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GIVERS deliver moodier pop approach on New Kingdom

Photo by Jeremy Zimmerman | jeremy-zim.com
Photo by Jeremy Zimmerman | jeremy-zim.com

From a band whose beginnings came from evacuating the path of a hurricane, I found it a little ironic that GIVERS’ latest album, New Kingdom, carries the drama of an impending storm. Moody and synth-heavy, this second effort from the Louisiana indie pop outfit is a stark departure from 2011’s In Light.

While the band circulated from festival to festival this year, I caught a few minutes at Eaux Claires in Jul speak to Tiffany Lamson (percussion, vocals), Taylor Guarsico (guitar, vocals) and Josh LeBlanc (bass) a little bit about New Kingdom.

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Eaux Claires Day 2: More mud, more sweat, a lot more tears

Photo by Jeremy Zimmerman | jeremy-zim.com
Photo by Jeremy Zimmerman | jeremy-zim.com

The Eaux Claires festival in Eau Claire, WI continued (read about Day 1 here) July 18 with a much slower start, a combination of Friday’s intense heat and thundershowers through the night having broken some of the pressure.

Leaving no time to waste, staff photog Jeremy and I headed over to the dome marked “Eternity Awaits” that I described yesterday. Once inside the dome, recorded “confessions” and “Alleluias” played as a soundtrack for the experiment as the hay bales started to fill with those anxious to confess. These recorded confessions included everything from a woman sharing she was really a cat to friends admitting they deceived each other; really weird mix of stuff. I pulled the number “12” from the ticket wheel and patiently waited. Astronautalis came out from the confessional between hearing confessions in full priestly regalia, guzzling a Miller Lite and sizing up every sinner in the room with his own appearance-based evaluation – never mind what each person was actually going to confess.

Finally, my ticket was called and I approached the confessional, totally unsure of what to do once I got up there. But, just like in my Catholic upbringing, I entered one side of the confessional and Astronautalis entered the other. The walls of the small box were filled with photobooth-like mugs of others; a kneeler and a screen were also present in on the wall facing Astronautalis. Continue reading →

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Eaux Claires Day 1: Mud, Sweat and Tears

Photo by Jeremy Zimmerman | jeremy-zim.com
Photo by Jeremy Zimmerman | jeremy-zim.com

The journey to Eau Claire (pronounced “Oh Clare”), Wisconsin for the inaugural Eaux Claires (EXC) indiefolk mammoth of a festival started like a freak folk dream that never really stopped. From the time we pulled into the two hour wait line outside the muddy camping grounds Thursday night – during which antsy campers skipped up and down the aisles of cars and coolly flaunted their half-shaven haircuts on cig breaks – the party kept rolling with no signs of slowing down.

Lines of hipster drones sweated outside the gates from 10 a.m. Friday morning until they could break through to music mecca curated by the one and only Justin Vernon, aka Bon Iver. (Our staff photog Jeremy cleverly nicknamed the festival #BonnarooIver.) Make no mistake about it; everything on these grounds felt handpicked by JV from the focus on Midwestern artists – every artist on the bill had a personal connection to Vernon, even those of non-Midwestern descent – to the oddly terrifying family zone – more on that tomorrow. Continue reading →