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Philly Jazz Guide: Top picks for live jazz in November

philly jazz guide
Omar Sosa | photo courtesy of the artist

Thanks to an unexpected confluence of shuffled schedules, pet health scares, and weather-defiant vacation planning, it seems my wife and I will be heading up to New England the day after Thanksgiving. We’ve decided to fully embrace the coincidence, so that Saturday we’ll be sitting down for a second, (relatively) period-accurate holiday supper at Plimoth Plantation, the Williamsburg-like “living history” recreation of the Pilgrims’ first settlement, presumably surrounded by buckle-shoed and feather-headdressed reenactors.

That of course means that I’ll be missing out on the Philly jazz scene’s own venerable Thanksgiving tradition, guitar great Pat Martino’s weekend-long stint at Chris’ Jazz Café. This year he’ll lead his quintet, with his regular triomates, organist Pat Bianchi and drummer Carmen Intorre, supplemented by tenor saxophonist Adam Niewood and trumpeter Alex Norris. In the spirit of the season, Martino’s guitarist wife Ayako has been known to sit in as well.

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Bobby Zankel revives Warriors of the Wonderful Sound for a residency at The Painted Bride and Clef Club

Bobby Zankel's Warriors of the Wonderful Sound | Photo courtesy of the artist
Bobby Zankel’s Warriors of the Wonderful Sound | Photo courtesy of the artist

When Bobby Zankel ended his decade-long run of monthly performances at Tritone in 2011 (mere months before the South Street club itself went to a better place), the future of the saxophonist’s adventurous Warriors of the Wonderful Sound big band was unclear. The following year brought the first reinvention of the band through a series of commissioned compositions from jazz greats Muhal Richard Abrams, Rudresh Mahanthappa, and Steve Coleman.

A more radical reinvention came in 2013, when Zankel scaled down the band to a ten-piece and almost completely overhauled its membership. “The original band had run its course,” Zankel shrugs now. In its first two years the new Warriors maintained its vitality while making fewer appearances, though the more sporadic shows always made an impact: its unveiling at the 2013 Philadelphia United Jazz Festival; an inventive and surprising collaboration with hip-hop choreographer Raphael Xavier and Cuban-born percussionist François Zayas as part of the Kimmel Center’s inaugural Jazz Residency program; a tribute to “New Thing” pioneers Ornette Coleman, Cecil Taylor, and Sun Ra in a powerhouse double-bill with the Sun Ra Arkestra at the Painted Bride. Continue reading →