With a mixture of pride about our recent accomplishments, sadness about closing the book on 2014, and a constant craving for snacks, we arrive at the penultimate episode of the year for Folkadelphia on WXPN, airing at 10 p.m. tonight. What a ride. Thinking back on the year, it’s a blur of music. Seriously, no one can hope to hear that much music, right? Does anyone have a solid system for intake, choosing what to pay attention to, how much time to devote to a particular album, and then making a succinct decision about if it’s “good” or “bad?” If you do, please email me at fred(at)folkadelphia.com and reveal to me your secrets, magician!
That’s why the end of the year is crucial for me; it’s a time for me to look to others (critics and other curating robots) for direction, to potentially discover albums that slipped through the gaping cracks in the asphalt that I call my life. I could care less about “top” lists, so we will be side-stepping that format here. I talked about this idea, using the end of the year for discovery instead of reflection at length in the previous part of this write-up. Maybe I can do the same for you.
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