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Indie Rock Hit Parade Live Session: P.S. Eliot

p.s. eliot | Photo by Tiana Timmerberg for WXPN
p.s. eliot | Photo by Tiana Timmerberg for WXPN

Our latest Indie Rock Hit Parade Live Session is a very, very special one. Formed in 2007 by sisters Katie and Allison Crutchfield, p.s. eliot released several albums, EPs and singles before disbanding a few short years later. Katie went on to record as Waxahatchee and Allison formed numerous bands of her own, including Swearin‘ (and she’s about to launch her solo career with backing band The Fizz). Reuniting for a string of tour dates (including two sold out stops at PhilaMOCA), p.s. eliot stopped by our studios to play songs from their career-spanning archival release 2007-2011. Joining to Crutchfield twins are guitarist Will Granger and bassist Katherine Simonetti.

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Support for The Key Studio Sessions, from Dogfish Head
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Allison Crutchfield and Sam Cook-Parrott cover “Something About What Happens When We Talk” by Lucinda Williams

Allison Crutchfield
Allison Crutchfield and Sam Cook-Parrott | photo via Facebook

In other Crutchfield news, Katie’s sister Allison has teamed up with Radiator Hospital‘s Sam Cook-Parrott for this cover of “Something About What Happens When We Talk” by Lucinda Williams. The Swearin’ frontwoman and RH frontman have worked together before, appearing on each other’s records and co-writing songs. This collaboration is stripped-down and intimate, with the two voices matching perfectly while staying distinct. Listen to the cover below, which was recorded for independent webpaper The Media.

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Swearin’ frontwoman Allison Crutchfield goes introspective on Lean In To It

Swearin' | Photo by Megan Kelly
Swearin’ | Photo by Megan Kelly

Swearin’ singer Allison Crutchfield recently released her debut solo EP, Lean In To It, and it’s a masterful, fuzzy reverie on love. The album features duets with Radiator Hospital Sam Cook-Parrott, a friend and muse of Crutchfield. He also plays bass throughout the album and co-wrote the lyrics for “Lupe”.

Lean In To It starts with “SUPERMOON”, a slow, dreamy  lo fi number which sets the tone for the rest of the album. Continue reading →