“Thanks for joining us on this auspicious occasion,” Nick Urata told the World Cafe Live crowd today. “It’s the first day of our new album. Thanks for sharing it with us.”
The leader of DeVotchKa then launched into “Angels,” a driving rocker from their new record This Night Falls Forever; it’s their first in seven years, it’s out today on Concord Records, and the band spent half their Free at Noon set today showcasing it, while the other half revisited music from its last effort, 2011’s elegant 100 Lovers. Continue reading →
Philly instrumental improv trio Muscle Tough spent the afternoon downstairs at World Cafe Live to share what was possibly the most interesting Free At Noon concert I’ve seen in a while. I went in not knowing what to expect, and left having witnessed psychedelic robo funk, super heavy guitar and drum battles, and even jokey synchronized dance moves from guitarist Ross Bellenoit and bassist Jonathan Coleman. It was entertaining all across the board, and cheers of “When I say Muscle, you say Tough!” were prevalent throughout the entire forty-five minute set, just to remind the crowd that they were awesome. Continue reading →
In between shows in Asbury Park last night and New York tonight, Petal found time to make a quick trip down to Philly to play today’s Free at Noon, and despite the hectic scheduling, it was evident by the look on Kiley Lotz’s face when she walked onstage that there was nowhere else the Scranton-based artist would rather be this afternoon.
The short break from their co-headlining tour with Camp Cope, which included two sold-out PhilaMOCA shows a month ago, allowed Petal to bring their new album Magic Gone back to town to further celebrate the excellent release. Whether audience members were familiar with the band prior to today’s show or not, Lotz and company seemed to win the crowd over with their warm and welcoming presence before they even played their first song. Continue reading →
Steel City native Joe Grushecky joined the Free At Noon crowd today to share some new songs off his latest release, More Yesterdays Than Tomorrows, and the seasoned rocker wowed the crowd with his charismatic new tunes and incredibly joyous Houserockers band. Continue reading →
Singer-songwriter Neko Case is known as much for her work with The New Pornographers as she is for her seven solo albums, and today enchanted a packed house at World Cafe Live upstairs for the Free at Noon concert. Backed by a six-piece band, Neko wielded a Fender Jaguar, her coppery hair veiling her face. “Easy with the cameras…If you film me I’ll forget the words,” she warned. Beyond the firm request for no cameras, the she kept the stage banter to a minimum, moving fluidly through the set.
The band opened with “Man,” a tambourine-heavy song with country vibes that sneers with attitude, the perfect pick to get the crowd stomping. “Hell-On,” the title track of Neko’s latest album, is eerie and echoing. The lyrics weave a mystical setting as if plucked from the pages of the Grimm’s Fairy Tales. “Halls of Sarah” is a wistful call in the dark, with wispy, layered vocals. “She didn’t ask to be your remake or your muse / We’re parasites inside her blues,” Neko sang, her voice toying with language, twisting vowels, sweet but never fragile. The set picked up speed toward the end, “Last Lion of Albion” the seam-splitting finale with heavy drum rolls and clanging cowbell.
Later this very night, Kacey Musgraves will play on a much larger stage to a much larger crowd. But this afternoon, the rising country star was more than content to bring things down a notch and play a soft, intimate set to a crowd brimming with enthusiasm.
Before today’s performance even began, as a line of eager audience members filled the World Cafe Live stairs and spilled out the door, it became clear that this would not be your average Free at Noon. And if you were lucky enough to score a spot at today’s sold-out show, you had the rare chance to see Kacey Musgraves on what may just be the smallest stage you’ll ever see her. But even though the Texas native is accustomed to playing bigger shows these days — especially on her current arena tour with Harry Styles, which makes a stop at the Wells Fargo Center tonight — she seemed downright thrilled by venue’s homey feel and awestruck crowd.
Decked out in a sparkling yellow ensemble and backed by a full band, Natalie Prass performed songs from her new album The Future And The Past as well as some older songs. Prass opened with “The Fire,” a song that shows off her unique blend of neo-soul and power pop. Her music is full of infectious rhythms and on-a-dime key changes, expertly handled with her signature soprano. She mentioned the lack of their touring keyboardist, resulting in a more stripped-down set, but still perfectly and polished and executed with style. Continue reading →
The weekend kicked off with a Free At Noon set from The Ruen Brothers, siblings Henry and Rupert Stansall out of Scunthorpe, England. The brothers wore matching bolo ties over button up shirts, crossing midwestern cowboy with 60’s greaser. Their music is nostalgic rockabilly, twanging with grit. The brothers shared a mic, trading harmonies with faces at kissing distance. Colin, who Henry dubbed their “third brother from Detroit,” played drums, pausing between songs to adjust his black plastic eyeglasses. Continue reading →
Today’s Free at Noon thundered in with the powerful music of the blues/rock Greg Sover Band. Taking to the stage donning his signature steampunk jacket and flashing a charismatic smile, Sover shook any lingering lethargy from those in the audience in a contagious, energetic performance with his band. The crowd swayed and rocked while shifting psychedelic patterns were projected overhead. The magnetic Sover established an immediate rapport with the crowd, joking in between songs and taking a moment to thank WXPN’s Helen Leicht for spinning their tracks since the beginning. Continue reading →
On Friday afternoon, Brooklyn rockers The National Reserve brought a high energy set to World Cafe Live, filled with solos on the drums, keys, and guitars. The band opened on some older cuts, dropped a cover of Ronnie Lane’s “Roll on Babe,” slowed it down with “Don’t be Unkind” from their new full-length project Motel La Grange, which was released Friday. Continue reading →