Philadelphia’s Curtis Cooper laughs when asked about his the next shows he’s playing in town. He quickly rattles off some playful names of places that sound semi-familiar — All Night Diner, Overlook Hotel — then clarifies: “they’re all basements. All house shows.”
It’s true: Cooper has hit the DIY scene hard lately, particularly since the March release of his debut LP Laughing In Line. And it suits him well, between his explosive energy as a performer, his fuzzed-out guitar tones and his skateboarder’s demeanor, mellowed out and amped up all at the same time.
He’s a punk rock dude at heart, make no mistake. But there’s more to him than punk. His songwriting betrays a fondness for The Beatles and their descendants (Elliott Smith in particular) and if you see him with an acoustic guitar and no other accompaniment (check his Random Tea Session), he’s directly in singer-songwriter / busker / Avett Brothers territory. Continue reading →
Support for The Key Studio Sessions, from Dogfish Head