Separated by two centuries, Joseph Haydn and Arvo Pärt would seem to have very little in common. The Austrian Haydn was one of the most prominent figures of the Classical period, hailed as the “Father of the Symphony”; the Estonian Pärt is among the most renowned and influential voices of later 20th and early 21st century music, a master of minimalism that draws upon the deceptive simplicity of early music.
But one unfortunate connection between these two very different composers – and, sadly, the rest of humanity – is that both lived during and responded to times of war. On Sunday, the Mendelsson Club of Philadelphia, the city’s 140-member chorus, will present a program entitled “The Sound of Spirit,” pairing landmark works by both composers that respond to the wars of their times. The chorus will be joined by the Chamber Orchestra of Philadelphia for the concert at Rittenhouse Square’s Church of the Holy Trinity.
“Especially since 9/11, Americans have a mental fatigue about war,” says Alan Harler, artistic and musical director of the Mendelssohn Club. “You may not even be aware of it, but if you bring that to a performance of this music it somehow colors one’s perception. It may not be on the cognitive surface; nobody’s going to hear this music because they’re tired of fighting these pointless wars and this music is going to somehow help. But I think one does connect to the music more because that’s such a universal feeling.”
“Adam’s Lament,” which the chorus first presented in a successful concert in the fall of 2012, is Pärt’s starkly beautiful setting of the poetic lamentations of St. Silouan, a Russian Orthodox monk. Continue reading →