The three-piece, all-female punk rock group is live streaming their Shaking Through session on February 1st and 2nd free to the public – an opportunity otherwise only given to members of Weathervane Music Organization. Shaking Through gives fans the chance to watch an insider’s guide as to what recording is like for some of their favorite bands, or a chance to discover new music, while the bands or musicians get to record in a “professional setting.”
Weathervane, founded by producer Brian McTear in 2009, strives to promote independent bands in the area with Shaking Through. Cayetana, formed in the fall of 2011, is finally starting to take off, opening for Waxahatchee just last Sunday and releasing a 7″ this winter on Tiny Engines Records. Check out their studio session with The Key here and their video for “Hot Dad Calendar” below.
Waxahatchee’s Katie Crutchfield had her biggest headlining Philly show to date last night, playing to a packed crowd at the First Unitarian Church and mixing in songs from last year’s breakout LP Cerulean Salt and 2012′s American Weekend. Opening the show were two very like-minded punk-rooted acts: Columbus Ohio’s All Dogs, featuring Maryn Jones of Saintseneca, and and Philly power trio Cayetana. Check out photos from the show in the gallery below.
Power pop trio Cayetana have released “Hot Dad Calendar” as a free download in anticipation of their upcoming 7″ release. The new track will be paired with a remaster of “Ella,” which was included on the local band’s debut demo EP last year. The 7″ marks Cayetana’s first vinyl record and will be released through Tiny Engines early 2014. Download the song below and check them out with Waxahatchee, Heavy Bangs and All Dogs at the First Unitarian Church on January 26th. Tickets and information can be found here.
Yesterday the crew over at Philebritydug up a video of Waxahatchee (Katie Crutchfield) performing an acoustic rendition of Guided by Voices‘ “Game of Pricks” at a high school in Pomona, CA last year. Crutchfield’s ability to sing confessional music in an off-the-cuff manner sounds just as honest and stripped down with an acoustic guitar as it does with her three-piece power trio band. She brings the emotional charge of emo and the sound of indie pop in a way similar to that of Frances Quinlan from Hop Along.
With the GBV cover, Crutchfield handily transforms their snappy minute and a half power pop jammer from the 1995 album Alien Lanes into her own thing; watch the video below, and compare it against the original. Waxahatchee’s 2013 album Cerulean Salt is available here; she plays the First Unitarian Church on January 26th with All Dogs, Cayetana, and Heavy Bangs. Tickets and information can be found here.
Cassavetes, a heavy indie/punk rock band from Philadelphia, have been hard at work recording a full length album with Uniform Recording‘s Jeff Zeigler. They just debuted the first raw single off that forthcoming release, entitled “Tie Down.” Starting off with an entrancing guitar line, the drums kick in a cymbals crash and the snare drum is pummeled, ushering in an epic full band sound.
Josh Agran’s gritty shouting leads us through the drum fills and punchy bass until the song softens for a bit. During this time, we hear that Agran can sing on the lighter moments just as well as he can yell at the heavy ones. The track continues back into the explosive hook that leads to shrieking guitar and trudging rhythm, ending with all the instruments rolling together into one big awesome ball of noise.
This month marks the one-year anniversary of PhilaMOCA‘s Tuesday Tune-Out film-and-music showcase, and taking the curator’s reins are current heavy hitters in Philly’s DIY promotions scene. Guild Shows have developed quite the roster of ass-kicking concerts in spaces as far-flung as West Philly’s Golden Tea House (site of March’s Waxahatchee album release party), The Barbary (the Frankford Avenue punk refuge) and The Fire (when they host all-ages shows). Their musical tastes are as broad as their locations, though definitely rooted to some degree in in DIY punk rock. We asked Guild’s Nick Vanelli to weigh in on this month’s Tune-Out via our regular Guest VJ spotlight. All shows happen at 8 p.m., are $5 at the door and are all ages.
We strived to create a series that was full of unique shows- bands or concepts you’ll rarely see- that also provided a true taste of what The Guild does. All four shows feature musicians who regularly play on our shows performing in non-traditional formats, and we are really excited for all of our super talented friends to shine in new ways. Continue reading →
Portland indie-punk power trio The Thermals returned to Philly on Saturday with their new album, Desperate Ground, in tow. Before the band played to a teeming crowd of devoted fans, local favorites Hop Along and Cayetana turned in impressive performances.
First and foremost, shout outs to Cayetana for their opening set. I saw this Seattle-esque punk three piece play an awkward set in a north Philly basement earlier this year that left me skeptical of their merits. This time, everyone outside Union Transfer was raving about how much they rocked the crowd, particularly Kelly Olsen, who pushed her heart out on the drums and into the crowd.
Hop Along was even more impressive. Frances Quinlan’s raspy siren voice leads me through a raw, childishly uninhibited path. Her abstract lyrics and pounding rapid riffs take my heartstrings for a leash. Mark Quinlan’s work on the drums honestly sent me into a trance for “Young and Happy,” and supported the ensemble of Frances, bassist Tyler Long and second guitar player Joe Reinhart (formerly of Algernon Cadwalader). Hop Along opened with a brand new song called “Sister Cities” – it’s a rager and it’s catchy, and will be released in next week’s installment of the Shaking Through series – rightfully finished with their biggest hit, “Tibetan Pop Stars, but the whole album resonates with this writer. My only complaint is they played at a faster tempo than what’s released on Get Disowned, but I also understand the time crunch and anxiety muddled into being an opening act at Union Transfer.
The Thermals took the stage permeating electricity and facing honest-to-god crowd worship. The Oregon three-piece’s whole set was intense; lead singer Hutch Harris and drummer Westin Glass repeatedly jumped into the crowd to dance and be surrounded by their Philly devotees (because there is really no other way to describe the crowd’s reaction to when they started playing). Harris has the rawest face I’ve ever seen playing a set. It contorts into a pleading frown, and it shoots through to his pulsing neck veins and rigid shoulders every time he slams down on his guitar. The pit swelled when they started playing “How We Know” a few songs in and lasted until their final encore of “No Culture Icons.” By “Here’s Your Future,” the pit spanned the length of the stage in a clapping, dancing, nodding moshing mess of human beings. Check out a gallery of photos from the show below.