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Hometown hero Dave Hause continues to own a solo career after successful punk rock ventures with bands like The Loved Ones, and he brought his old school rock ‘n’ roll to the Marina Stage tonight. He played to a relaxed but content crowd, though the longtime Hause fans made themselves known by singing along to songs from both Resolutions (2010) and Devour (2013)
Philly native Dave Hause is back in his hometown for a free show at Morgan’s Pier tonight. The singer-songwriter, who has played in a few local punk-rock bands including The Loved Ones, began his solo career back in 2011 with his debut album, Resolutions. Hause released his second solo album, Devour, was released October 2013. Check out a live performance of Hause’s single, “We Could Be Kings,” from his World Cafe Live show back in April. Tickets and more information can be found on the XPN Concert Calendar.
Dueling acoustic duo Rodrigo y Gabriela, eclectic New Orleans folk-blues combo Hurray for the Riff Raff, and stalwart rock n’ rollers The Hold Steady are just some of the 25 artists announced today in the full lineup of this year’s edition of the XPoNential Music Festival.
These acts will play the two stages in Wiggins Park from July 25th to July 27th of this year, alongside the festival’s headlining concerts at Susquehanna Bank Center featuring Ryan Adams, Jenny Lewis and Dawes (July 26th) and Beck, Band of Horses and The Districts (July 27th).
There is also an assortment of up-and-coming names like countrified Nashville singer-songwriter Caitlin Rose (featured on World Cafe’s Sense of Place: Nashville series); Bear’s Den, a UK rock trio with a flair for drama (they made a splash at the March Edition of the Communion Club Night at Underground Arts), the jazzy / folky vocal combo Lake Street Dive and the art-pop powerhouse Lucius, (who knocked our socks off at Free at Noon late last year.)
The greater Philadelphia scene is nicely represented as well. Bigger names like avant-garde rockers Man Man (who leaked their appearance last week), punk rock troubadour Dave Hause and reinvented folklorists Marah will mix with emerging artists Commonwealth Choir, Our Griffins, Marian Hill, The Lawsuits, Ginger Coyle and Viv and the Revival.
Three days passes for new and renewing WXPN members are available now here. Tickets for the general public go on sale on May 1st; as with previous years, three-day passes will include lawn admission to the Susquehanna Bank Center shows (seated tickets to those are on sale separately, here and here).
Below, listen to a Spotify playlist of the Wiggins Park lineup, and read the complete list of artists after the jump.
Rodrigo y Gabriela
Trigger Hippy (featuring Joan Osborne, Jackie Greene & Steve Gorman)
Lake Street Dive
The Hold Steady
Hurray for the Riff Raff
C.J. Chenier and the Red Hot Louisiana Band
J. Roddy Walston & The Business
Viv and the Revival
Susquehanna Bank Center
Band of Horses
Philly native Dave Hause ended his North American tour the best way he knows how: with a packed hometown show at World Cafe Live. The venue was filled on Sunday night with fans who sang along to his songs back passionately. Hause’s performance was energetic and powerful, he even hopped into the crowd for the set-closing “The Shine.” For an added surprise, Hause brought Eric Bazilian of Philly-based 80s rock band The Hooters out for the encore to cover their hit “And We Danced.” Opening the show was Canadian singer/songwriter Northcote, whose acoustic performance was stripped down and made for an intimate start to the night. Check out the photo recap of the show below and watch videos of Hause and Bazilian playing together, as well as a performance of “We Could Be Kings.”
Tonight, Dave Hause ends his winter tour with a stop at World Cafe Live. The unconventional punk rock singer/songwriter released his latest album, Devour, in October and it’s got subtle remnants of Bob Dylan and Tom Petty influences, both who have had an impact on Hause’s work. Hear them for yourself tonight – doors open at 7 p.m. and show starts at 8 p.m. The $12 tickets can be purchased here.
“Oh no! Did it rip you apart? To be told we could be kings when we were dead from the start.” Hause belts from the lanes of a bowling alley. Directed by Rob Soucy and filmed in New Jersey’s Asbury Lanes, Hause tells USA Today “It was lovely to have so many friends and family members involved in the filming of it.”
Hause kicks off his U.S. winter tour in January, with dates through the beginning of April and ending with a hometown performance at World Cafe Live on April 6th. Find all dates and tickets for his upcoming performances on his website here.
All photos by Darragh Dandurand Friedman | darraghdf.wordpress.com
Before heading out in tour in support of his new LP Devour, Philly’s Dave Hause celebrated with two back-to-back performances in the cozy and intimate Joseph Priestley Chapel on the side of the First Unitarian Church. Being a hometown affair, he had family members backing him up on stage – brother Tim on guitar and vocals, sister Melissa on keyboard and vocals – and his set was focused on the new album, but also touched on older moments (like the classic “C’Mon Kid” from Resolutions. Hause returns home to Philadelphia in April to headline World Cafe Live on Sunday, April 6th; tickets and information on the show can be found here. To listen to Dave’s recent performance for the Free at Noon concert series, click here; for our recent interviews with him about Devour and his back-catalog, go here and here.
Okay, so Dave Hause has been in a few bands in the past decade. Things have been going pretty well for him in the “solo guy” (his words) stage of his career, what with a stream of Devour (Rise Records), his massive second solo release, premiering on The Wall Street Journal’s website earlier this week and all of that. No big deal or anything. But if you track his trajectory over the past decade or so, you’ll notice that Hause has gone through a pretty huge songwriting overhaul (but also kind of remarkably remains his own), from his days chiseling out the modern Philly hardcore scene in the early 2000’s, to founding a seminal melodic punk voice in The Loved Ones, to resting on new laurels this decade as a full-on folk rock storyteller. So let’s take a look at that timeline. Continue reading →
“I promised that this wouldn’t happen to me”
A bound and hooded Peregrine falcon perches atop its owner’s leather glove on the cover of Devour (Rise Records), Dave Hause’s second solo LP. The captor’s face, in a soft focus, gazes listlessly into the distance.
“They’re the fastest predators in the world,” Hause explains. “They can fly up to 240 miles per hour. It’s something you need to physically put a blindfold on and keep chained to your wrist. It has this endless, carnivorous intent that’s makes up a lot of the theme of the record.”
It’s also a pretty apt visual for what was originally intended as the third and long-awaited record from The Loved Ones, the Hause-fronted Philly punk band that has been keeping things quiet since he began cementing his solo career with his first full-length, 2011’s Resolutions (Paper + Plastick). About a third of the songs on Devour were written in between the release of the last Loved Ones record, Build & Burn (Fat Wreck Chords), and Resolutions. But before the Loved Ones were set to map out a grander, more concept-heavy record that would have been titled The Great Depression – and as Hause started to realize his potential as a solo artist – he had to stop and take some time to think for a second. “Everybody was a little ambivalent about touring, we had lost a little bit of momentum and I had gained a ton as a solo guy,” he says. “I wanted to be able to deliver the songs in various ways; live, recording them differently and not relying on a band format.” Smoldering, those songs eventually became Devour.
And what about those songs? The end result is, to be frank, a highly realized piece of songwriting, both musically and thematically, that nearly abandons Hause’s punk roots for dirt-caked, teeth-grinding heartland rock. Well-tested pop punk hooks still backbone tracks, like lead single “We Could Be Kings,” but classically American melodies, twinkling keys (played by My Morning Jacket’s Bo Koster) and Hause’s wounded vocal assure that this is something else entirely- less Loved Ones and more along the lines of Bruce Springsteen’s Darkness on the Edge of Town or Wrecking Ball.