It was only two years ago that Sarah Grace McLaughlin — the Scotland-born, nomadically-raised modern rock singer and songwriter better known as Bishop Briggs — was living in Los Angeles, hustling for gigs at any venue that’d give her a space to play. And then “River” happened.
Released in January of 2016, the earworm single was an instantly captivating blend of sinister, simmering electronic rock, with an undercurrent of retro soul and R&B, tied together by a powerful vocal delivery from the then-23 year old Bishop. The single crawled its way up the modern rock charts and got something of a second life this past summer, when her self-titled debut EP was released on Island Records. Her set at the main stage of Dover, Delaware’s Firefly Festival this summer was gripping on a sweltering June afternoon; her pop-up performance in the shade of the festival’s Treehouse stage was even better.
This fall, Bishop returned with her latest single, “Dream,” a hugely uplifting gospel anthem with a lyrical dark side; it’s been slaying on her fall tour. This Thursday night, Bishop plays the main stage of The Fillmore, opening up for Bleachers, but when I caught up with her via phone, she was pulling in to Toronto’s almost-certainly haunted Massey Hall, getting ready to open for Alt-J. “It’s been insane, it’s a dream come true,” an effusively positive Bishop says at the top of our chat. “I love Alt-J so much, I love seeing them every single night. They’re unwaveringly good and consistent.”
Our conversation from there touched on collaboration, knowing one’s limitations, the slow-and-steady release strategy, and the influence of place on the creative mind.
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