of them.  As one friend pointed out, it means I’m now old enough to vote twice! And, more notably, it means that I’ve been a quote-unquote “adult” for fully half of my life; that the time since I left my parents’ house now equals the time that I lived there.

So it’s afforded a nice opportunity to reflect back on the time around my 18th year – an age perhaps less overtly mythologized in song than sixteen or seventeen, but probably even more transformative in real (contemporary) life – which in my case was also the era of Y2K.  I’d reckon that nobody felt the cultural and historical shift from the 20th to the 21st century, from the 1990s to the still-nameless-after-all-these-years 2000s, more acutely than those of us for whom it paralleled the end of high school and the start of what-comes-next; i.e. me and my fellow circa-1982 babies: the oldest, truest millennials.  Conveniently, just two days before my birthday, September Now Hear This boy-toy Troye Sivan joined up with plasticwave popgenius (and certified ‘90s bitchCharli XCX to drop a video memorializing and celebrating the pop culture of that period – specifically 1999, although the references span roughly 1997-2000 – when, as many have mentioned, its creators were still in single digits, if not diapers.  It represents exactly, and in exquisitely realized detail, the “borrowed nostalgia for the unremembered (late) ‘90s” that I have been ambivalently anticipating for quite some time now.

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