1961 – The Temptations (then known as the Elgins) audition for Motown Records.
Here’s a doubleheader blast from the past! Legendary outfits Blondie and Garbage are joining forces for a summer fling dubbed The Rage and Rapture Tour, and today they’ve announced an August 2nd date at The Mann. Debbie and Shirley will be touring behind new records with their respective bands, the former with the also-just-announced Pollinator (out May 5th) and the latter with last year’s triumphant Strange Little Birds return.
NYC punk and new wave legends Blondie have announced their next album Pollinator will come out on May 5th. Listen to its first single Fun below. Continue reading →
1955 – Chrysler introduces the world’s first in-car sound systems – record players, complete with an assortment of classical vinyl, mounted under the dashboard. The unit measures about four inches high and less than a foot wide. The seven inch discs spin at 16 2/3 rpm and require almost three times the number of grooves per inch as an LP. The players are discontinued in 1961.
1943 – After planning to return to his hometown and resume his career as a barber, Perry Como is signed to RCA Records.
1958 – Eddie Cochran records “Summertime Blues.”
She may have missed out on the Best New Artist of the Year Grammy but Courtney Barnett is a hit with nearly anyone who’s seen or heard her music. Check out Courtney’s live-performance of “Nobody Really Cares If You Don’t Go to the Party” on last night’s Late Show With Stephen Colbert. Continue reading →
Three Philly punk scene vets will take over Johnny Brenda’s tonight bringing a mix of 80s oi! and Britpop. Made up of John Sharkey III, Andrew Mackie Nelson and Mike Sneeringer, Dark Blue is a relatively new to Philly, but it has quickly been making a name for itself. Tickets and info on tonight’s show can be found at the XPN Concert Calendar; listen to its single “Subterranean Man” below.
All photos by Chris Sikich | countfeed.tumblr.com
Punk rockers Blondie and X arrived at The Keswick this past Thursday as part of the “No Principals” tour, and despite a name evoking a youth revolt against authority, the rockers present are nearing the other end of the age spectrum at nearly 60 (X frontman John Doe) and 70 (Blondie’s Debbie Harry). No matter the age and the dunce cap prop (which looked closer to a witch’s hat, October appropriate for sure) that Doe and Harry wore at the beginning of their respective sets, they both rocked. The tour that has taken them to many other seated venues, like Nashville’s Ryman Auditorium, and while it’s a strange fit, Blondie succeeded in raising the nearly sold-out crowd to its feet for most of the show.
X’s opening set, using gigantic overhead screens filled with television color bars and other retro static images, was filled with their mostly 2-3 minute fast-paced songs. The original lineup of lead guitarist and singer John Doe, singer Exene Cervenka, guitarist Billy Zoom and drummer D.J. Bonebrake blasted through a set drawn from their first four albums. Entering the stage to some of Sergio Leone’s Spaghetti Western strings, they launched into the first track from their first album, Los Angeles, “Your Phone’s off the Hook, But You’re Not.” The crowd was mostly seated for the entire set, save when Debbie Harry joined them for “Breathless.” Nonetheless, X still has fire in their veins.
Standing became a requirement when Blondie entered to the tune of “One Way or Another.” Harry and fellow founding members guitarist Chris Stein and drummer Clem Burke, along with three newer bandmates, took the crowd on a hit parade journey that had the crowd singing along and dancing. Using the video screens to put a visual exclamation point on songs like “The Tide Is High” with the ebb and flow of water for all to see, Blondie certainly knew how to showcase all angles of their craft. Harry owned the stage, walking back and forth to the edges of the crowd, absorbing the love of fans that has been going strong for 30-plus years. And they were not afraid to showcase new works, with the encore beginning with the brand-new “Mile High,” a catchy song, but certainly not as memorable as their show-closer “Dreaming.” Blondie already was assuring another tour in greater support of their older material, so fans should not fret that this New York band’s staying power for years to come.