After several years of steady work, the Trenton-based Latin hip-hop duo Agudos Clef wrapped up production on its debut LP Teoria and is ready to celebrate. The band just announced a show on March 18th at The Trocadero Balcony.
The band has been teasing material from the record for a while now, between their Key Studio Session, songs on MC Josue Lora’s Bandcamp like “No Soy Yo” and the brilliant video for “Raices,” filmed while Lora and his collaborator Nota G were traveling in the Dominican Republic, which you can watch below. Continue reading →
Latin hip hop group Agudos Clef have released a new video for their song “Raices,” filmed in the Dominican Republic and featuring Hector Mario on flute.
The Trenton-based outfit first hit our radar when they performed at the PHL Live music competition a year ago. Editor John Vettese quickly brought them in for a Key Studio Session, where we got to hear Josue Lora and Nota G rap over a full band.
“Raices” follows with that fleshed-out instrumentation sound behind the rhymes, with soothing synth hits, a beautiful flute melody and crisp beats. Lora tells us “Raices” translates to “roots,” referring to the family connection the band feels together. Continue reading →
I don’t want to gush. But I’d be lying if I said that this latest collection of performances from The Key Studio Sessions wasn’t special to me.
In the past four months, I’ve recorded one of my favorite Philadelphia bands of the past 20 years – shamanistic psychedelic rock masters Bardo Pond, whose performance was a thrill – as well as one of my favorite new Philadelphia bands – the brilliant duo Girlpool, transported locally from LA this winter with a unique sound and an incredible collection of songs in tow. I also recorded a local guitar icon whose work I’ve admired since I first began covering the scene for City Paper 15 years ago, Mike “Slo-Mo” Brenner, doing a set of his raga-influenced compositions on the 22-stringed chaturangui. (Brenner also sat in on lap steel with folk outfit Kicking Down Doors.)
And that’s only the beginning. Continue reading →
We were introduced to Lafayette, LA band Feufollet earlier this week with a free download of “Know What’s Next” from their upcoming record Two Universes. While XPN’s Zydeco Crossroads spotlights the Creole heritage of the Southwest Louisiana city, Feufollet shows us another side of the musical culture with a blend of pop and indie rock.
Back in the fall, I was a presenting host in the city’s PHL Live music competition, and it led me one October night to Hard Rock Cafe where the finalists World Music category were set to take the stage. Admittedly, I wasn’t sure how this was going to go: “world music” is a broad term that can include anything from African highlife to Indian raga, eastern European klezmer to Jamacian reggae. I was nervous that my frame of musical reference (centered largely around Western pop/rock) was too narrow to do a good job at this gig.
Thankfully, my fears were for nothing. All the artists on the bill blew me away in one way or another, and though The Underwater Sounds (who we’ve been longtime fans of here at The Key) took home top honors, for me the standout set came from a new Latin hip-hop group called Agudos Clef. Based out of Trenton, this six-piece brought an unbelievable energy to the room – driving beats, a fierce delivery, undeniable charisma. They played an explosive 20-minute set that left me immediately wanting more, so in the days that followed, I tracked down their Bandcamp single “Monotonia” and invited them to our studio to record. Continue reading →