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Photo recap: Anais Mitchell and Jefferson Hamer played Tin Angel, Friday April 19


Anais Mitchell and Jefferson Hamer performed at the Tin Angel this past Friday, evening, April 19, with Robert Sarazin Blake opening. Mitchell and Hamer recently released Child Ballads, a collection of traditional songs from the British Isles, named after their collector, Francis James Child. Photographer Chris Sikich chronicled the evening with the photos above. Check out Chris’s website here.

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The Week So Far: 14 must-read stories on The Key

Download B.C. Camplight‘s BBC Radio 6 session featuring two new songs [link]

Juston Stens and the Get Real Gang bring rock and soul to their Key Session [link]

Listen to Free Energy‘s new album Love Sign at Consequence of Sound [link]

Thrash out with a new Surgeon track; they play Kung Fu Necktie next month [link]

The collaboration between Ground Up and The Lawsuits continues in a HotBox session [link]

David Bowie releases a new single for his birthday [link]

Chill Moody releases his latest album, RFM [link]

Get psyched for Zilla Rocca‘s Tuesday Tune-Out with his new Wrecking Crew video [link]

Download The Key Studio Sessions Vol. 6, our new 17-song compilation [link]

Stream the new album from The Lone Bellow, a Georgia-bred close harmony trio [link]

Stream a new EP from Philly’s Acres of Diamonds, who play PhilaMOCA next week [link]

Plow United announces the details of their all-ages album-release show at The Barbary [link]

Download Anais Mitchell‘s Folkadelphia session [link]

The WXPN Philly Local Show expands to three hours [link]

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Folkadelphia Session: Anais Mitchell

Instagram by John Vettese
I have no idea what folk music really is, do you? Nowadays, here in the 21st century, ascribing genre descriptors to musical forms is pretty meaningless when you can shuffle from John Cage to John Mellencamp in nanoseconds. When I say folk music, your brain might conjure up images of country people stomping their boots on the hard, dusty dirt, claw hammering away on a banjer or a geetar, digging their proverbial roots into the proverbial musical ground. However, the term might have a positive influence as you remember the first time you heard Bob Dylan or Woody Guthrie or the power of Sacred Harp Singing. Or you might immediately react derisively, scrunching your face up and bemoaning the present era “arena folk” of REDACTED BAND NAME #1 or REDACTED BAND NAME #2 (who aren’t even from AMERICA). It’s all subjective, it’s all loose definitions, and, to be honest, the only thing that genre descriptors like “folk,” “Americana,” or (please lord no!) “roots” do is to distract from what is actually important: the music, the artistry, the lyrics, the story, the chemistry, the musicianship, and the Je ne sais quoi from listening to a truly moving musician.

So, I have no idea what folk music really is, but that’s ok, I know truly moving musicians. In my own folksy world, Anais Mitchell is queen. Her expansive, thematically thrilling albums like Hadestown, which is the Orpheus story told via folk-opera or last year’s Young Man In America reign supreme over the cornfields and dustbowls of my folksy soundscape. That’s not to even mention the music she creates, music that deftly soars with harmonies, rings golden with a multitude of instruments, and tugs at the heart. It’s something to behold.

It was with absolute pleasure that we were able to record a few songs with Anais and her band members Rachel Ries and Ben Davis (from Philly/Brooklyn’s Cuddle Magic) before they played at Johnny Brenda’s on December 6th, 2012. Anais and Jefferson Hamer will be releasing their take on the Child Ballads later this year. Stream and download our session below.

In addition to recording this session to a hard drive, we also captured it on cassette tape for an interesting effect. Little did we know that the cassette deck was in disrepair and would introduce some artifacts and phasing issues into the mix. That being said, the humbly dubbed “warbly cassette mix” sounds like a long lost musical gem, perhaps discovered in the attic of an abandoned home. If you’re interested in hearing this cassette mix in its entirety, email fred@folkadelphia.com.

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Tonight’s Concert Picks: Heyward Howkins with Birdie Busch at PhilaMOCA, Kelly Hogan at World Cafe Live, Anais Mitchell at Johnny Brenda’s, Dangerous Ponies at The Blockley and Mark Eitzel at North Star Bar

Two outstanding Philadelphia singer-songwriters are taking up residence in PhilaMOCA tonight. Birdie Busch is gearing up for the release of her latest effort, the earthy / spacy LP Birdie Busch and the Greatest Night, which is available on CD in January (and via Bandcamp now). Also on the bill is Heyward Howkins, whose dusty folksy debut The Hale and the Hearty was one of the year’s best slices of Philadelphia-area music. The all-ages show begins at 8 p.m., tickets and information are available at the venue’s website. Below, check out what Howkins has in store for the followup LP he’s getting ready to record – a tune called “Praline County.”

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Anais Mitchell returns to Philadelphia in December; playing Johnny Brenda’s with Cuddle Magic

As her late summer tour with Bon Iver wraps up, New England folksinger Anaïs Mitchell just announced a string of fall dates that bring her back to Philadelphia on December 6 for an appearance at Johnny Brenda’s. Philadelphia / Brooklyn psych-pop collective Cuddle Magic opens, an apt pairing as members the group often perform with Mitchell (including drummer Dave Flaherty, who was with her on the Bon Iver tour). Admission to the 21+ is $12, and tickets will be available here this Friday, September 28 at noon. Below, watch the music video for “Coming Down” from Mitchell’s breathtaking 2012 album Young Man in America.

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