Joining us for this Indie Rock Hit Parade live session is an up-and-coming New Jersey band that proves the power of friendship. Forth Wanderers formed in 2013, when singer Ava Trilling and guitarist/songwriter Ben Guterl were in high school. What began as a casual songwriting partnership quickly blossomed into a full-fledged band, rounded out by guitarist Duke Greene, bassist Noah Schifrin, and drummer Zach Lorelli. The group’s newly released self-titled album is their second overall and first for Sub Pop. The morning after their show at the First Unitarian Church, Forth Wanderers dropped by to perform some of the new songs live.
We don’t get too many guest DJs on the Indie Rock Hit Parade. In fact, that role is almost exclusively held by recurring guest Jon Wurster. Still, I like to hand the reins over to a fellow music lover’s capable hands every now and again, and there are few people as capable as taking over the show as Perry Shall.
Joining us for this latest Indie Rock Hit Parade live session is a band with some of the most sneaky-catchy songs you’re likely to hear all year. Nap Eyes formed in 2011 out of the solo project of singer/guitarist Nigel Chapman. Joined by bassist Josh Salter and drummer Seamus Dalton, the group is rounded out by lead guitarist Brad Loughead. Earlier this year, Nap Eyes released their third proper album, I’m Bad Now. The album has a breezy, laid-back quality that evokes keystone records by Silver Jews or early Wilco. The band visited us before their show at Johnny Brenda’s to perform some of the new songs in our studio.
We’re joined for this Indie Rock Hit Parade Live Session by a pair of identical twin brothers who made their IRHP debut just over one year ago. The Mattson 2, featuring guitarist Jared and drummer Jonathan, joined us last spring along with Toro Y Moi’s Chaz Bear, for an in-studio performance of songs from their 2017 collaboration, Star Stuff. Flash forward and the Mattsons are back out on the road, this time on their own. Bringing peerless instrumental chops and omnivorous musical influences and inspirations, The Mattson 2 stopped by before their sold out show with Khruangbin at Underground Arts for this session. Despite the overflow of sounds, I can assure you that there are just two people performing!
Joining us for our latest Indie Rock Hit Parade live session is a group that I’ve been trying to get on the show for years! I first heard about the Montreal-based quartet Ought when they released their 2014 debut album, More Than Any Other Day. In fact, I had slated to have Ought come to the studio to record a live performance for the IRHP, a booking which quickly turned into the group’s World Cafe debut. Four years on, Ought still features singer/guitarist Tim Darcy, drummer Tim Keen, keyboardist Matt May and bassist Ben Stidworthy, but the band’s sound takes a bold new shape on their newly released third album, Room Inside The World. Serving as their first album for Merge Records, Room Inside The World sees Ought subverting pop conventions by fusing their experimental tendencies with urgent, concise songwriting. Though the sprawl of earlier songs like “Gemini” and “Beautiful Blue Sky” might be toned down this time, Ought’s new material is their strongest yet. Hear for yourself in their long-awaited Indie Rock Hit Parade performance:
For this Indie Rock Hit Parade Live Session, we’re joined by an artist whose solo debut is certain to be one of 2018’s best releases. Until earlier this year, Anna Burch was a member of the celebrated folk-rock band Frontier Ruckus. Her solo debut, Quit The Curse, which was released earlier this year, marks a musical change of pace for the Detroit-based singer. Operating in a retro-leaning but still forward thinking rock combo, Burch’s lyrically stimulating songs are strong, funny and effortlessly catchy. Joined by guitarist Paul Cherry, drummer Matt Rickle and bassist Lauren Mott, Burch stopped by during her tour with Ezra Furman to perform songs from Quit The Curse in our studio.
Joining us for this Indie Rock Hit Parade Live Session is a band that I’ve admired ever since their debut album was released in the US. Formed in 2012 by members of several punk- and dance-leaning bands in the London scene, Shopping features guitarist Rachel Aggs, bassist Billy Easter and drummer Andrew Milk. Earlier this year, Shopping released their third full-length, The Official Body. Not surprisingly, given the involvement of producer and indie rock luminary Edwyn Collins, the album is one of Shopping’s best and brightest. The nervous energy of their early records is not sacrificed but rather augmented by a momentum that keeps each song moving forward. Before their show at Johnny Brenda’s, Shopping stopped by to perform selections from The Official Body in our studio:
Joining us in the studio for this Indie Rock Hit Parade Live Session is an artist whose debut album is already one of my favorites of this young year. Renata Zeiguer teamed up with Adam Schatz of Landlady to record her album, Old Ghost, which came out in February. With a nimble voice that effortlessly navigates through knotty melodies, Zeiguer is an artist who becomes more and more beguiling the more you listen. Joined by guitarist Will Graefe, bassist Christian Carpenter and drummer Jason Burger, Zeigeur came to our studio to perform a few of her new songs before a house show in West Philly.
Joining us in the studio for our first Indie Rock Hit Parade session of the year is the band behind one of my favorite records of the last year. Formed just a few years ago in London, Girl Ray‘s debut, Earl Grey, was released in 2017 when all of the members were still teenagers. Featuring Poppy Hankin on guitar, Iris McConnell on drums and Sophie Moss on bass (along with their friend and producer Mike O’Malley on guitar and keys), Girl Ray’s music incorporates influences well beyond the members’ years. Everything from pop to punk to dance music comes together in Girl Ray’s performance, which gives exciting new life to these still-evolving songs.
A lot’s been said already this year about Japanese Breakfast — not to mention its driving force: singer, songwriter and multi-instrumentalist Michelle Zauner.
Candid and vulnerable lyricist. Charismatic and inspiring frontperson. Tight and transcendant live band. Sonic visionaries. Near-universal acclaim for JBrekkie’s Soft Sounds From Another Planet has come in from all corners — The Guardian to The New York Times and NPR — and it is, quite frankly, incredible to see, as we’ve been fans of Zauner and her bandmates in their various forms over the years. She and bassist Deven Patrick Craige go back to beloved punk four-piece Little Big League, she goes further back to Post Post and her production partner (and drummer) Craig Hendrix has worked with anyone from Birdie Busch to Jesse Hale Moore, The Dove and the Wolf and his solo project Auctioneer.
The band is rounded out by guitarist and keyboardist Peter Bradley, and it’s safe to say that Japanese Breakfast has become the highest profile pursuit that any of these Philly-rooted musicians has taken on…and rightfully so. Beyond the emotional hook of Zauner’s songs — which, on Soft Sounds, dissect human connection and communication, positing that our only barriers to intimacy and trust are one another — the band has a tremendous ability to translate that emotion sonically, to make listeners at home and folks in the crowd feel what they are feeling. Continue reading →