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With acoustic guitar in hand, Lissie walked out on World Cafe Live’s stage earlier today to show Philadelphia a little bit of her midwest roots with a raw folk rock sound.
Alongside electric guitarist Edward Stanton, Lissie kicked off the set with her new song “Hero,” her stripped-down performance showing off a natural vocal talent and intricate lyrics. Debuting another new song “Don’t You Give Up On Me,” Lissie showed the crowd her vulnerable side through a message that focuses on her sense of self and her surroundings. Continue reading →
Nashville-based SIMO braved Philadelphia’s cold weather and snowy forecast to perform XPN’s Free at Noon concert today. The blues rock trio filled World Cafe Live with an energetic crowd ready to hear their improvisational, soulful sound. SIMO has come into Philly just in time to prepare for their upcoming tour and soon-to-be-released album, Let Love Show The Way.
For XPN’s second Free at Noon of the year, esteemed Canadian songwriter Basia Bulat came to town, promoting her upcoming Jim James-produced album Good Advice, which comes out in just under a month on Secret City Records.
Preceding this, I had heard tell from several colleagues that Bulat was a force to be reckoned with, and as such I walked into the room at World Cafe with markedly high expectations. At the start of the set, she met them with ease, and by the end, she had well exceeded them. Her sound was beautifully simple; comprised of guitar, keys/synth, bass, and drums. However, with these tools she managed to contrast her sound magniﬁcently. Continue reading →
Bobby Long is a singer-songwriter who does not forget where he came from, and that was on full display this afternoon at World Cafe Live. Whether it was his many quips about his birthplace in England or the credit he gave to XPN’s Dan Reed for playing his music before anyone else was giving it radio play, Long not only plays roots folk with the skill of a veteran but constantly remembers and acknowledges his own roots. Continue reading →
Alex G. is someone that we here at The Key have been keeping a keen eye on for a while now. The release of his first proper label album Beach Music this year marked his first step into the world of being a nationally-recognized indie rock singer-songwriter. But the Havertown native is a testament to how the internet age has transformed the way in which a musician can break: his eleven previous albums and EPs were released directly to Bandcamp.
His time kicking around the Temple DIY scene garnered him significant attention and made him a comfortable and skilled live performer, which he showed off Friday afternoon at World Cafe Live. The upstairs venue was packed to gills with an excited audience, one that skewed young, with many in attendance the same age as the performers. Alex G and co. pulled mostly from his newest album but also played some songs off of 2014’s DSU and 2015’s Trick. Continue reading →
Friday’s Free at Noon tribute to the 40th Anniversary of Patti Smith’s Horses was a transcendent occasion, featuring eight performances by eight of Philly’s most captivating female vocalists. Continue reading →
Here’s a gig you don’t want to miss, people. This Sunday, December 13th, is the 40th anniversary of punk poet Patti Smith‘s incredible debut LP Horses; to mark the occasion, we’re presenting a front-to-back performance of the album by some of the Philly music scene’s finest at WXPN’s Free at Noon concert. As the name implies, it’s a free show, and you can attend by RSVPing here. Continue reading →
With a roomful of music fans nursing hangovers, food comas or both, there couldn’t have been a more appropriate soundtrack Friday than the lovely Free at Noon set from Hezekiah Jones. The Philly folk mainstays just released their excellent new In Loving Memory of oosi Lockjaw – either their fourth or fifth long-player, depending on how you count – and their set Friday brought its beautifully mellow tones and moments of rousing rock to a packed World Cafe Live house. Continue reading →
The naming of City and Colour makes sense when you learn that it is the musical brainchild of Dallas Green, whose name is a city and then a color. How the Canadian singer-songwriter was given his birth name is a lesser known story that surprisingly has a connection to the City of Brotherly Love. Dallas Green’s father made a bet on the 1980 World Series for the Philadelphia Phillies to win. On September 29, 1980, Green’s father won his bet and Green’s mother gave birth to him; in celebration of the win, the musician’s father named him Dallas Green after the Phillies manager with the same name. Continue reading →