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Superlith & George Korein: Post-post-apocalyptic sounds

 

Superlith | Photo courtesy of the artist
Superlith | Photo courtesy of the artist

Superlith is the cyberpunk improv duo of trombonist Dan Blacksberg and circuit bender Julius Masri, two multifaceted sonic reducers with deep Philly roots. Blacksberg is regarded for incorporating music of the Hasidim into avant-metal and free jazz, having collaborated with Liturgy and Anthony Braxton. Masri switch-hits as a synthy noisenik with the likes of Joo Won Park and Charles Cohen, and as a versatile free drummer, often accompanying dance.

Together they traffic in dystopian soundscapes that evoke Paul Rutherford blowing through a writhing neurobiological mass or Bastard Noise devouring the Garritan Personal Orchestra horn section. Last year’s Plasma Clusters (Public Eyesore) is the sound of our world a few hundred millennia after Skynet becomes sentient, James Hansen’s predictions go unheeded, and saprotrophic bacteria are digesting the pixels from subaquatic Buzzfeed GIFs. Continue reading →