The fabulous and frantic Janelle Monae came on the stage in a straight jacket (similar to her performance at the Roots Picnic two weeks ago) and broke free giving the audience a superb afternoon.
Indie rock group Washed Out performed an excellent set in the Gotham Tent during day one of Gov Ball
Getting stoked for XPoNential Fest? Same here. Jenny Lewis put on a kick-butt performance playing tunes from her new album and some Rilo Kiley numbers. Can’t wait to see her again next month. Continue reading →
The anticipation behind this year’s Roots Picnic could have easily evolved into a self-fulfilling letdown of high expectations gone unfulfilled. Fortunately for the sold-out crowd of over 6,000, the day met every benchmark for a phenomenal musical experience.
With the newly-renovated and sand-strewn Festival Pier as its home base, the all-day festival boasted an eclectic line-up of both upstart and established acts of various genres. All acts shared the Questlove seal of approval, bearing a heavy emphasis on rhythm and sunny-day vibes.
Although every act of the day put on a frenzy-whipping set (the strongest of them being, arguably, a sunset-backed and pitch-perfect Janelle Monáe), there were a few noteworthy highlights:
- An inspiring group of sets in the first half of the festival (prior to most attendees’ arrival) with particularly strong ones from New Zealand RnB group Electric Wire Hustle, hip-hop/classical sequence-loops master Emily Wells, blues-rock guitarist and singer Roman Gianarthur (including soulful covers of Erykah Badu’s “Bag Lady” and Radiohead’s “High and Dry”), West Philly’s own Chill Moody, and British drum-and-bass act Rudimental (during which this reporter felt bass shocks that almost stopped his heartbeat)
- Guest appearances from Philly’s own Freeway and Harlem’s Jim Jones during a DJ set from legendary producer Just Blaze, with Freeway performing State Property hits like “Roc da Mic”
- A searing performance from WXPN favorites The War on Drugs, during which frontman Adam Granduciel gave Program Director Bruce Warren a heartwarming shoutout (referring to him as “The Other Boss”)
- The aforementioned strongest set of the day, starting with The Electric Lady herself being wheeled out on a stretcher in a straitjacket before tearing through most of her hits with uncompromising intensity
- The Roots (post-Snoop Dogg) bringing out Doug E. Fresh, Biz Markie, and former member Rahzel for an epic rendition of several popular songs showcasing all three of their legendary beatboxing.
Check out photos from the day’s festivities, taken by local musician and photographer Mark Schaffer, in the gallery below.
Stories of old gigs from The Roots are the stuff of legend around Philadelphia. Throw a stone and you’re bound to hit a Gen-X music lover with memories (perhaps false ones) of surprise shows at now-defunct Old City venues and happenstance Questlove sightings at Northern Liberties brunch spots. These stories might be all that is left of a bygone era in which The Roots helped shape the sonic and ideological imprint of left-of-center hip-hop culture, all the while centering it in a series of extinct local hot spots.
Well, not all that’s left. They may have abandoned a rigorous touring regimen for late night glory, but Quest and co. remain committed to creating awesome moments of cross-genre delight and enlightenment for Philadelphians of all stripes. The clearest definition of this mission statement – one which has followed them into numerous genre-bending albums and collaborations – is the annual Roots Picnic, the 7th installment of which goes down at Festival Pier this Saturday. Few festivals pack such an eclectic and kinetic punch in a small, relatively inexpensive experience. While this year’s lineup is one of its strongest yet, we here at The Key have our eye on a few artists (including some lesser-known ones) who have had especially fascinating years and promise tremendous sets on Saturday.
At the risk of sounding obvious, we’ll say that any set from The Roots is bound to set the mood for a day of gleeful head-nodding. Their reputation as a live act, honed through nearly two decades of constant touring and five years of sequence-scoring for Jimmy Fallon, is well-established. With the recent release of the excellent …And Then You Shoot Your Cousin, the band also promises to deliver some searing live renditions of their epic new material.
The first Made in America festival got a lot of mixed reviews from local concertgoers who were mired in large-scale and largely acceptable skepticism about how a festival of that scale would play out on the Parkway. Unanimous praise was saved, however, for Janelle Monáe’s classic soul-rooted, futuristically-oriented brand of music. After near-unanimous praise for her latest album, 2013’s The Electric Lady, the aptly named Electric Lady promises a solid set of fanciful festivity.
The War on Drugs
At least one prominent Roots Picnic slot is reserved for a buzzworthy indie act who, like The Roots, looks to bridge aesthetic boundaries instead of reinforcing them. Philly’s own The War on Drugs, riding on the success of this year’s acclaimed and dreamscape-y Lost in the Dream, fill big shoes left by genre benders like Vampire Weekend and TV on the Radio. But if their unique take on shoegaze-meets-Americana has a perfect home anywhere, it’s at an open air concert along their hometown’s emblematic waterfront.
R&B singer Janelle Monae, recently announced as part of this year’s Roots Picnic lineup has shared a couple new songs, one of which is a cover of Robert Palmer’s “Simply Irresistible.” Monae covered the Robert Palmer classic as part of E!’s Live From the Red Carpet coverage of the Academy Awards, and puts a fresh funky spin on the 80′s song.
The “new” new song that Monae has released is “What Is Love,” from the forthcoming Rio 2 soundtrack. The song grabs a little bit of Michael Jackson’s “Wanna Be Starting Something” rhythmic stutter and tosses in some island dance grooves. Listen to it below.
Now in its 7th year, The Roots Picinic will bring an eclectic array of music to Festival Pier on May 31, and the band today revealed everything you need to know about this year’s installment.
The year the legendary hip-hop crew will share the stage with Snoop Dogg (backed by The Roots), as well as Janelle Monáe, Action Bronson, A$AP Ferg, araabMUZIK, The War On Drugs, Rudimental, Jhené Aiko, Biz Markie (DJ Set), Bad Rabbits, Electric Wire Hustle, Chill Moody, Emily Wells, Roman GianArthur & more.
Get tickets when they go onsale this Friday at 10 a.m. on Ticketmaster and watch a few of the latest clips from acts on this year’s incredible lineup below.
Retro starlet Janelle Monae will grace the Electric Factory stage tonight. Monae released her critically acclaimed third album, The Electric Lady, last month. Despite her old-school flare, there’s nothing dated about Monae’s music. She’ll make you want to dance (“Q.U.E.E.N.”, “Dance Apocalyptica”) and be seduced (“Primetime” featuring R&B crooner Miguel). Check out her new “emotion picture” for the latter below. Get tickets here.
Part soul, part rock, part R&B, part cabaret, Janelle Monáe has made her career out of morphing musical styles into a giant amalgamation of powerful and uplifting pop that breaks barriers of accessibility across genres. On September 10th, Monae will release her highly anticipated sophomore album Electric Lady. She performs in Philadelphia on Sunday, October 13th at The Electric Factory. Click here for ticket information, and watch the video for “Dance Apocalyptic,” below and listen to “Q.U.E.E.N” which get as close as possible to showing what Monae does best – which is pretty much everything.
Autre Ne Veut headlines tonight’s Making Time event at Voyeur Nightclub. Based in Brooklyn, Autre Ne Veut is the electronic R&B / pop project of former jingle composer Arthur Ashin. Anxiety, released in February, is Ashin’s second effort under the moniker, which means “I think of none other” in French. Also performing at tonight’s party are Delorean, Jacques Greene and Doldrums. Tickets and information can be found here. Below, watch Autre Ne Veut’s video for “Counting.”