Dave Hartley presents an overview of the NBA playoffs in a new edition of Top of Key [link]
Cancer Treament Centers of America
Dave Hartley presents an overview of the NBA playoffs in a new edition of Top of Key [link]
XPN welcomes The Bacon Brothers to the Keswick Theatre tonight. The Philadelphia natives were playing music together long before Kevin’s acting and Michael’s composing careers took off, though their last album of new material was 2008′s New Year’s Day. Tickets and information for tonight’s show can be found here. Watch a video of the brothers and their band performing live below.
XPN welcomes The Smithereens to the Landis Theater tonight. After putting out their tenth studio album in 2011, the New Jersey rock band has continued to tour steadily and will join Tom Petty & the Heartbreakers on the road this summer. Tickets and information for tonight’s headline show can be found here. Below, watch the video for 2011 single “One Look at You.”
XPN welcomes Steve Earle & the Dukes to the Colonial Theatre in Phoenixville. Modeling himself after famed singer-songwriters Townes Van Zandt and Guy Clark, Earle has released fourteen records over the course of his career. The Low Highway was released this month through New West Records. Tickets and information for tonight’s show can be found here. Below, watch the video for “Invisible.”
UK alt folk trio Daughter headline Union Transfer tonight. Building buzz off of two EPs, the London outfit have finally released a hauntingly emotional debut album this week called If You Leave. Tickets and information for the show can be found here. Below, watch the video for “Still.”
Grandchildren celebrate their album release at Johnny Brenda’s tonight. Golden Age will be released on May 7th, and you can get an in-depth look at the orchestral pop band’s world surrounding the album in this week’s Unlocked series. Tickets and information for tonight’s 21+ show with The Lawsuits, Laser Background and DJ POW POW can be found here. Watch the video for “Sunrise” below.Colonial Theatre, Daughter, DJ POW POW, Grandchildren, Johnny Brenda's, Keswick Theatre, Landis Theater, Laser Background, Steve Earle, The Bacon Brothers, The Smithereens, Union Transfer
This week’s Unlocked series has been about Grandchildren’s expansive new album Golden Age. Earlier in the week we premiered the new track “End Times,” and today the track is getting the live treatment. Shot at their Underground Arts show back on March 1st, this live performance video is a delicious sample of what Grandchildren do best. Their sound has become what it is, in part because of time spent touring and practicing their dynamic live show, which demands precision, but exudes pure energy. Lucky for you, the band is celebrating the release of their new album tomorrow at Johnny Brenda’s with support from The Lawsuits, Laser Background, and DJ POW POW (Man Man’s Chris Powell) spinning througout the night. Watch the video for “End Times” below:Grandchildren, Unlocked
“The attitude that nature is chaotic and that the artist puts order into it is a very absurd point of view, I think. All that we can hope for is to put some order into ourselves.” - Willem de Kooning, 1968
Everybody deals with getting older in different ways. Some people get motorcycles, others opt for meditation retreats, but everyone faces it regardless. It is the constant struggle to age gracefully, and Aleks Martray and the members of Grandchildren are all dealing with very essential times of their lives. One of the results of the past few years is their new album Golden Age, out May 7th, which The Key is exploring for Unlocked series this week. Amidst the hustle and bustle of the daily routine we caught up with Aleks Martray to chat about the recording process, growing older, and defining the Golden Age.
The Key: What is the Golden Age?
Aleks Martray: It has sort of become a catchall. I tend to write a bunch of music and not really know thematically what I’m working with, or what the message is, it’s all music first. I work a lot more like a composer or an arranger. I have all of this material that I compile, and then I sit back and listen to it and create songs out of it. The lyrics, the words, the concepts, they all come at that last phase once the music has come together. I never really know what I am writing about until the end, and “Golden Age” happens to be the last song I wrote for the album. I think of it like how an author writes an entire book, and then they write an epilogue, and somehow, the epilogue becomes the arc of the story.
For me, that specific song (“Golden Age”) was about the feeling of getting older, and those moments where you feel a narrowing of the openness and possibility of anything happening in your life, and the excitement of it all. And it was about having an experience that was renewed, where you no longer have to see things that way, and things are still open and possible.
It was also about having gone through a lot of things the past few years with family and friends. The past couple years have been weddings and funeral and babies being born, so it is just that time in my life and my band members lives where there is this generational shift, and you are just in the middle trying to place yourself in it. As an adult, and as an artist, and when you are around your parents and grandparents shifting to old age and you have your friends shifting to other phases of life, what happens is everything comes to the surface. It is a sea change moment. “Golden Age” was really revolving around this idea, that everybody, no matter what age or generation, has this magical, golden reference point of the way things used to be, or aught to be, but that is always just a figment of ones imagination.
