A lot can change in seven years, and for Noah Selwyn, it’s been quite the journey from his earliest incarnation of Agent Zero to the collective of musicians joining him in WXPN studios this week.
In preparing this session, I found myself doing a deep dive on the Philly electronic dance musician’s Facebook archive of live photos and gig flyers, and discovered an early 2011 shot of him and three peers in We Are Psy-Fi productions on a rooftop near the Kimmel Center. Selwyn’s hair is short and spiky, he was mostly clean-shaven, and wore a button-down shirt and tie. It appears this was his standard stage attire at the time, and it seems like he often took the stage solo as well. Today, he’s got long, flowing and vaguely hippie-ish hair, rocks a beard, and dresses more casually to perform, including a stylish bead necklace worn during his Key Studio Sessions performance. And he has a band that takes the stage with him.
Beyond appearances, the more significant change is Selwyn’s music. It was always bright and upbeat, a bubbling concoction of trance, house and dubstep that he honed studying under Slit Jockey Records founder Starkey. Though his skill as a producer has certainly advanced over the past five years, you can still hear the Agent Zero of today in the Agent Zero of 2013’s EP Sound Sorcery Volume 1 — body-moving BPMs, ecstatic synthesizer tones, progressive rhythms that follow a dramatic ebb and flow. Selwyn always had the chops to make Agent Zero work in the DJ realm — potentially a new generation’s Pretty Lights or Quantic — but the big change that between then and now is his pop sensibilities developed and his ambition grew. Continue reading →