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A conversation with Hop Along’s Frances Quinlan about creating “Sister Cities” in a day for Shaking Through

FrancesEarlier today, the folks at Weathervane Music debuted the latest installment in their Shaking Through series – a gritty, poppy number from Philly’s Hop Along called “Sister Cities.” The song is loosely based on Günter Grass’ book The Tin Drum, it was written this winter and recorded over the course of 24 hours at Fishtown’s Miner Street Studios. This is something of a change of pace for Hop Along – frontwoman Frances Quinlan is an admitted perfectionist, and their excellent 2012 LP Get Disowned was the result of two years of hard work at Headroom Studios. What was it like going into a situation where they had to finish the song in a day? How did “Sister Cities” grow from its solo beginnings we heard at Quinlan’s PhilaMOCA show in January to the rager we hear today? And will this experience change how Hop Along works in the studio? I caught up with Quinlan at Johnny Brenda’s last week to find the answers to these questions and more.

The Key: How would you say songs, this one in particular, change between when you first write and when you have a finished / recorded project?

Frances Quinlan: This was really different from songs I’ve worked out in the past; it’s been a while since I’ve really felt like I had to beat the shit out of a song. I remember reading this interview with Tom Waits and he was talking about how some songs come to you in a dream and some songs are like a dance. And some songs you have to drag kicking and screaming and, like, fight with them. I really felt like this song was a fight. I remember we were jamming it a while back and everyone was like, “yeah, you know, this is cool.” But we really did not have strong feelings about it until we got in the studio and hashed it out. The structure was the same, but the feeling of it changed in the studio.

TK: So when you say, “when we got in the studio” do you mean you got to Miner Street and didn’t know that was song you were going to record?

FQ: No, we knew. We had no other song that I really felt confident enough to say, “oh sure we could make this work in a day”. This one started out as a very straight song. I thought it was mellow! To me it was like a uniform feeling all the way through, but it was steady and I was like, “that’s what we have, this is what we can work with, we can do something and it won’t be terrible”…you know? But no, we got in there and it was like 75 percent, 80 percent done. It needed some character to it. But that’s why you take that shit to a studio and figure it out! [laughs]

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Tonight’s Concert Picks: Frances Quinlan at PhilaMOCA for Tuesday Tune-Out, Palma Violets at Kung Fu Necktie, Chris Forsyth at Johnny Brenda’s, Purity Ring at Union Transfer

For The Key’s final Tuesday Tune-Out at PhilaMOCA tonight, Hop Along frontwoman Frances Quinlan will perform a rare solo set of brand-new songs.  Her local pop / punk band released the impressive and intricate Get Disowned in 2012, pairing pop hooks with punk arrangements and Quinlan’s honest vocals.  Following the set, Quinlan will screen a 1950s Fellini film that gave an early Hop Along song its name.  Admission is a suggested $5 donation for this all-ages show.  For more information, visit the Facebook event page here.  Below, stream “Tibetan Pop Stars” from Get Disowned.

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Announcing The Key’s Tuesday Tune-Out Lineup (begins 1/8 at PhilaMOCA)

The unofficial cover art to Birdie Busch's unofficial instrumental album Oh You Who Believe, which was released in 2011 (unofficially)

By now, you can probably tell that we’re devout fans of the local music-and-film showcase Tuesday Tune-Out, held every week at PhilaMOCA. Some of the best music minds in Philly have curated this thing so far – Herbie Shellenberger of Pet Milk and Black Circle Cinema; Fred Knittel from Folkadelphia; fellow bloggers and local music enthusiasts The Deli, The Swollen Fox, JUMP Philly and Bands in the Backyard. It’s totally good company, a great event that enriches the city’s music and arts scenes, and we’re super excited to join the ranks by curating the month of January.

We’ll begin January 8 with an exciting solo set by Dr. Dog drummer Eric Slick, continue on January 15 with some funky noir-hop from Zilla Rocca, present an improvisatory instrumental set from Birdie Busch and Carl Cheeseman on January 22 and conclude on January 29 with a rare solo performance by Frances Quinlan, frontwoman of Hop Along. All shows begin at 7:30 p.m. at PhilaMOCA, 531 N 12th St., are all-ages, with $5 suggested donation for admission. After the jump, get details about each show with links for more information. Continue reading →