TK: There seems to be a relationship between the song “Everlasting” from your last album and the new album. Was the thought process that went into “Everlasting” a jumping off point for the new record?
AM: The song “Everlasting” was written, not only at the end of the first record, but a few months after the whole thing was finished. I was actually writing “Everlasting” to start a new record. I think it was the beginning of the process of starting a new record. Two things happened, stylistically I was going in a really different direction. I was a lot more interested in singing and putting the vocals up front, because I have never been a natural singer before, I have always been a songwriter and the singing just came as something I had to figure out. And then beats, being very beat oriented. Those are two things that came together just from writing that song “Everlasting,” and I think that definitely was the beginning of the new album. I see that song “Everlasting”, as a link or bridge between the two albums, and I think you can sort of hear that.
Continue reading →
Several of the members of Grandchildren are artists in additional mediums besides music. Some of them went to school for painting, while frontman Aleks Martray studied film. Needless to say, the album art for Grandchildren is not a simple after thought and was conceptualized with a keen visual eye. This week for our Unlocked series we’re exploring Grandchildren’s new album Golden Age, and today we take a look at Golden Age’s nostalgic cover art with some commentary by Martray.
“Yeah I worked for months and months on album art, had a bunch of different drafts and ideas but nothing really worked. I didn’t even have a grasp on what the album was about yet, but I think when I wrote “Golden Age” and realized what the album was all about, right away this little photo that I had found a few years back came into my mind. I thought, that’s it, no question, no intentions, that’s the image that all this music is about.
My grandfather passed away a few years back and I was in his house with my dad just cleaning it out, and I am kind of a history buff, particularly when it comes to my family history, so I was just collecting hundreds of photos that were all over the house, and out of these hundreds of photos I found this one photo and I never before looked at a photograph and in one second everything was just put into perspective and everything just made sense and was so clear. To me, I know all these people at an older age, so I could already see into their character, so it looked really true to life, but on the other hand, it looked like a staged photograph with costumes and blocking involved. But really it was just this moment in 1969 when my father had graduated from West Point where his family just stood there, and somebody took the picture.
I think it is a really intriguing image, and when somebody who doesn’t know these people sees it, it is even more powerful because they can inject it with their own experiences, their own ideas. It is a very open photograph in a lot of ways. I like anything that borders the line between fact and fiction, or reality and imagination, so for me, the photo is really powerful in that way.”
“The back cover is at a place called Battle Monument, which is actually a Civil War monument. It is an outlook over the Hudson and I have dozens of photos and videos of myself hanging out there as a kid, but it’s at the same location where the front photograph was taken. It’s the idea that the front is a photo from 1969, and then the back is a place where I spent a lot of time as a kid in the 80’s. It was a weird, surreal place to grow up, because, it was a military base so I was surrounded by military culture and these monument cannons, but I would just sit on these cannons and look out over the Hudson. It was a really calm and beautiful place, and it was a weird paradox to have all this military culture in such a beautiful place when you are a kid.”
Continue reading →
When talking to Aleks Martray, singer, guitarist and band leader for the orchestral pop band Grandchildren, he said, about his role in the band: “I feel kind of like The Wizard behind the curtain in The Wizard of Oz.” The cinematic allusion is fitting, given the small stature of the front man and the massive, sweeping compositions he creates. Grandchildren’s new album, Golden Age, finds the band both refining and expanding upon the distinctive sound and dynamics from their 2010 debut album Everlasting. The album, produced by Chris Powell (Man Man) and Bill Moriarty, is coming out on Ernest Jenning Record Co. on May 7th.
This week, we are delving into Golden Age for our Unlocked series, where we feature in-depth coverage of new releases from notable Philadelphia-based artists. Today, we are getting the ball rolling with the pulsing, hypnotic track “End Times”, where Martray’s commanding tenor and the bands fervor reintroduce you to a reinvigorated Grandchildren. Below, download the track below and stream the full album via here via Allmusic.
Grandchildren celebrate their record release this Friday, May 3rd at Johnny Brenda’s with support from The Lawsuits, Laser Background, DJ POW POW (Man Man’s Chris Powell).Grandchildren, Unlocked
North Wales recording space Brighton Sound Studio pulled in Philly psych / pop band Laser Background for their latest video series, produced by local venture Seven Knots Productions. The first of three recordings originating in the recent session, “Fizzy Lifting Drinks” is a song that will be featured on Laser Backgrounds new LP Super Future Montage. The Andy Moholt-led project looks and sounds great in the video, and you can be sure they will look and sound great at Johnny Brenda’s on May 3rd when they support Grandchildren‘s album release alongside The Lawsuits. Tickets and information for the show can be found here. Watch “Fizzy Lifting Drinks” below and stick around for the rest of the Laser Background series.Brighton Sound Session, Grandchildren, Johnny Brenda's, Laser Background, The Lawsuits