This just in — Austin indie rock favorites Spoon will light up the BB&T Pavilion stage on night two of this year’s XPoNential Music Festival. Co-headlining alongside Britt Daniel and co. are Amos Lee and Friends, featuring Preservation Hall Jazz Band, with The Suffers and Chicano Batman kicking off the show; seated tickets for the concert on July 29th go on sale this Friday, March 10th, at 10 a.m. Continue reading →
Year-End Mania is the Key’s annual survey of the things below the surface that made 2016 incredible. Today, we bring you Amos Lee’s rundown of songs he played over and over on Spotify.
With this year’s release of Spirit, local favorite Amos Lee grew into his soulful side. Songs like “Running Out of Time” featured gospel-style chorus singers, while “Vaporize” steamed with R&B beats (you can read a track-by-track, first impression review of the record here). We got some insight into the making of Spirit with his World Cafe session in September, but now Lee is pulling the curtain back even further on the album’s inspiration by sharing a playlist of his most-played songs on Spotify this year.
Considering WXPN (as a community and staff) are some of the biggest Amos Lee fans around, to say we were excited to cover this show is beyond an understatement. Lee set out on his fall tour this past Friday in support of his newest album, Spirit. This stellar show made its way back to Lee’s hometown, where he was welcomed by a roaring crowd packed into the Academy of Music ballroom. Continue reading →
Philly favorites The Districts are shipping out to Lancaster, PA for a one-off at Tellus 360. The show is in support of Beyond the Mountains, an organization dedicated to raising money towards educational efforts in Nepal. A minimum donation of $25 will get you to the gig, which also feature music from Ton-Taun and a presentation from Beyond the Mountains. These guys consistently bring down the house, and you get to see them do it as you simultaneously support a great cause. What more could you ask for? Find more information here. Continue reading →
Philly and XPN fav Amos Lee‘s new album Spirit has officially hit the shelves. It’s in stores now and available for streaming via Apple Music. For some of you, that means you’ve probably already listened to the album in its entirety four times. Or, maybe you have Spotify like I do, and don’t have unlimited access to it just yet. Whichever camp you fall under, we thought you might enjoy a quick track-by-track review of what to expect on Lee’s sixth studio album. So here it goes. Continue reading →
This past May, legendary singer-songwriter and guitarist Bonnie Raitt appeared at WXPN’s Non-Commvention. Performing material from her recent album, Dig In Deep, Raitt also performed a few classics from her back catalogue.
At the end of her set, Bonnie invited Philly singer-songwriter Amos Lee out to duet on John Prine’s “Angel From Montgomery,” a song that Raitt originally recorded with Prine on her 1974 album, Streetlights. Not having any time to rehearse, Lee played the part perfectly, and it was a highlight of Raitt’s set. Continue reading →
This just in: WXPN Welcomes Amos Lee to the Academy of Music on September 11th. The Philly singer-songwriter just released a soulful new song, “Vaporize,” from his forthcoming album. Continue reading →
No sports jokes in this one, I promise. And even more surprisingly, on Friday night when the 3rd annual Make the World Better benefit show went down at Union Transfer, none there, either. Put on and hosted by “The Street Eagle,” — the Philadelphia Eagles outside linebacker Connor Barwin — the event brought together music nerds and jocks, uniting them in the name of the greater good.
Unlike last year’s spicy, sporty takes from everyone’s favorite sassy Brooklyners Parquet Courts, this year featured very little mention of the love of the game. In fact, unless you had known previously that Connor plays for the team, you might never have learned at the event. And that’s okay. While last year’s event was radical, it seems lessons learned went into action, making the third incarnation of the event the most music-centric one yet, even while featuring fewer bands. Continue reading →