Gotta Hear Song of the Week: “Same Old Lie” by Jim James

jim james
Photo by Josh Pelta-Heller for WXPN |

Jim James announced last week that he’ll be releasing a new solo record called Eternally Even on November 4th, a follow-up to 2013’s acclaimed Regions of Light and Sound of God. “Same Old Lie” is the first single from the LP and sees the My Morning Jacket frontman embracing a more political tone in his lyrics.

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XPN MusicNotes: Watch Jim James, M. Ward, Conor Oberst and Zooey Deschanel reunite Monsters of Folk and She & Him

Monsters of Folk | via Pitchfork

Supergroup Monsters of Folk reformed in LA over the weekend, reuniting Jim James, Conor Oberst & M. Ward for the1st time in 6 years. Zooey Deschanel also joined M.Ward for a couple of She & Him songs. Watch some fan video of “Vincent O’Brien”, “To Save Me”, “Never Had Nobody Like You” and “Magic Trick.” Continue reading →


MusicNotes from the XPN Morning Show: Bono’s surgery forces U2 to postpone “Tonight Show” residency, & watch Marcus Mumford, Elvis Costello & Dawes’ Taylor Goldsmith- aka “New Basement Tapes” perform on Ellen


Bono has injured his arm an apparent cycling accident in New York’s Central Park which will require surgery to repair, and has forced the postponement of U2’s week-long residency on the Tonight Show Starring Jimmy Fallon this week. Continue reading →


XPN’s Gotta Hear Song of the Week: “Nothing To It” by The New Basement Tapes

The New Basement Tapes | Photo courtesy of the artist
The New Basement Tapes | Photo courtesy of the artist

Lost On The River: The New Basement Tapes, is a new collaborative album project from Elvis Costello, Rhiannon Giddens (Carolina Chocolate Drops), Taylor Goldsmith (Dawes), Jim James (My Morning Jacket), Marcus Mumford (Mumford & Sons) and producer T Bone Burnett. The album, which will be released on November 11th, celebrates the discovery of never before heard handwritten Bob Dylan lyrics from his 1967 “Basement Tapes” writing and recording period. Continue reading →


Firefly Day Two Roundup: Jim James, Edward Sharpe, Chvrches and more

Jim James | Photo by John Vettese
Jim James | Photo by John Vettese
Wow, we saw so many bands at day two of Firefly Music Festival! To keep this recap from getting too unwieldy (since there’s a whole other day of the festival to get to), we’ll keep our thoughts to one or two sentences per artist.

Japandroids: two-piece garage punk is dicey in a festival setting, and the sound was muffled and muddy, but “The House that Heaven Built” ruled. Hi fives to all crowd surfers as they exited the pit.

Seattle’s string-laden Hey Marseilles was lush, pretty, but kind of boring. The handclap / crowd-participatory “Rio” saved their set.

Jim JamesRegions of Light was transcendent in the close quarters of Johnny Brenda’s and Union Transfer; it lost a bit of its cosmic potency in open air. But James is still a tremendous performer, showman, dancer and must have been roasting in that suit with the afternoon heat.

Compton rapper Kendrick Lamar was an energizing stage presence and had the crowd hanging on his every rhyme. Scotland dance pop trio Chvrches was also charismatic and fun (see them at Union Transfer tonight) while Edward Sharpe and the Magnetic Zeros got us excited for our own festival.

Next: a double shot of dynamic front women. Karen O of Yeah Yeah Yeahs has always rocked the stage with an unbelievable energy, whether it was the Church basement for 300 people or this festival for 10,000 people; “Zero” was unreal, the inflatable eyeball bouncing around the crowd was a nice touch. And New York rapper Azealia Banks, backed by a DJ and two dancers, gave a spitfire performance of songs from her 1991 EP, her Fantasy mixtape and the (eventually) forthcoming Broke With Expensive Taste.

Finally, Tom Petty and the Heartbreakers headlined the day with an uneven but well-received performance. The singalong hits and moments where the Heartbreakers stayed focused a la “Love is a Long Road” were outstanding, but when the band lapsed into drivelly jams, not so much. Still, there’s no feeling like singing “Free Fallin'” at the top of your lungs with a field of people. Photos after the jump. Continue reading →


My Morning Jacket frontman Jim James remixes Bob Marley (MMJ playing XPoNential Music Festival/AmericanaRama Festival of Music in July)

marleyremixed Jim James frontman for My Morning Jacket has remixed a Bob Marley song for Legend Remixed, out on June 25. Legend Remixed is exactly what the title suggests; a remix/reimagination of Marley’s iconic 1984 greatest hits collection Legend. All of Legend’s 16 songs have been remixed by various DJ’s and producers including Stephen Marley, Pretty Lights, Thievery Corporation, Z-Trip with Lee ‘Scratch’ Perry, Roni Size, along with a new rendition and remix of the Bob Marley’s classic “Redemption Song'” by Ziggy Marley. Jim James told the Wall Street Journal:

“I wanted to give the listener a sense of the same awe I felt when I first pulled up the multi-track masters and soloed out the vocals only. It was so unbelievable for me to finally be able to hear the voice I had loved for so long all by itself. So I built the opening around the vocal with minimal bass synth and percussion as well as adding some harmonies in myself.”

Go here to read more about James’ work on the album. My Morning Jacket appears at the AmericanaRama Festival of Music on July 28 with Bob Dylan, Wilco and Ryan Bingham, as part of the XPoNential Music Fetival. Below, listen to James’ remix of “Waiting In Vain.”


Photo and video recap: Jim James at Union Transfer

Jim James played a sold out show at Union Transfer on Saturday evening. Kate McCann was there to take photos. Below, watch a couple of fan videos from the show, and a setlist.

Setlist via.
State of the Art
Know Til Now
Dear One
A New Life
Of the Mother Again
All if Forgvien
God’s Love
Bermuda Highway
Dear God
His Master’s Voice
The Right Place
Losin’ Yo Head
Changing World