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Unlocked: The past, practice and perception that make Vacationer’s perfect electro-pop

Kenny Vasoli of Vacationer | Photo via facebook.com/vacationermusic
Kenny Vasoli of Vacationer | Photo via facebook.com/vacationermusic

Residents on this quiet street in Horsham probably don’t mind the sounds coming from Kenny Vasoli’s childhood home.

Vasoli is leading practice for his electro-pop band Vacationer inside, down in his parent’s finished garage area that has been converted into a basement. Waters and beers are handed out. Guacamole and chips are set down in the corner of the room. It’s the first time the band coming together to run through their new live show – songs like “Stay,” “Go Anywhere” and “Shining” from their new album, Relief, released this week on Downtown Records.

The new tunes are quite audible from outside the house, but neighbors probably don’t mind chill serenade to their summer evening. Several years earlier there was probably much louder, angrier music coming from this house, as Vasoli started his career in popular pop-punk band The Starting Line, which formed in 1999 and disbanded in 2008, save for sporadic reunion shows and a recent tour.

Those who know Vasoli from those days may not recognize him now. His curly, chin-length hair is tucked beneath a backwards maroon Phillies cap. He’s surrounded by new band mates playing a new variety of instruments, a few of which would never be seen on stage for a punk show. But one instrument has remained through Vasoli’s time spent in both bands – his soothing, very distinct vocals.

Vacationer at SXSW 2013 | Photo by John Vettese
Vacationer at SXSW 2013 | Photo by John Vettese

“My favorite is when [fans] say, “You sound so much like that guy from The Starting Line,’” recalls guitarist Greg Altman of various Vacationer shows since the band started touring more than two years ago.

“It’s happened more times than you would think,” adds Vasoli. “What’s that Val Kilmer movie, The Saint? I’m like The Saint of emo.”

Though Vasoli’s comment definitely was not meant in the context, early 2000 Starting Line fans might have considered him a “saint” of the genre. The music Vasoli was moved to make more than 10 years later couldn’t be more different than what his admirers might have expected from him, but they and other fans have seemed to latch on to Vacationer, no questions asked.

“I’ve really started to embrace the whole emo back story thing, because at this point, I’m confident enough in the music that I make with Vacationer and we’ve sort of cemented some fans in there enough for me to be little more confident in who I was and who I am,” Vasoli says. “It’s nice, I don’t really have to compartmentalize too much anymore, or keep anything a secret anymore, because the people who are into it are into it, and the people that aren’t are just kind of waiting for another one of those records. With anything else in my life, I like not focusing on the past too much, and also not on the future.”

Living in the moment is an idea that Vacationer holds dear, and that comes out on Relief. Continue reading →

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Unlocked: The Key’s review of Relief by Vacationer

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Vacationer’s Relief | via vacationermusic.com

Relief is full of what one might describe as “Bali Hai” moments.

The album is Philadelphia dream pop band Vacationer’s sophomore release, out today via Downtown Records. Though it features modern technology – electric guitars, vibraphone flourishes and Logic-produced beats – Relief echoes the score of 1949 Rogers and Hammerstein musical “South Pacific.” In the show, Bali Hai is the name of the magical, mysterious island that is seen as an exotic paradise to the main characters. The native Tonkinese people invite American troops fighting during World War II to visit the island, and it becomes a tropical haven for the soldiers to forget about the fighting and killing that surrounds them. Every time that Bali Hai is mentioned or seen off in the distance, the show’s score elicits waves of brass, strings and a chorus of voices that bolster the island’s enchanting qualities.

The musical motif that starts Relief feels like an invitation from Vacationer to join the band on its own version of Bali Hai. Voices swell and fifes sound as the album launches into the first track, “Stay,” and frontman Kenny Vasoli sings, “Want you to taste summer winds as they’re gusting around/ I want you shaking those habits just in time, worth it if you look around.”

On Vacationer’s enchanted musical island, there are definitely no signs of the war, racism or other hardships that thicken the plot of “South Pacific.” But Relief also isn’t all chill waves, summer sun and good vibes like its predecessor, 2012’s Gone. Continue reading →