Drexel University band Plainview stopped by for this week’s Key Studio Session. They brought some new music with them, a second batch of material following up last springs I’ve Seen This Before debut that sees the four-piece evolving in complexity and style. Listen to “Undertones” below and download the full set here.
Craig Scheihing is a visual artist, filmmaker, and photographer who is an integral part of the Philadelphia DIY music scene. About three years ago, Craig began working out of a personal studio at Big Mama’s, an art space in Philly that is absolutely bursting with young talent.
After a year of working in the space, Craig created Big Mama’s Cinematheque, which he says “grew out of a desire to create an accessible DIY space for film and video artists to share their work, help cultivate a new generation of filmmakers through a workshop initiative, and share the tools and resources I’d amassed through my own work.”
With his obviously gifted eye, a DIY mentality, and a connection to many young bands, Craig has produced music videos, album artwork, and, most recently, adapted films to project alongside bands as they perform live. Continue reading →
Few Philadelphia bands gained as much national attention this year as Hop Along, who just this summer played both the XPoNential Music Festival and Made In America – not to mention went on two headlining tours, plus a run supporting The War on Drugs in the spring. Now, the indie rock darlings are heading out on tour with none other than Modest Mouse, and just today released a video featuring an intimate performance of their song, “I Saw My Twin”— which you can check out below. Continue reading →
The fourth installment of Jay-Z’s Made in America festival kicked off yesterday with a full day of sun and sounds, from hard rock to hip-hop, capped by a knockout performance by pop idol Beyonce. When she played MIA back in 2013, Bey was just ahead of dropping her surprise self-titled release – the record that might just have gone on to be the biggest of her career. Continue reading →
If you’ve been following Hop Along for a while, you know that frontwoman Frances Quinlan is an unironic, unapologetic fan of pop music. We’ve seen her cover La Roux at solo gigs in the past, and we know the when she talks about being excited for sharing a bill with Beyonce at Made in America, she’s actually legitimately excited. Continue reading →
Ten years ago, Frances Quinlan of Hop Along was getting ready to head back for her second year at Maryland Institute College of Art and scrambling to finish her summer recording project: Freshman Year, the first release by her band Hop Along (then called Hop Along Queen Ansleis).
Twelve hours ago, Hop Along posted a video on their Instagram: a vinyl record spinning with the sound of “Sirens” – the opening song on the album – piping through speakers. An acoustic guitar strums, a xylophone chimes and the caption reads “Coming soon……….” Continue reading →
A few months after the release of sophomore LP Painted Shut, Hop Along‘s Frances Quinlan visited with Noisey to record an acoustic version “Buddy in the Parade” from this year’s Painted Shut. The session takes place in the warehouse of a mural company, buckets of paint creating a backdrop for Quinlan and her guitar. And in typical fashion for the musician, her performance has just as much, if not more dynamism than the album. Watch the session below, and see Quinlan with the rest of the band at Made in America on September 5th. Continue reading →
We’re all still basking in the awesomeness of the XPoNential Music Festival last weekend, but we thought we’d point out some of the great moments from the festival that were caught on video on VuHaus. You can check out our complete coverage of the festival here. Continue reading →
If you’re still wistfully reminiscing about Hop Along‘s Saturday performance at XPN Fest, we have something new for you to look forward to! Saddle Creek has announced that they will be reissuing the band’s 2012 debut Get Disowned. Until July 30th (this Thursday), fans can vote on the color of the new records — either ivory, clear, gold, or dark blue. The release date of the reissue is unclear “due to the volatility of vinyl manufacturing”, but the label expects to have the albums out by the end of the calendar year. Continue reading →