Caroline Polachek, vocalist, songwriter, and one-half Brooklyn pop duo Chairlift, has for many years now earned a reputation as one of indie’s most mesmerizing front women, thanks to her smart lyrics, strong pipes, and ability to completely immerse herself in a performance. Together with band-mate Patrick Wimberly, Chairlift has helped refine and defy expectations about pop music for over a decade, moving from a trendy band in an Apple commercial to an innovative musical force, whose repertoire includes everything from re-appropriated action-flick music to choose-your-own-adventure-style music videos—and has continued to grow and evolve with time.
Case-in-point: the band’s third full-length Moth, which dropped earlier this year and might be their best record yet. A glistening, sun-soaked journey through lows and super highs, Moth navigates vulnerabilities and triumphs while always remaining firmly planted in the groove. This month, the band will bring Moth to Philadelphia, playing Underground Arts on April 12. In advance of the show, we rung up Caroline to talk writing, tour, and what Chairlift once did at the First Unitarian Church altar. Continue reading →