Delaware five-piece Innoko have released a debut EP called First Light, available as a free download on their Bandcamp. The release bridges the mellow form of psych rock with a “beachy and serene vibe” perfect for the warm days ahead. Stream and download the EP below.
Modern Baseball brought its basement-bred pop punk to the Key Studio Sessions this week, performing songs off of this year’s You’re Gonna Miss It All. Along with the six live tracks, including “The Weekend,” which you can stream and download below, the KSS crew recorded a video of the band playing “Your Graduation.” Check out the full session here.
Fourteen year old Charlie Hickey was featured in Tuesday’s My Morning Download with his song “Odds.” The track comes from singer’s new EP, which also includes a cover of Smashing Pumpkins’ “Disarm.”
Chris Kasper brought friends Phil D’Agostino and Kiley Ryan along to his Folkadelphia Session, premiered this week and posted as a free download. The local collaborator extraordinnaire performed cuts off of his latest Bagabones LP, as well as a few older numbers. Stream and download the full set below.
Dirty Dollhouse have released a live session performed at East Coast Recording as a free download. The six-track EP features vocalist Chelsea Mitchell with backup singers Vanessa Winters and Amber Twait singing beautifully harmonized and lyrically descriptive songs. Download a copy below.
Philadelphia is a true hotbed of musical activity. Cheap rent, collaborative vibes, an abundance of musically-minded people, and a solid support system for developing acts are just a few of the factors that help to make this city into a real deal music town. My favorite aspect of the greater musical community is, well, just that – that it’s a community. Philly feels tight-knit, but it isn’t exclusive or closed off to newcomers. It’s a support thing. Folks here play in lots of bands, they pop into each others’ recording sessions, and are always seeking ways to include one another in projects. Recently, I was thinking about the WXPN Performance Studio, the space where Folkadelphia, as well as Gene Shay’s Folk Show, World Cafe, The Key Studio Sessions, and most other WXPN-related in-studio sessions are tracked, and what musicians come through to record. I got to thinking that there is a contingent of local musicians that have spent a significant amount of hours in the room, that returning to WXPN is like coming home in a way. For these musicians and since the building’s construction, the space perhaps represents a safe zone for collaboration, experimentation, and uninhibited performance.
Chris Kasper is a Philadelphia local songwriter that we have looked for opportunities to include in what Folkadelphia does. We’ve seen how amazing he’s been working with WXPN on various events and we’ve listened to his four albums, especially his most recent Bagabones, with attentive ears, feeling considerable excitement at his impressive lyricism and turns of phrase. What has always drew us closer to Kasper is his collaborative spirit; many of our favorite Philly musicians play with or alongside Kasper, to name a few: Kiley Ryan (the two also work together with Foxhound), Phil D’Agostino, and Daniel Bower. For fun, you should construct a diagram where each of these musicians were connected to other bands they have collaborated with in some way, then expand from there, then expand from there, and so on. You’d need a lot of paper. What you’d get is a spider web of musical community goodness and that’s what Philadelphia is all about.
Towards the final days of 2013, Chris Kasper, along with Kiley Ryan on fiddle and Phil D’Agostino on bass, spent an evening recording with Team Folkadelphia. It’s a case of total chemistry, where the musicians are tight locked-in with each other, existing only in the present moment, and playing with a sense of joy. You didn’t need to give them a tour of the recording space, they’ve been here before.
“Pretty Polly” is the name of a rather grim and gruesome American murder ballad based on an even older British ballad called “The Gosport Tragedy.” The biggest difference between the two is a matter of narrative darkness. In both versions, a man murders his girlfriend after he learns she is pregnant, but, whereas in “Gosport,” the murderer receives his swift comeuppance while trying to escape his fate, the perpetrator in “Pretty Polly” often leaves the scene of the crime without punishment in this world, instead deferring his “debt to the devil” until the end of his own life.
Depending on the version, things can take a cringeworthy turn involving incest, insanity, premeditation, pejorative language, obsessive behavior, and, of course, the supernatural. It’s no wonder that this story continues to be one of the most popular and widely covered in the folk music world and beyond. To put it plainly, it’s a messed-up story. We’ll hear a few of the many versions available to us on the air.
Join me tonight on the Philly Local show to hear a playback of Chris Kasper’s performance at our annual XPN Musicians on Call Benefit concert. The concert was on February 20th at the World Café live in Philly. It was truly a wonderful evening of music and a sold out crowd to hear Matt Nathanson and Chris Kasper. (See photos from the show here.)
