Introducing “High Key,” a new series of profiles conceived with the intent to tell the story of Philly’s diverse musical legacy by spotlighting individual artists in portrait photography, as well as with an interview focusing on the artist’s experience living, creating, and performing in this city. “High Key” will be featured in biweekly installments, as the series seeks to spotlight artists both individually and within the context of his or her respective group or artistic collective.
For the past few years, Gary Dann’s Boom Room Studios has been the unassuming epicenter of an emerging music community in Philly. Conceived with extraordinary vision, the Boom Room was built with the attention to recording details of experienced and passionate audiophiles, and nestled comfortably next to the venerable venue Kung Fu Necktie and beneath the raging metal-on-metal cacophony of the decrepit Market-Frankford Line infrastructure overhead that frames the entire street with that iconic Philly photo-bleached baby-blue.
Outside the building in the adjacent lot is a small stage that hosts neighborhood music concerts. Inside is Dann’s creative lair. The Boom Room boasts production for artists that include the likes of Zoe Kravitz, Clap Your Hands Say Yeah, Chris Kirkpatrick, Jaheim, Billy Paul and Beanie Sigel, to name a few, the latter of whom has come to call the studio his “clubhouse.”