Earlier this year, Philadelphia DIY scene faves Cayetana toured Australia for the first time with Melbourne’s Camp Cope. The two punk power trios hit it off remarkably well, and are celebrating that kinship with the release of a new 7″ on Poison City Records.
The split, which releases on January 20th, features two new songs from each band – below, you can get a taste of it with Cayetana’s excellent new slow-burner “Trails.” Like a lot of their best work, it starts hushed and progressively gets more emotive and intense as frontwoman Augusta Koch meditates on failure and forgiveness. Continue reading →
Needing a break from working on new Cayetana material, singer-songwriter Augusta Koch recently recorded a quick cover of “Side by Side” by fellow Philadelphians Three Man Cannon, a track taken from the latter’s 2014 LP Pretty Many People.Continue reading →
High-energy Toronto indie rock four piece Weaves wrap up their summer tour with Philly punk favorites Cayetana tonight at PhilaMOCA. Weaves self-titled LP came out earlier this year, while Cayetana is working on the followup to its 2014 debut Nervous Like Me. Find tickets and more information for the all ages show at the XPN Concert Calendar. Below, listen to Weaves’ recent feature on World Cafe, and watch Cayetana performing “Madame B” during their 2015 Cafe session. Continue reading →
It’s hard to believe it’s been a decade since the release of Keep Your Heart, the full-length debut from Philly’s favorite punks The Loved Ones, but Saturday night found us celebrating its birth at a very sold out Union Transfer. Staying in tune with both the band name and album title, the evening was filled with musical reunion, emotional validation and physical purgation. It was over in the blink of an eye and bitter-sweetly, it’s not going to happen again anytime soon. Continue reading →
Martello will be joined by members of Cayetana and Three Man Cannon as her backing band to perform a song from her self-titled album that came out last year. The session will be done at Miner Street Recording. For folks who are used to seeing Martello play solo with her electric guitar, this will be a unique experience of seeing her work with a band. Continue reading →
UPDATE: The show has been moved to the First Unitarian Church due to popular demand.
Right-on show announcement of the morning: Philly power trio Cayetana, after a sick sold-out headlining gig at PhilaMOCA on Saturday night, will return to the venue on Friday, March 18th on the lineup of a just-announced benefit gig for Planned Parenthood of Southeastern PA.
Joining them are the always-asskicking Screaming Females, along with fierce punk rock impressionists Amanda X, and Philly’s Dark Thoughts and Littler, who warmed our snowbound souls the other weekend with the new single “Slippery.”Continue reading →
“High Key” is a series of profiles conceived with the intent to tell the story of Philly’s diverse musical legacy by spotlighting individual artists in portrait photography, as well as with an interview focusing on the artist’s experience living, creating, and performing in this city. “High Key” will be featured in biweekly installments, as the series seeks to spotlight artists both individually and within the context of his or her respective group or artistic collective.
Philly’s been known over the years for jazz, having been home to heavyweights like Coltrane, Lee Morgan, Jimmy Smith, Billie and of course, Philly Joe Jones. We’ve been known for hip hop, most widely recognized for the Roots and Fresh Prince, Freeway or Beanie, but with roots deep into the heady days of the conception of the genre reaching all the way back to Lady B’s “To The Beat Y’all” and Schoolly D’s seminal gangsta rap cut, “PSK, What Does It Mean?” We’re known in the national musical consciousness for that golden era of the 70’s, Hall & Oates, The O’Jays, Billy Paul, and Gamble and Huff’s Philadelphia Soul.
When it comes to indie rock and punk, though, Philly has been somewhat outshined in decades past by the likes of Sub Pop’s Seattle or, say, “college rock” benchmarks out of Athens and Austin.
But an indie rock scene has been simmering here for years, from Shai Halperin’s unheralded aughts bands The Capitol Years through better-recognized successors, Kurt Vile and his War On Drugs. These days, original, talented, fresh-sounding, local rock bands are dutifully packing our favorite bars and show spaces in billed shifts on any given weeknight, making noise in every neighborhood.
Enter Cayetana, perhaps the most polite and respectful rock band you’ll ever meet. Maybe they look familiar, where a recent Stereogum article cast them as the poster children of Philly’s DIY scene.
But if singer and guitarist Augusta Koch, bassist Allegra Anka and drummer Kelly Olsen could ever appear to you to be some sort of archetypal group, you’ll find it challenging to compare their sound to any other. Their brand is unique, self-conscious punk with substantive, introspective lyrics packaged behind killer hooks.
And good news for us: they’re honing their stagecraft locally these days, on a break from touring to work on their second LP, with a new EP just out to whet your appetites. Catch them at PhilaMOCA this Saturday for a 7″ release show and, again at Union Transfer in February when they open for The Loves Ones’ sold-out reunion show. And, well, RIP Golden Tea House.
We’re one week away from Cayetana‘s Tried Eyes single release party at PhilaMOCA, and we are getting super excited. Firstly because the new song, “Freedom 1313,” is incredible. Second because the b-side is the band’s terrific cover of the New Order classic “Age Of Consent.” Third, because there’s a new video for “Freedom 1313” by filmmaker Adam Peditto and it looks fantastic. Continue reading →
Well this made our afternoon even better: Philly power trio Cayetana is streaming its new Tired Eyes7″ over at Brooklyn Vegan. The a-side is a hammering ode to staying true to your dreams, societal pressures be damned – “doing what you love won’t make you money / doing what you hate will make you cold / let me be forever hungry / if it’s up to me, I will” – and side B is a totally sick cover of New Order’s “Age Of Consent” that we saw the band do at Golden Tea House about a year ago. Continue reading →