For the month of July, PhilaMOCA turned over the curator’s reins for its Tuesday Tune-Out music and film series to two local musicians who also book shows too. Andy Molholt of Laser Backrgound programs music at PhilaMOCA and other DIY venues around town, while Brendan Mulvihill of Norwegian Arms also has a daytime gig at Johnny Brenda’s. I caught up with Mulvihill over email to get a vibe on what they put together for the month of July. All shows are all ages, begin at 7:30 p.m. and are $5 at the door. For this month, all films are TBA.
Basically we used this month to showcase bands we thought were really special and unique. We both have a soft spot for oddball pop (if that wasn’t already apparent in our respective projects). We also book a lot of shows for out of town bands we really like. So this is a sort of marriage of those two ideals. These are local and touring bands that we think deserve a lot more attention. Continue reading →
We’ve spent a lot of time this week talking about how lush and dream-like Norwegian Arms‘ new full length Wolf Like A Stray Dog is. When the band celebrates its album release at Johnny Brenda’s on Friday, it might have to augment its performance with a few extra players to truly capture that vibe. Or it might just do what it does really well – play stripped-down and to-the-point, with just three guys in a portable configuration. Drummer Eric Slick now plays a more traditional kit, but this video shot by Out of Town Films captures the band at its most portable. In a performance of “Tired of Being Cold,” Mulvihill strums his mandolin swiftly in the back porch of Kung Fu Necktie while Slick taps away on a trash can lid and a tabletop. Can you imagine that – playing a show where the only equipment you need to bring is a light mandolin in its shoulder bag and two drumsticks? Watch the video below.
Wolf Like a Stray Dog is the featured album in this edition of Unlocked; hear the spotlighted track “She Lives in a Secret Town” in Monday’s post, read yesterday’s album review; and check back tomorrow for an interview with Brendan Mulvihill and Eric Slick.
Yesterday evening, Andy Molholt of Philadelphia psych-pop group Laser Background and his longtime friend Brendan Mulvihill of the junkyard folk act Norwegian Arms moved into Dreamcastle, a house-show space in South Philadelphia. They’re living there temporarily, leading up to the kickoff show of their house show “tour” tomorrow night. The plan is an imaginative one: the band is performing four DIY spaces in Philly over the next four weeks. They have to live in each house for two days prior to the show, possibly constructing a pillow fort. They must adhere to “a strict food / drug regimen.” And they’ve got to write music, and perform the results. I grabbed drinks with Molholt and Mulvihill last week to talk about the unconventional residency series, its ambitions, and their affinity for Philly’s vibrant DIY scene.
THE KEY: Let’s sum up this mini-tour (that you’re not leaving the city for). You’re playing four house shows, and the rules are you have to stay in the house two days before playing the show, and collaborative preparational activities will take place while you’re staying there…
ANDY MOLHOLT: Collaborative preparational activities, I like that.
BRENDAN MULVIHILL: That’s really good.
AM: Make sure you put that in there.
TK: …and a song may result that you’ll perform at the show?
AM: More like a song must result.
BM: It’s a must?
AM: It’s a must! We’re good enough songwriters.
BM: We’re in this house for three days, we might as well do something.
AM: We didn’t really ever talk about if the song was going to be collaborative or not, we still have to figure that out. I thought we’d each write a song for our respective projects and perform them as our respective projects. But since I play in Norwegian Arms, and Brendan’s going to play in Laser Background for one of these shows where some of the guys can’t make it, maybe we can do that too.
BM: We’re not entirely sure what’s going to happen. It’s kind of just a big experiment. We might get into a fight. Or we might make out, that might be cool.
AM: If any of that factored in, it was definitely unintentional. I used to play with Netherfriends for a little bit, but I didn’t think about that. Residencies are kind of a silly idea to begin with – why would you want to go see a band in the same venue every night for four weeks straight?
BM: Not every night! “Come see us play 31 times…”
AM: [laughs] You know what I mean, though. I get that it’s good for the venue if the band’s popular enough. And you get different crowds each night because there’s different openers playing. But I just think it’s kind of silly. I thought it would funny to self-anoint our own residency at house shows. Then the actual living there idea developed, and Brendan had the idea that we had to write songs too.
BM: I mean, why not, right? Only seems natural.
AM: Brendan and I have known each other since we were 13, so these kinds of ideas come naturally.