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Leyla McCalla, Coal Town Miners, Slowey and the Boats are just a few few of the artists that appear on the recently released Folkadelphia Volume II, a collection of in-studio performances from WXPN’s weekly Folkadelphia radio show, hosted by Fred Knittel.
Recorded last April, singer-songwriter and guitarist Amy Ray of the Indigo Girls stopped by to do a session and she and her band performed material from her recent Americana/country leaning Goodnight Tender. Continue reading →
Yesterday saw the release of Folkadelphia Volume II, a collection of in-studio performances from WXPN’s weekly Folkadelphia radio show, hosted by Fred Knittel.
One of the many standout tracks is a version of “Milly’s Garden” by singer, songwriter and guitarist Steve Gunn. Gunn, originally from Lansdowne, released one of 2014′s best albums, Way Out Weather. Now based in Brooklyn, Gunn was a guitarist in the Violators, Kurt Vile’s band, and has been releasing solo records since 2007. Continue reading →
With a mixture of pride about our recent accomplishments, sadness about closing the book on 2014, and a constant craving for snacks, we arrive at the penultimate episode of the year for Folkadelphia on WXPN, airing at 10 p.m. tonight. What a ride. Thinking back on the year, it’s a blur of music. Seriously, no one can hope to hear that much music, right? Does anyone have a solid system for intake, choosing what to pay attention to, how much time to devote to a particular album, and then making a succinct decision about if it’s “good” or “bad?” If you do, please email me at fred(at)folkadelphia.com and reveal to me your secrets, magician!
That’s why the end of the year is crucial for me; it’s a time for me to look to others (critics and other curating robots) for direction, to potentially discover albums that slipped through the gaping cracks in the asphalt that I call my life. I could care less about “top” lists, so we will be side-stepping that format here. I talked about this idea, using the end of the year for discovery instead of reflection at length in the previous part of this write-up. Maybe I can do the same for you.
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For the last three radio episodes of 2014 (airing Wednesdays 10-11 PM ET on 12/3, 10, and 17), Folkadelphia will be recapping what we found extremely special, utterly entertaining, and downright mesmerizing from this year’s musical offering. Pulling together my thoughts and my music for the exercise, it got me thinking further…
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In my mind and for at least a good chunk of years now, Andrew Jackson Jihad have occupied a musical sector between sweaty basement punk rock and outspoken brash folk (I picture Billy Bragg or even Woody Guthrie) and I guess, the two are not so very different after all. Lyrically driven, songs with meaning, songs with humor, songs with a message, songs about life and living it and being a part of the world. They can be action oriented, acidic in delivery, absurd and totally irreverent in narrative, and sometimes very sweet. Many have done it before AJJ and many will do it after – to speak openly, to sing loudly, to share widely, but AJJ does it with a certain style unique to them. I became a fan late in the game and it’s with their new record, Christmas Island, that the band has totally made me a through and through devotee (I’m having a blast digging into the back catalogue), but even before this point, the band held a weighty stature for me in my imagined hierarcy of music. I always pictured AJJ live performances to be on par with religious congregations, with people chanting, waving their hands and moving wildly, maybe even violently. I see the room as blur of bodies and raw sensory stimuli where my own senses can’t quite get a solid read on anything. But it’s the unknowingness, the uncertainty, the fever pitch of it all, that makes the performance relevatory. I think folks would agree with that scene and I know I’ve heard many dazzled accounts by attendees of AJJ concerts.
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Psychedelic folk guitar instrumentalist Don Bikoff released his most recognized album, Celestial Explosion, back in 1968, but don’t think that that’s the end-all of his career. Bikoff re-emerged in recent years, self-releasing his album Hallowed Ground and playing a handful of live appearances around the country, including tonight at Little Berlin for the last Folkadelphia show of the 2014 season. Tickets and information can be found at the XPN Concert Calendar. Below, listen to (and download) Bikoff’s 2013 Folkadelphia session. Continue reading →