Chris performed as a trio with Kiley Ryan (fiddle) and Phil D’Agostino (bass). Both Matt and Chris donated their performances to raise funds and awareness for the XPN Musicians on Call program.
Chris Kasper’s new album is Bagabones. He has been on tour with The Wood Brothers and Amos Lee. He stopped by my show to perform during the Leicht Lunch on September 27, 2013 to talk about this new music. Listen below, and check out the Philly Local show tonight at 8 p.m. to hear Chris’ set from the Musicians on Call benefit.
Singer-songwriter Matt Nathanson captivated a sold out crowd at World Cafe Live last night for WXPN’s Musicians On Call benefit. Since 2004, XPN has partnered with Musicians On Call, working with the national organization as the Philadelphia program that brings musicians to the bedsides of more than 50,000 patients and families throughout the Philadelphia region. The Bedside Performance Program provides weekly performances for patients at the Children’s Hospital of Philadelphia, Thomas Jefferson University Hospital, the Hospital of the University of Pennsylvania, Our Lady of Lourdes Medical Center, the Philadelphia VA Medical Center and St. Christopher’s Hospital for Children.
After an opening set from Philly local artist Chris Kasper, Nathanson – joined by his guitarist Aaron Tap – played a 70 minute set of songs culled mostly from his recent album, Last Of The Great Pretenders, and some of his classic older material including “Car Crash,” and “Come On Get Higher.” Whether backed by a band or in a duo situation like he was last night, Nathanson is a charismatic, entertaining, funny, and extremely personable performer. His fun engagement with the audience is equally compelling as his performances and the audience, packed mostly with fans, hung on to every word of his between song banter as well as the lyrics of the songs they sang along to. Our thanks to Matt and Chris Kasper for being a part of the evening and to the supporters of the Musicians On Call program.
Starting off the second season of Root Down in the Shadow’s Cover Club series are Levee Drivers with their version of Chris Kasper‘s “Walking on Water.” The local roots rock band, led by August John Lutz III and featuring steel guitar by Kyle Perella and Ben Plotnick on bass, took the acoustic pop original and gave it a dreamy, Americana make-over, warmed by three-part harmonies and a soothing down-tempo shift. On choosing this particular Philadelphia compatriot to cover, Lutz explained:
Chris Kasper is just a great singer/songwriter – period. He’s been a personal favorite of mine for years now, whether it’s his solo work, his live shows with a full band, or his side project Foxhound. He has a very honest voice and an amazingly polished yet rough sound, especially on his new album Bagabones. I’m really excited to see what he comes out with next.
Watch the video below and then listen to the original.
Today we bring you our latest Key Studio Sessions compilation, pulling together the best of what we’ve recorded in the final four months of 2013. I’m always psyched about these comps, but The Key Studio Sessions Vol. 9 in particular presents a tremendous variety of musicians from around the Philadelphia region that I’m excited to showcase for you. Bucks County has a healthy showing, from the acoustic alt-punk swagger of Balance and Composure and the retro-grunge of Daylight to the booming Americana of Levee Drivers and the flower child folk stylings of Lily Mae. We trip away into a spacious, 12-minute jam by Chris Forsyth and his Solar Motel Band, rock out to Amanda X and get chillingly meditative with ambient musician and filmmaker Michael James Murray. A Christmas selection from Jersey’s The Classic Brown makes the cut, sultry new jammers from Delaware’s Mean Lady and Central Pa.’s Kate Faust, a fierce bass-backed rap by Curly Castro, an Afro-Cuban jazz rocker from Toy Soldiers, and more. Special thanks to guest engineers Steve Poponi and Mike Kennedy, to Tom Volpicelli at Mastering House for his post-production help, and to production assistants Dan Hutton and Dan Malloy as well as photographers Rachel Del Sordo, Megan Kelly, Laura Lynn, Caitlin McCann, Ally Newbold, Kellie O’Heron, Tony Oppenheim, Matthew Shaver, Mike Trutt and Tiffany Yoon, and videographers Bands in the Backyard and Bob Sweeney for sharing their work this fall. Listen to the 17-song set and get a free download below.
Want more? Get a roundup of our previous free-downloadable Key Studio Sessions compilations after the jump. Continue reading →