Local songwriter Birdie Buschhas teamed up with sound engineer and poet Rachel Alina and illustrator Ashley Smestad Vélez for a collaborative project. Locals // If You Swim Far Enough sees each artist drawing on their respective creative forms to build a work that tackles time, place, friendship and growth.
Alina’s chapbook of poetry, Locals, is accompanied by over 80 of Vélez’s illustrations, and complements Busch’s acoustic album If You Swim Far Enough, which she recorded with Alina several years ago at Scullville Studios in New Jersey, featuring acoustic versions of several previously released songs from her catalog Continue reading →
March is Women’s History Month and what better way to celebrate exceptional women in art and music than Philly’s own Birdie Busch performing at the Philadelphia Museum of Art? As a part of the PMA’s Friday Night series, Birdie has written eight original songs inspired by women’s art and seven others for her own project centered around goddess archetypes. The performance will take place in the PMA’s Great Stair Hall and Birdie will be accompanied by four other musicians: Todd Erk on upright bass, Carl Cheeseman on guitar and banjo, Gretchen Lohse on violin and vocals, Thomas Hughes on keys. Projections of art works from the museum collection will accompany the musical performance as well as original visual art by Busch of goddess archetypes. As a whole, it will celebrate art makers across the centuries and demonstrate what we can learn from our history of remembered — and forgotten — women’s art.
Busch is a staple of the Philadelphia community with a resume as impressive as her open heart and vibrant artistic spirit. She is a musician, writer, photographer, and visual artist whose work embraces the multitudes of our world. She follows her own guiding light when it comes to creating work, and this collaboration with the PMA is no exception. In speaking with The Key, Busch shared that she had already begun a project of songs and paintings that explored goddess archetypes when she was contacted by the PMA. Working with Cat Ricketts, the Coordinator of Evening Programs at the PMA, Busch developed a “super project” that combined her work with goddess archetypes and the PMA’s collection of women’s art.
“It’s been very cool to have those running in tandem,” Busch says, “Originally I thought they would be split, one set of this and one set of that. But now, by studying so much of the background of these women whose pieces I picked from the PMA collection and the female Greek archetypes, it all seems fluid. There’s so many things I wouldn’t have thought of without the combination.”Continue reading →
The June shows haven’t even begun yet, but Spruce Street Harbor Park has already announced its Waterfront Sessions lineup through July. Earlier this month, SSHP shared the June lineup of all-local musicians, which kicks off next Thursday, but now they’ve added openers and DJ sets to those shows and announced who will be playing the following four weeks, too. Continue reading →
A lot can change in a decade – friends move away, beloved haunts close, and we change as we move through the world. So it’s cool when there’s something tangible that captured those friends, places, and versions of self that can be revisited ten years down the line, bringing up warm memories and acting as a touchstone for our personal and creative growth.
For Birdie Busch that “something” is The Ways We Try, her debut record that was released in September of 2006. The local musician, who has since grown into an irreplaceable fixture in the Philadelphia neighborhoods she’s called home over the years, realized the milestone just in time to reflect on the record on her website.
On a Saturday evening in early October, Fishtown institution Johnny Brenda‘s is bustling with hungry and thirsty customers, out for a fun night. Patrons are enjoying drinks and conversation, challenging friends and strangers to numerous games of pool. While everyone is chatting away downstairs, Emily “Birdie” Busch spends the afternoon and evening transforming the upstairs venue space in preparation for her big show later that night. Continue reading →
Orchestral Icelandic outfit Sigur Ros are at the Academy of Music tonight. Led by Jónsi, the post-rockers will perform two sets, pulling from their expansive catalog that includes standout records ( ) and Takk…. along with 2013’s Kveikur. Tickets and information for the all-ages concert can be found here. Watch “Óveður” below, released this summer.
Though some details are still being withheld, we now happily know for a fact that Birdie Busch‘s 5th Philly Opry will happen at Johnny Brenda’s on October 8th. The evening of special guests, collaborations and general musical merriment took a year off in 2015 but promises a return to its mid-20th century variety performances, inspired by the classic shows of Dick Cavett and Johnny Cash.
Philly singer-songwriter Birdie Busch just released the sweet and subtle new LP Thunder Bridge, a collection of songs inspired by Sun Ra and Nick Drake that started out as a project for a friend and her newborn child that evolved into something more.
A couple weeks ago, Busch celebrated the new record with a headlining performance at South Philly’s Boot & Saddle; every song on the new album made it into the setlist, along with tunes from 2013’s Birdie Busch and the Greatest Night, several from 2007’s Penny Arcade and one reaching all the way back to 2005’s The Ways We Try. Continue reading →
“High Key” is a series of profiles conceived with the intent to tell the story of Philly’s diverse musical legacy by spotlighting individual artists in portrait photography, as well as with an interview focusing on the artist’s experience living, creating, and performing in this city. “High Key” will be featured in biweekly installments, as the series seeks to spotlight artists both individually and within the context of his or her respective group or artistic collective.
Birdie Busch’s new record Thunder Bridge is beautiful, meditative, with an attention to production details and sonic textures that would make Yankee Hotel Foxtrot-era Jeff Tweedy envious. Recorded in Germantown, Busch’s sixth LP sees the introduction of longtime friend Jaron Olevsky as keyboardist, as well as co-producer along with her partner, bassist Todd Erk. It’s a pensive, reflective collection of eight tracks that might remind you of Lucinda, Feist, or the moods of Beth Orton, and you’ll be comforted to know that Busch is a local Philly girl too.
What’s more, on June 18th, the Philly songstress will host a record release party at Boot & Saddle in celebration of the new work (get tickets and more info here). She’ll also be around town with a handful of show dates this summer, and come Fall, Johnny Brenda’s will host her seventh annual Philly Opry, a night of music cultivated by Busch, and conceived to mix-and-match local and traveling acts.
In her interview with us, Busch related her eclectic influences, her love for the city and its arts community. She speaks thoughtfully, poised with deliberation and without calculation, and throughout shares her contagious outlook of renewal and rejuvenation, whether it’s with reference to her relationship with live performance or just walking or biking the city’s streets and neighborhoods. Continue reading →
If there’s one thing we’ve learned about Birdie Busch over the years, it’s that she cherishes friendships and community and actively works to turn one into the other, often through music. From curating her annual Philly Opry showcase to writing an ode for a close friend who passed away to being involved in neighborhood meetings, the West Philly-turned-Germantown musician has an uncanny ability of bringing people together – so it’s no surprise that her newest album was inspired by a friend as well.