Many events strive to be diverse. Few are as deeply committed to the cause as the people behind Rockers!.
A long-running monthly series in Philadelphia that promotes cultural diversity, the Rockers! shows are mix of genres, ethnicities, and even mediums. Spoken word events and workshops occur often—it’s not strictly music. The event series grew out of a desire to see more bands of color playing punk shows. Continue reading →
Few events can sustain themselves for periods of over 10 years. Few shows offer such diversity in terms of people, genres, and art. That’s what makes Rockers! so unique; it has both.
A long-running music and art showcase that promotes diversity, Rockers! began because of a desire to see more bands of color playing punk shows.
Camae Defstar is one of the founding organizers of Rockers! and books almost all of the shows. Defstar started Rockers! around 2005 with her friend and band member, Rebecca Roe.
Growing up, Defstar didn’t see people of color in punk music. They didn’t receive recognition. She felt like she was the only one into the punk scene. She says Rockers! showcases bands who have something to say and don’t fit the traditional mold of their respective genres.
“We wanted our band, the Mighty Paradocs to play. We didn’t know too much about booking, so we said ‘Hey let’s book an event with bands we like and want to play with.”
Rockers began at the now-defunct venue Aqua Lounge that was located near Front and Girard Streets. The series then moved to Tritone on South Street, where it grew and created a community.
“There [at Tritone] we started to have a community of artists that were trying to play but didn’t have the access or connections to do so. That’s how Rockers started getting steam,” said Defstar.
Tritone was the host location of Rockers until the venue closed in 2012. During that year, Kung Fu Necktie became the frequent site of Rockers.
Joe Jordan, former Mighty Paradocs drummer, has been a part of Rockers since its inception. Now, he creates music under the name the Joe Jordan Experiment. He still is a “regular” at the shows as a performer and spectator. He said Rockers gave him a sense of community.
“It’s like a home for a lot of us bands,” Jordan said. “I’d liken it to CBGB’s during its punk heyday. No fighting, just high-energy excitement. Usually people of color. [but] it’s all-inclusive. People of colors… any color…white, black, red. It’s about unity,” he said. Continue reading →
Camae Defstar is a long-active Philly musician who is one of the lively hiphop punk rebels in The Mighty Paradocs. As a solo artist, her work strikes very different moods: ominous, sometimes unsettling and utterly captivating. She began releasing music under the name Moor Mother Goddess on Soundcloud about a year ago – the Alpha Serpentis EP is a good starting point – and the tracks are tagged things like “space soul” “dark rap” and “ghost funk,” to give you a sense of vibe.
The new music video for “Of Blood” ups the ante; directed by Delio DeMille, it places Defstar in spooky abandoned surroundings – one shot looks like a shuttered school hallway, another looks like an old chapel, another still looks like a decrepit prison cellblock, and it’s quite possible the entire thing is set at Eastern State Penitentary. But even if it isn’t that location, it has that vibe, with Deftar’s mouth moving along to her wild pitch-adjusted / layered-and-staggered vocals and smearing red paint (at least I hope that’s paint, ’cause I’m talking buckets here) along the concrete walls with her bare hands. Heavy stuff, lyrically and visually, but it also draws you in. Watch it below, and catch Moor Mother Goddess at one of her upcoming appearances: September 27th at the Laser Life zine reading at West Philly’s anarchist community center A-Space, or October 26th at the Rockers! showcase at Kung Fu Necktie.