This kinda thing doesn’t happen by accident. A band like Baltimore’s Future Islands doesn’t go from under-the-radar to overnight sensation without putting in the legwork. And while frontman Samuel T. Herring does put in a lot of literal leg-work with his wild dance maneuvers on stage, the band’s path to the huge stage at the Fillmore on Monday evening took more than a fair share of emotional lifting, as well. New release The Far Field (out last month on 4AD) plays out less as a breakup record than a forlorn catalog of Herring’s sins.
With a bombastic legacy of hits and smashing live performances to live up to, a down note might not have been what newcoming and long-lived fans were looking for. But seeing is, as they say, believing. For many, the infamous 2014 Letterman performance remains both introduction and centerpiece of the Future Islands brand. But three years removed, many now know the band — and the bombastic frontman — as something more three-dimensional than simply a great showman. While the dance moves perpetually continue to impress, they seem a little bit less pronounced than the twin sold-out shows I saw at Union Transfer in early 2015. Continue reading →