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Folkadelphia Session: Circuit Des Yeux

Photo by Julia Dratel, courtesy of the musician.
Photo by Julia Dratel, courtesy of the musician.

Circuit Des Yeux‘s Haley Fohr worships at the altar of sound. I personally became a convert around Overdue, her release from 2013, but her whole body of work treats sound, all sound – the beautiful, the ugly, the harsh, the serene – as transcendent and worthy of consideration and use. She has faith in what is coaxed out of her instruments, circuitry, and voice, and she leads the audience to keep faith as well, to be led to extraordinary sonic locations.
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