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Lost On The River: The New Basement Tapes, is a new collaborative album project from Elvis Costello, Rhiannon Giddens (Carolina Chocolate Drops), Taylor Goldsmith (Dawes), Jim James (My Morning Jacket), Marcus Mumford (Mumford & Sons) and producer T Bone Burnett. The album, which will be released on November 11th, celebrates the discovery of never before heard handwritten Bob Dylan lyrics from his 1967 “Basement Tapes” writing and recording period. Continue reading →
Wow, we saw so many bands at day two of Firefly Music Festival! To keep this recap from getting too unwieldy (since there’s a whole other day of the festival to get to), we’ll keep our thoughts to one or two sentences per artist.
Japandroids: two-piece garage punk is dicey in a festival setting, and the sound was muffled and muddy, but “The House that Heaven Built” ruled. Hi fives to all crowd surfers as they exited the pit.
Seattle’s string-laden Hey Marseilles was lush, pretty, but kind of boring. The handclap / crowd-participatory “Rio” saved their set.
Jim James‘ Regions of Light was transcendent in the close quarters of Johnny Brenda’s and Union Transfer; it lost a bit of its cosmic potency in open air. But James is still a tremendous performer, showman, dancer and must have been roasting in that suit with the afternoon heat.
Compton rapper Kendrick Lamar was an energizing stage presence and had the crowd hanging on his every rhyme. Scotland dance pop trio Chvrches was also charismatic and fun (see them at Union Transfer tonight) while Edward Sharpe and the Magnetic Zeros got us excited for our own festival.
Next: a double shot of dynamic front women. Karen O of Yeah Yeah Yeahs has always rocked the stage with an unbelievable energy, whether it was the Church basement for 300 people or this festival for 10,000 people; “Zero” was unreal, the inflatable eyeball bouncing around the crowd was a nice touch. And New York rapper Azealia Banks, backed by a DJ and two dancers, gave a spitfire performance of songs from her 1991 EP, her Fantasy mixtape and the (eventually) forthcoming Broke With Expensive Taste.
Finally, Tom Petty and the Heartbreakers headlined the day with an uneven but well-received performance. The singalong hits and moments where the Heartbreakers stayed focused a la “Love is a Long Road” were outstanding, but when the band lapsed into drivelly jams, not so much. Still, there’s no feeling like singing “Free Fallin’” at the top of your lungs with a field of people. Photos after the jump. Continue reading →
Jim James frontman for My Morning Jacket has remixed a Bob Marley song for Legend Remixed, out on June 25. Legend Remixed is exactly what the title suggests; a remix/reimagination of Marley’s iconic 1984 greatest hits collection Legend. All of Legend’s 16 songs have been remixed by various DJ’s and producers including Stephen Marley, Pretty Lights, Thievery Corporation, Z-Trip with Lee ‘Scratch’ Perry, Roni Size, along with a new rendition and remix of the Bob Marley’s classic “Redemption Song’” by Ziggy Marley. Jim James told the Wall Street Journal:
“I wanted to give the listener a sense of the same awe I felt when I first pulled up the multi-track masters and soloed out the vocals only. It was so unbelievable for me to finally be able to hear the voice I had loved for so long all by itself. So I built the opening around the vocal with minimal bass synth and percussion as well as adding some harmonies in myself.”
Go here to read more about James’ work on the album. My Morning Jacket appears at the AmericanaRama Festival of Music on July 28 with Bob Dylan, Wilco and Ryan Bingham, as part of the XPoNential Music Fetival. Below, listen to James’ remix of “Waiting In Vain.”
State of the Art
Know Til Now
A New Life
Of the Mother Again
All if Forgvien
His Master’s Voice
The Right Place
Losin’ Yo Head
So somehow you weren’t able to get tickets to see Jim James at Johnny Brenda’s last month and
My Morning Jacket frontman Jim James recently appeared on World Cafe after releasing his debut solo effort Regions of Light and Sound of God. Discussing a transitional period he went through following a 2008 tour and the inspiration he drew from Lynd Ward’s graphic novel God’s Man, James and World Cafe host David Dye move through the musicians’ thought process and songwriting techniques for this latest album in between performances of “State of the Art,” “Know Til Now,” “Dear One” and “New Life.” Stream and download the episode of World Cafe’s Words & Music podcast below. Don’t miss a single episode of the weekly podcast of a World Cafe session. You can subscribe here.
Jim James/My Morning Jacket play this summer on Sunday, July 27 at the XPoNential Music Festival with Bob Dylan, Wilco, and Ryan Bingham as part of the AmericanaramA Festival of Music. Weekend passes are available here.
My Morning Jacket cover “Leaving On A Jet Plane” on a new John Denver tribute album, The Music is You: A Tribute To John Denver, out on April 2nd on ATO Records. MMJ lead singer Jim James recently played Johnny Brenda’s and returns to town to play a sold out show at Union Transfer on April 27th.
“Leaving on a Jet Plane” by My Morning Jacket
“Take Me To Tomorrow” by Dave Matthews
“All of My Memories” by Kathleen Edwards
“Prisoners” by J Mascis and Sharon Van Etten
“Sunshine On My Shoulders” by Train
“Back Home Again” by Old Crow Medicine Show
“This Old Guitar” by Lucinda Williams
“Some Days are Diamonds” by Amos Lee
“Rocky Mountain High” by Allen Stone
“Annie’s Song” by Brett Dennen and Milow
“Looking For Space” by Evan Dando
“Take Me Home, Country Roads” by Brandi Carlile and Emmylou Harris
“The Eagle and The Hawk” by Blind Pilot
“I Guess He’d Rather Be In Colorado” by Mary Chapin Carpenter
“Darcy Farrow” by Josh Ritter and Barnstar!
“Wooden Indian” by Edward Sharpe and the Magnetic Zeros
All Photos by Eric Ashleigh | showtographe.com
The energy was unreal. A couple hundred fans of exploratory Americana band My Morning Jacket (and its far-out frontman Jim James) packed into the cozy confines of Johnny Brenda’s last night for a full performance of Regions of Light and Sound of God, James’ thought-provoking and eclectic solo debut on ATO Records.
The album has only been out for a few weeks, but the crowd was massively responsive to the relatively new material, beginning with progressive opener “State of the Art.” Rhodes keys and James’ haunting vocals were augmented with a deep bass groove and a fierce drumbeat, and the room cheered wildly with each new layer as the man at the mic wrestled with the thought of technology that’s “supposed to make for better living, but are we better human beings?”
A surprising but certainly apt question to pose on a journey through eclectic electronic soundscapes. Continue reading →